DARK TOURISM HERE IN THE UK ORIGINAL KU KLUX KLAN EXPLOITATION AND SEXPLOITATION MOVIE POSTERS … BANNED THROUGHOUT THE WORLD , BUT HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL, UK

HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

PLEASE DO BE AWARE THAT  THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION , CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR OTHERWISE MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

WIDELY REGARDED TO BE BLACK RACISM MOVIES MANY OF THESE NOW BANNED KU KLUX KLAN MOVIE POSTERS WERE DEEMED TO BE A GLORIFICATION TOOL AND USED FOR RECRUITMENT OF NEW MEMBERS INTO THIS WHITE EXTREMIST HOODED ROBE MOVEMENT

 

HERE BELOW IS A BRIEF PICTORIAL INSIGHT INTO SOME OF THE KKK MEMORBILIA ITEMS HERE ON DISPLAY AT THE JAIL

Movies about the Ku Klux Klan (KKK)

Ever since the release of legendary director D.W. Griffith’s controversial epic The Birth of the Nation (1915), based on Thomas F. Dixon Jr.’s (play and) novel titled The Clansman: An Historical Romance of the Ku Klux Klan and featuring silent star Lillian Gish and future Oscar winner Donald Crisp (among others), classic Hollywood seems to have avoided taking on the KKK to expose its wicked acts or its members’ ignorant beliefs in any substantive way. Though there are several dramas which incorporate it – or at least Klan-like organizations – peripherally, classic films that feature any real detail about its beginnings, longevity, charters, or even insight into its leaders and/or their motivations etc. are surprisingly absent. Maybe the studios felt that real evil and its practitioners were being adequately portrayed in their gangster and war pictures, or perhaps there were fears that a movie about the Klan wouldn’t make good at the box office (particularly in the South)?

The Warner Bros.’s Storm Warning (1951) wasn’t very specific about the KKK’s prejudices, though much of the film’s dialogue (from prosecutor Ronald Reagan and the miscast Ginger Rogers character) does deliver the requisite indictment of the organization and its members: too scared to act without the courage of numbers or show their faces (hence the hoods). But the twist is that the Grand Dragon’s real motivation for leading the clandestine group is financial – there’s real money for him in the dues and the paraphernalia he sells to its members – such that he comes off as a corrupt union boss, or worse a capitalist;-) In the end, the leader’s true self centered (versus “all for one”) nature is revealed and the enraged and disillusioned group wises up and runs for cover from the law. Warner’s Black Legion (1937), starring Humphrey Bogart and featuring a plot plausible enough to earn Robert Lord his second Best Writing-Original Story AA nom, did a better job of exploring the roots of hatred and xenophobia that can seduce one to join such an organization. Since I wrote about MGM’s Stars in My Crown (1950) in my earlier Films about Faith essay, I’ll not include any more text about it here other than to mention that actor Ed Begley (Sr.) seemed to have excelled in portraying angry racist characters. The WB’s (and producer-director Mervyn LeRoy’s) overlong drama The FBI Story (1959), a veritable paean to the organization’s squeaky clean agents and the stout leadership of J. Edgar Hoover, warrants barely a mention except that one of its storylines includes the infiltration of the KKK by the film’s principal character, played by James Stewart.

Which brings me to The Mating Call (1928), produced by Howard Hughes and including titles written by future Oscar winner Herman J. Mankiewicz. The Klan-like organization in this one is named “The Order” and its purpose is to enforce a morality code within its community: black hooded individuals tie a wife beater to a cross and whip him for abusing his spouse. But the primary sin herein is adultery. Upon returning home a hero after serving his country during World War I, Leslie Hatton (Thomas Meighan) finds that his wartime marriage to Rose (Evelyn Brent, playing a sexually aggressive man-eater) was annulled by her parents. But even though he’s (somehow) not interested in having an affair with his former bride, Hatton’s accused of fooling around with Rose by her current husband Lon, a hypocrite that’s having extramarital relations of his own (with a judge’s daughter, no less). Lon uses The Order to threaten the war hero to leave his wife alone. Hatton’s solution to avoid future visits and further scrutiny from these local self-appointed moral authorities includes his going to Ellis Island and marrying a French girl (Renee Adoree, The Big Parade (1925)) whose parents want to immigrate to the United States. However, a subsequent scandal affecting the aforementioned characters (and others) leads The Order to become involved in Hatton’s life again.

Some other dramas that feature the KKK or like-minded groups are: Legion of Terror (1936), The Burning Cross (1947), Another Part of the Forest (1948), The Klansman (1974), Places in the Heart (1984), which earned writer (director) Robert Benton (Kramer vs. Kramer (1979)) his third Oscar, and Mississippi Burning (1988); plus, it’s hard to forget the hilarious scene in Mel Brooks’ western spoof Blazing Saddles (1974) in which Cleavon Little (accompanied by Gene Wilder) dons a white rob and hood

DARK TOURISM IN THE UK……. NAZI SEXPLOITATION AND EXPLOITATION MOVIE POSTERS. BANNED THROUGHOUT THE WORLD … DISPLAYED HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, UK

HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

POLITE WARNING …  THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL (WHERE UPON THIS EXHIBITION IS HOUSED )  IS NOT SUITABLE FOR CHILDREN, OR THOSE OF YOU WHO ARE EASILY OFFENDED , DISTURBED OR OF A SENSITIVE NATURE …..

PLEASE DO BE AWARE THAT  THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION , CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR OTHERWISE MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

CERTAINLY POLITICALLY INCORRECT IN TODAY’S SOCIETY – THE TITILLATING, NAZI EXPLOITATION AND SEXPLOITATION FILMS TOUCHING ON THE VERY SENSITIVE TRUE CRIME HORRORS OF THE NAZI HOLOCAUST YEARS . 
EXHIBITED HERE AT LITTLEDEAN JAIL. RIGHT OR WRONG YOU AS VISITORS DECIDE FOR YOURSELVES 

HERE BELOW ARE SOME OF THE MANY NAZI HOLOCAUST SEXPLOITATION AND EXPLOITATION MOVIE POSTERS ON DISPLAY AT LITTLEDEAN JAIL .

THESE HAVE BEEN BANNED WORLDWIDE AND ARE VERY RARE . 

Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves villainous Nazis committing criminal acts of a sexual nature often as camp or prison overseers in World War II settings. Most follow the standard women in prison formula, only relocated to a death camp or Nazi brothel, with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (and the one that set the standards of the genre) is perhaps Ilsa, She Wolf of the SS (1974), a Canadian production. Its surprise success and sequels led European film makers, mostly in Italy, to produce dozens of similar films depicting Nazi atrocities. While the Ilsa series and Salon Kitty were profitable, the other films were mostly box-office flops and the genre all but vanished by the mid 1980s.
In Italy, these films are known as part of the “il sadiconazista” cycle which is largely inspired by the art-house films Salon Kitty by Tinto Brass, Liliana Cavani’s The Night Porter, and Pier Paolo Pasolini’s Salò. Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, aka The Beast in Heat, SS Hell Camp), Cesare Canevari (L’ultima orgia del III Reich, aka Last Orgy of the Third Reich), and Alain Payet (Train spécial pour SS, aka Hitler’s Lust Train, Love Train for The SS), all from 1977.

WARNING ……

HERE BELOW ARE SOME GRUESOME AND SEXUALLY EXPLICIT TRAILERS AND AN ENTIRE FILM (VERY SEXUALY GRAPHIC ) RELATING TO THE EVIL NAZI SEXPLOITATION AND EXPLOITATION MOVIES OF THE 1970’S

German camp brothels in World War II

From Wikipedia, the free encyclopedia

Camp brothel in Gusen, Austria

In World War II Nazi Germany established brothels in the concentration camps (Lagerbordell) to create an incentive for prisoners to collaborate, although these institutions were used mostly by Kapos, “prisoner functionaries” and criminal element, because real inmates, penniless and emaciated, were usually too debilitated and wary of exposure to SS schemes. In the end, the camp brothels did not produce any noticeable increase in the prisoners’ work productivity levels, but instead, created a market for coupons among the camp VIPs.^[1] The women forced into these brothels came mainly from the Ravensbrück concentration camp,^[2] except for Auschwitz, which employed its own prisoners.^[3] In combination with the German military brothels in World War II, it is estimated that at least 34,140 female inmates were forced to serve as prostitutes during the Third Reich.^[3]

Further information: German military brothels in World War II and Rapes of the Wehrmacht

[edit]History and operation

Heinrich Himmler inspecting the camp brothel inMauthausen/Gusen

The first camp brothel was established in Mauthausen/Gusen in 1942. After 30 June 1943, a camp brothel existed in Auschwitz, and from 15 July 1943, inBuchenwald. The one in Neuengamme was established in early 1944, Dachau‘s in May 1944, Dora-Mittelbau‘s in late summer, and Sachsenhausen‘s on 8 August 1944.^[4] There are conflicting dates for the camp brothel in Flossenbürg: one source claims summer 1943^[5]; another states it was not opened until 25 March 1944.^[4]

The camp brothels were usually built as barracks surrounded by a barbed-wire fence, with small individual rooms for up to 20 women prisoners, controlled by a female overseer (Aufseherin).^[1] The sex workers were replaced frequently due to exhaustion and illness, and were usually sent away to their deaths later. The brothels were open only in the evenings. No Jewish male prisoners were allowed. Those with access to the customer lineup (Aryan VIPs only), had to sign up for a specific day and pay two reichsmarks for a 20-minute “service” based on a predetermined schedule. The prostitutes were matched with their clients by an SS-man. The market for the “prize-coupons” was routinely cornered by the common criminals who wore the green triangles (hence the “green men” denomination).^[1]There is evidence (somewhat controversial)^[6] that in some of the brothels, women might have had tattoos inscribed on their chests saying “Feld-Hure” (Field Whore).^[7] Some of them underwent forced sterilizations as well as forced abortions, often resulting in death.^[3]

The subject of camp prostitution was alluded to in survivors’ memoirs at least as early as 1972, when the first edition of Heinz Heger’s book^[5] was published. However, the subject remained largely taboo in studies of Nazism until the mid-1990s, when new publications by female researchers broke the silence.^[8][9]

Sometimes the SS enticed women into becoming sex workers by promising them better treatment or reductions of their indefinite sentence. This caused anger or envy among some female inmates. Nina Michailovna, Russian camp prisoner, reported: “When we found out that a girl in our block was chosen, we caught her and threw a blanket on her and beat her up so badly that she could hardly move. It wasn’t clear if she would recover. They just wanted to have a better life and we punished them this way.”^[10]

[edit]Homosexual prisoners and camp brothels

In addition to using camp brothels as a means to control inmates, encourage collaboration, and prevent riots and escapes, Heinrich Himmler also intended them to be used as a means of teaching pink triangle prisoners “the joys of the opposite sex”^[5], i.e., as “therapy” for their homosexuality. Heger claims that Himmler directed that all gay prisoners were to make compulsory visits to the camp brothel once per week as a means of curing them of their same-sex attraction.^[5]

[edit]Cultural references

German concentration camp brothels were re-enacted in fictional Nazi exploitation films made in the 1970s such as Ilsa, She Wolf of the SS, Last Orgy of the Third Reich, Love Camp 7, SS Experiment Camp and Nazi Love Camp 27.^[11] Examples of Israeli fictional literature on the subject include writer’s Yehiel De-Nur alias K. Tzetnik’s book The House of Dolls and Stalag fictiongenre.^[12][13]

[edit]See also

• Comfort women (Japan)
• German military brothels in World War II
• German war crimes
• Recreation and Amusement Association (Japan)
• Sexual Slavery by Germany during World War II
• War rape by German forces during World War II

[edit]Notes

1. ^ ^a b c “Camp Brothel.” Wollheim Memorial. Accessed June 30, 2011.
2. ^ New Exhibition Documents Forced Prostitution in Concentration Camps – Der Spiegel – 15 January 2007
3. ^ ^a b c Nanda Herbermann, Hester Baer, Elizabeth Roberts Baer (2000) (Google Books). The Blessed Abyss: Inmate #6582 in Ravensbruck Concentration Camp for Women. Detroit: Wayne State University Press. pp. 33–34. ISBN 0-8143-2920-9. (English)
4. ^ ^a b Christl Wickert: Tabu Lagerbordell, in: Eschebach/Jacobeit/Wenk: Gedächtnis und Geschlecht, 2002, S. 44
5. ^ ^a b c d Heinz Heger, Die Männer mit dem rosa Winkel, 5th ed., 2001, p. 137
6. ^ Tom Segev, “Who was the camp whore?” Haaretz.com, January 13, 2011
7. ^ Melissa Kuntz (2007) (WWW), The Forgotten Photographs: The Work of Paul Goldman from 1943-1961, Pittsburgh: American Jewish Museum See photograph of an inmate with chest tattoopublished by Jerusalem Post, retrieved January 10, 2011
8. ^ Christa Schulz, “Weibliche Häftlinge aus Ravensbrück in Bordellen der Männerkonzentrationslager” (Female prisoners from Ravensbrück in brothels for male concentration camp prisoners)
9. ^ Christa Paul, Zwangsprostitution. Staatlich errichtete Bordelle im Nationalsozialismus (Forced prostitution: Brothels established by the National Socialist State).
10. ^ In: Thomas Gaevert / Martin Hilbert: “Frauen als Beute” (“Women as Booty”), 2004 documentary film made for ARD. Quote in German: „Wenn wir wußten, daß in unserem Block eine ausgesucht wurde, haben wir sie geschnappt und ihr eine Decke übergeworfen und sie so verprügelt, daß sie sich nicht mehr rühren konnte. Es war unklar, ob sie sich davon überhaupt wieder erholen könnte. Die wollten doch nur ein schöneres Leben haben und wir haben sie so bestraft.“
11. ^ Stiglegger, Marcus (2007-02-09). “Beyond Good and Evil? Sadomasochism politics cinema 1970s”. IKONEN. Ikonenmagazin.de. Retrieved 2010-03-14.
12. ^ Schultzes Hündin, taz
13. ^ “Folternde, vollbusige SS-Frauen «”. Diepresse.com. 2010-02-18. Retrieved 2010-03-14.

THE HORRORS AND EVIL ATROCITIES OF RELIGIOUS WARFARE DURING THE WW2 NAZI HOLOCAUST YEARS WITH THE BLOODTHIRSTY CROATIAN PRO-NAZI, “USTASHA BLACK LEGION MILITIA” ,

JASENOVAC CONCENTRATION CAMP …. ONE OF THE CRUELEST AND MOST EVIL OF THEM ALL … AS FEATURED HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , UK … “LEST WE FORGET”

BELOW ARE TWO INTERACTIVE DOCUMENTARY INSIGHT FOOTAGE VIDEOS OF THE HORRORS WITHIN THE CAMP . NO WORDS THOUGH WE ARE SURE YOU WILL AGREE, THESE IMAGES TELL A THOUSAND OR MORE UNTOLD STORIES .

The Ustaše (pronounced [ûstaʃe]), also known as “Ustashe”, “Ustashas”, and “Ustashi”, were members of the Ustaša – Croatian Revolutionary Movement (Croatian: Ustaša – Hrvatski revolucionarni pokret), a Croatian fascist and terrorist organization active, in its original form, between 1929 until 1945. Its members murdered hundreds of thousands of Serbs, Jews, and Roma during World War II in Yugoslavia

 

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …

Witness drawing of the sboskek wrist knife used to quickly dispatch prisoners at Jasenovac

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

ORIGINAL “SRBOSJEK” SERB THROAT CUTTER AS WAS USED BY THE USTASHA BLACK LEGION AT JASENOVAC CONCENTRATION CAMP DURING THE WW2 NAZI HOLOCAUST YEARS NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

Heavy long handled wooden-mallet/club-used-to-crush-the-skulls-of-prisoners-at-jasenovac

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

HEAVY DUTY LONG HANDLED MALLET/HAMMER OF THE KIND THAT WAS USED BY THE USTASHA BLACK LEGION AS A PREFFERED FORM OF KILLING INMATES AT THE WW2 CROATIAN CONCENTRATION CAMPS …RATHER THAN GASSING THEIR VICTIMS

GROUND DUG ORIGINAL USTASHA BLACK LEGION UNIFORM INSIGNIA

GROUND DUG ORIGINAL USTASHA BLACK LEGION BELT BUCKLE REMNANT AND UNIFORM CAP BADGE

GROUND DUG ORIGINAL USTASHA BLACK LEGION UNIFORM CAP BADGE

GROUND DUG ORIGINAL USTASHA BLACK LEGION UNIFORM CAP BADGE

GROUND DUG ORIGINAL USTASHA BLACK LEGION BELT BUCKLE REMNANT

GROUND DUG ORIGINAL USTASHA BLACK LEGION BELT BUCKLE REMNANT

GROUND DUG ORIGINAL USTASHA BLACK LEGION UNIFORM INSIGNIA

GROUND DUG ORIGINAL USTASHA BLACK LEGION UNIFORM INSIGNIA

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … LEATHER BELT COMPLETE WITH IT’S ORIGINAL BUCKLE , ALONG THE TOP RIM ARE HAND SCRATCHED NOTCH MARKS PURPORTING TO BE NUMBERS OF KILLS BY THE OWNER OF THE BELT

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … LEATHER BELT COMPLETE WITH IT’S ORIGINAL BUCKLE , ALONG THE TOP RIM ARE HAND SCRATCHED NOTCH MARKS PURPORTING TO BE NUMBERS OF KILLS BY THE OWNER OF THE BELT

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … LEATHER BELT COMPLETE WITH IT’S ORIGINAL BUCKLE , ALONG THE TOP RIM ARE HAND SCRATCHED NOTCH MARKS PURPORTING TO BE NUMBERS OF KILLS BY THE OWNER OF THE BELT

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … LEATHER BELT COMPLETE WITH IT’S ORIGINAL BUCKLE , ALONG THE TOP RIM ARE HAND SCRATCHED NOTCH MARKS PURPORTING TO BE NUMBERS OF KILLS BY THE OWNER OF THE BELT

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … LEATHER BELT COMPLETE WITH IT’S ORIGINAL BUCKLE , ALONG THE TOP RIM ARE HAND SCRATCHED NOTCH MARKS PURPORTING TO BE NUMBERS OF KILLS BY THE OWNER OF THE BELT

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … HANDMADE LADY SIZED USTASHA DECORATIVE RING WITH THE LETTERS A.M. ETCHED TO THE SIDE

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … HANDMADE LADY SIZED USTASHA DECORATIVE RING WITH THE LETTERS A.M. ETCHED TO THE SIDE

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … HANDMADE LADY SIZED USTASHA DECORATIVE RING WITH THE LETTERS A.M. ETCHED TO THE SIDE

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA CAP BADGE

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA CAP BADGE

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA SOLDIER’S HANDMADE DECORATIVE RING MADE FROM THE REMNANTS OF A PIECE OF KRUPP BERNDORF CUTLERY WITH AN ADDED USTASHA EMBLEM .

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA SOLDIER’S HANDMADE DECORATIVE RING MADE FROM THE REMNANTS OF A PIECE OF KRUPP BERNDORF CUTLERY WITH AN ADDED USTASHA EMBLEM .

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA SOLDIER’S HANDMADE DECORATIVE RING MADE FROM THE REMNANTS OF A PIECE OF KRUPP BERNDORF CUTLERY WITH AN ADDED USTASHA EMBLEM .

ORIGINAL “GROUND DUG ” FROM A USTASHA EXECUTION SITE … A USTASHA SOLDIER’S HANDMADE DECORATIVE RING MADE FROM THE REMNANTS OF A PIECE OF KRUPP BERNDORF CUTLERY WITH AN ADDED USTASHA EMBLEM .

During the Holocaust, one group of killers stood out as more vicious, murderous, and bloodthirsty than all others. The Ustasha of Yugoslavia was a Muslim-Catholic alliance of Nazi killers so beastly that even Nazi officials in Berlin were horrified. The Ustasha and three related crack divisions of Arab-Nazi Waffen SS comprised of tens of thousands of Muslim volunteers and terrorized people of all faiths in Yugoslavia. In large measure, these murder machines emerged through the efforts of the grand mufti of Jerusalem, Hajj Amin al-Husseini. The grand mufti was on a mission to accelerate the extermination of all Jews everywhere. His partner was Adolf Hitler. The epic story of this alliance is one that began in Jerusalem, traveled to Baghdad, culminated in the Balkans, and ultimately spread across all Europe. In many ways, the scene was set centuries ago by the Medina Extermination of 627. Medina was a largely Jewish city. When its 600 or so Jews refused to convert to the new Muslim religion, the Prophet Muhammad murdered them in a protracted ceremony, beheading the Jewish faithful one by one. This massacre became a glorious iconic event in Islamic history. After Medina, the Islamic Conquest swept across the Middle East and North Africa. In about 700, the Pact of Umar declared that Jews and Christians under Muslim control could continue as non-Muslims, but only as dhimmis – that is, second-class citizens reviled for their existence and denied many ordinary rights. Throughout the ages while dwelling in the various realms of the Muslim world, Jews and Christians were either allowed to excel and thrive or were brutally repressed and persecuted, depending on the decade and territory. But the context of their existence – whether successful or subjugated – was always as second-class citizens. Islam’s many anti-Jewish mandates were not just ancient textual relics but were often quoted by Islamic leaders throughout the centuries. When the League of Nations, Britain, France, the United States, Germany, and finally Turkey endorsed a Jewish homeland, each with a formal resolution resembling that of the Balfour Declaration, it ignited a seismic outrage among Arabs. The very thought of Jews living as equals was anathema to Palestinian Arabs. From 1920, their regular rallying call was Itbach al Yahood! – Slaughter the Jews. With knives and rifles, in small spontaneous groups and organized mobs, Arabs murdered Palestinian Jews, burned their Torahs and laid waste to their synagogues as Jews tried to rebuild a homeland. Indeed, in 1929, when Jews sat down while they prayed at the Western Wall, violating Islamic prohibitions against Jews sitting there – a mob of Arabs swarmed over Hebron sadistically killing dozens. The Jewish baker was baked in his own oven. A Jewish scholar’s brain was extricated and used as a ball. In 1937, the Peel Report concluded that two states should be created, one Arab and one Jewish, living side by side. But the Muslim world would not tolerate the notion of coexistence with Jews as equals. “Our hatred for the Jews dates from God’s condemnation of them for their persecution and rejection of Isa [Jesus], and their subsequent rejection later of His chosen Prophet [Muhammad] . Verily the word of God teaches us, and we implicitly believe this for a Muslim to kill a Jew ensures him an immediate entry into Heaven and into the august presence of God Almighty. What more then can a Muslim want in this hard world?” These were the words of the king of Saudi Arabia during a lecture to the British Foreign Ministry in 1937. The grand mufti of Jerusalem was the leader of the Palestinians. The Nazi-Arab alliance had been aggressively sought by the Arabs of Palestine since the Third Reich’s first moments in 1933. After the Peel Report, the mufti and his loyal followers launched a murderous, non-stop insurrection known as the Arab Revolt. When the British tried to arrest him, the mufti fled to Iraq where he helped foment a coup. In Iraq, the mufti found a virulent and widely embraced Arab-Nazi movement. Mein Kampf had been serialized in Arabic. Hitler Youth-style Arab regiments were well organized. On June 1-2, 1941 – after a failed Nazi-Arab attempt to exterminate the Jews of Iraq – Baghdad Nazis, the police and national military units went on a two-day murder spree. Once the British finally restored order, the mufti fled again, this time to Iran where another failed Nazi takeover was thwarted. From Iran, the mufti and his cohorts escaped to Berlin to meet Hitler personally. In Berlin, a pact was sealed to provide Arab oil and battlefield military assistance sufficient to help the Nazi push into Russia in exchange for recognizing an Arab national state and exterminating the Jews. Arab military units formed from Paris to Palestine. Arabs and Muslims worldwide, on the radio and in newspapers, incessantly and openly called for the extermination of the Jews. The rallying cry was: “In Heaven, Allah is your master; on Earth, Adolf Hitler.” When Heinrich Himmler needed to fight the partisans of Yugoslavia to protect German supply lines, the mufti visited the region and helped organize tens of thousands of Muslims and Arabs into three Waffen SSdivisions. Those three divisions – the Handschar, the Skandebeg, and the Kama – formed artillery brigades, transport battalions, infantry companies, and fought a bloody trench and mountain warfare against the partisans in Albania, Bosnia, Croatia, and the other Balkan territories. * * * * * Concomitantly, a Nazi murder militia known as Ustasha was created from a legion of Catholic and Muslim killers. The history is complex. In the Croatian maelstrom of ethnic and religious hatred, steered by Nazi mentors and puppet masters, Catholic Croats ironically decreed that all Muslims were Croats. This enabled the Catholic Croats to establish a majority in their enlarged territorial domain. That enlarged Independent State of Croatia was known in the dialect as Nezavisna Država Hrvatska, or the NDH. The Independent State of Croatia was in fact a bi-ethnic murder regime sworn to exterminate the millions of Yugoslavians who were neither Catholic nor Muslim through the Ustasha. Although Muslims were a minority in the NDH, the Bosniak Muslim faction and the Croatian Catholics jointly ruled and jointly murdered. The NDH’s fascist extremist president was a staunch Hitler ally and former Jesuit seminarian, Ante Pavelić. His official title was poglavnik, a Croatian word that approximates der Führer.The vice president was Muslim Džafer-beg Kulenović, previously president of the Yugoslav Moslem Organization, a Bosniak nationalist organization. The Croatian minister of culture and education was Mile Budak, a rabid Catholic-Nazi who propagated the axiom of killing one-third, converting one-third and expelling one-third of all Serbs. Budak and other Catholic Croats believed Muslims were actually descendants of the ancient Bogomil people who had inhabited the Croatian lands centuries earlier. As a leader in forging the Muslim-Catholic alliance, Budak enthusiastically proclaimed in 1941, “We Croats are happy and proud of our [Christian] faith, but we must be conscious of the fact that our Muslim brothers are the purest ofCroats.” He elaborated in a speech that the NDH was “Christian. [But] it is also a Muslim state where our people are of the Muslim religion.” In July 1941, Budak openly declared that the new state must exterminate “foreign elements,” that is, Jews and Gypsies as well as the larger enemy, Orthodox Serbs. Budak hid nothing about his plans. “The basis for the Ustasha movement is religion,” announced Budak. “For minorities such as Serbs, Jews, and Gypsies, we have 3 million bullets.” To cement the Muslim and Catholic killing coalition, NDH president Pavelić converted a local Zagreb museum to a huge and impressive mosque, adding surrounding minarets to its modern architecture, and naming the mosque after himself. Numerous NDH ministries were controlled or headed by Muslims. Pavelić even donned a Muslim fez to show his solidarity. Muslims were invited to join the barbaric Croatian Peasant Party and did so in significant numbers. When Muslims served in the Ustasha First Regiment, known as Black Legion, their black uniforms were the same as their Catholic co-killers. Senior officers were dressed in identical garb. Ibrahim Pirić-Pjanić and Memesaga Dzubur led their own local Ustasha-affiliated contingents. Muslim Ustasha Muhamed Hadžiefendić led his own militia in Tuzla. Hadžiefendić’s militia became so strong that Bosniaks wanted it to operate autonomously in Muslim areas of Bosnia. The Diet legislature, which passed a sequence of genocidal decrees, included 11 Muslims specifically appointed for that purpose. These decrees included outlawing Serbian and Jewish existence in Croatia, the looting of Serbian and Jewish property, and the systematic transfer to Serbian and Jewish citizens into death camps and merciless killing fields. Catholic priests commonly operated the concentration camps, enforcing the most degrading of slaughter rituals. In Sarajevo, most of the looted and confiscated property of victims went to Muslims, who raced to grab Jewish and Serbian assets before their Catholic partners. Under Croatian decrees, Jews were compelled to wear yellow Star-of-David armbands and back patches marked with a “Z” for Zidov, the Croatian word for Jew. Muslims plundered and decimated the Great Sephardic Synagogue in Sarajevo and the centuries-old synagogue in Dubrovnik. When Muslim families were moved out of their villages near the battle lines, the Ustasha evicted Jews from their homes so the Croatian Muslims could take their place. When Jews fled the November 1941 mass roundups in Sarajevo, preparatory to planned extermination, a number of them escaped only by disguising themselves under Muslim veils. At the same time, many of the Jews who did survive the Jew-hunts did so by appealing to merciful neighbors in the Muslim quarter that took them in and hid them until they could escape safely. Many Muslims in Sarajevo rejected the Bosniak Ustasha horror and tried – in vain – to protest to their co-religionists. Serbs suffered enormously. As Serbs were being forcibly converted to Catholicism, some 450 Serbian Orthodox churches were demolished and their religious icons defiled. Orthodox priests were gruesomely tortured and their families shipped to concentration camps where they were subjected to every inhumanity. * * * * * Pavelić declared early on, “This is now the Ustasha and Independent State of Croatia. It must be cleansed of all Serbs and Jews. There is no room for any of them here. Not a stone upon a stone will remain of what once belonged to them.” He later said, “The Jews will be liquidated within a very short time.” To this end, more than 20 Ustasha concentration camps were established for the killing process, manned by combined Catholic and Muslim forces. The most notorious of these camps was the hellish complex known as Jasenovac, considered by many to be more sadistic than Auschwitz. The Ustasha’s barbaric methods for exterminating Jews and Serbs included sadistic group killing by cracking heads open with hammers until the cranial cavity was exposed. That was for adults. Children were commonly marched into the forest where their heads were crushed with long mallets. Sometimes children were thrown live into flaming furnaces. Decapitation or dismemberment with giant lumber saws was frequent. All too often, these Ustasha atrocities were not committed in fits of mad rage, but for sport, with the gleeful perpetrators smiling for the camera over the helpless victim waiting to be brutalized. Mass throat-slittings at great velocity were achieved with a small hand blade wrapped tight to the wrist and dubbed the Serbcutter. One night, guards at Jasenovac wagered among themselves to see who could cut the most throats with their Serbcutters. Guard Petar Brzica, a Franciscan priest, was determined to prove his skill, which he did by slicing the throats of an estimated 1,360 inmates. Guard Mile Friganović was close behind the winner, murdering about 1,100 Serbs that night. But Friganović was also known for an unspeakable incident in which an old man was asked to shout a salute to Croat president Ante Pavelić. When the old man hesitated, Friganović systematically and gleefully cut off his ears first, then his nose and tongue, after which he gouged out his eyes and then extracted the victim’s heart – and only after all that did Friganović end it all by slitting the prisoner’s throat. Friganović called the experience one of “ecstasy.” Groups of shivering Jewish children were brought into a camp one day. For sport, one guard began spinning a child above his head as the other guards slashed at him with their bayonets. Eventually, the guard was left with nothing but the child’s hand as a trophy. Other Ustasha trophies included eyeball collections, stored in wicker baskets for show and sometimes worn strung up in necklaces. NDH president Pavelić himself once showed a journalist a wicker basket filled with some 40 pounds of eyeballs. Pavelić joked that he could make an oyster stew with them. “A good Ustasha,” Pavelić told his troops, “is he who can use his knife to cut a child from the womb of its mother.” Cruel and inhumane as the Nazis were, they retreated in wide-eyed astonishment when they learned of the joint Catholic-Muslim Ustasha atrocities. German General Edmund Glaise von Horstenau, commanding officer of the region headquartered in Zagreb, reported back to Berlin, “According to reliable reports from countless German military and civil observers during the last few weeks, the Ustasha have gone raging mad.” He added: “The most wicked [concentration camp] of all must be Jasenovac, where no ordinary mortal is allowed to peer in.” Hermann Naubacher, Hitler’s personal assistant for the Balkans, called the Ustasha exterminations “a crusade that belongs among the most brutal mass-murder undertakings in the entire history of the world.” Naubacher somberly added, “According to the reports that have reached me, my estimate is that the number of those defenseless slaughtered is some three-quarters of a million.” Eventually, the Nazis fell. Their allies in the Ustasha and the three Waffen SS divisions faced postwar justice in many cases. But too many melted into the turbulent history of the Cold War. The mufti escaped and became a revered icon of the Palestinian people. The legacy of Islamic and Arab hate that spurred the Farhud burned broad enough to help Hitler get ever closer to his goal of exterminating all Jews. But the Third Reich fell. And those in the Arab-Nazi movement went on to form the post-war geopolitical Middle East that prevails in the current century. Edwin Black is the author of “IBM and the Holocaust.” This article is adapted from his just-released book “The Farhud: Roots of the Arab-Nazi Alliance During the Holocaust” (Dialog, 2010). He will lecture on the topic on January 31 for the American Sephardi Federation at the Center for Jewish History in New York City.

THE EVIL HORRORS AND ATROCITIES OF THE WW2 NAZI HOLOCAUST YEARS AND BEYOND, HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, UK…. (LEST WE FORGET)

 

Original painting by Gloucestershire artist Paul Bridgman of Adolf Hitler here on display at The Crime Through Time Collection , Littledean Jail , UK .

 

HERE IS A PICTURE OF SOME OF THE EMPTY  ZYKLON B CANISTERS USED AT VARIOUS NAZI DEATH CAMP GAS CHAMBERS , AS CAN BE SEEN HERE ON DISPLAY . ( LEST WE FORGET )

POLITE WARNING …  THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL (WHERE UPON THIS EXHIBITION IS HOUSED )  IS NOT SUITABLE FOR CHILDREN OR THOSE OF YOU WHO ARE EASILY OFFENDED , DISTURBED OR OF A SENSITIVE NATURE

Original painting by Gloucestershire artist Paul Bridgman on display at The Crime Through Time Collection, Littledean Jail ,UK.

THE CONTENT HERE ON DISPLAY BOTH ONLINE AND WITHIN THE JAIL IS IN THE MAIN HARD HITTING , GRAPHIC, EXPLICIT , IN YOUR FACE , TONGUE IN CHEEK , CONTROVERSIAL AND TO MANY … VERY DISTURBING .

WITH THIS IN MIND AND FOR YOUR BENEFIT AND COMFORT … PLEASE DO TAKE A LOOK AT SOME OF OUR FACEBOOK POSTS , READ OUR TOURISM LEAFLETS AND DO TAKE NOTICE OF ALL OUR WARNING SIGNAGE PRIOR TO ENTERING THE JAIL .

 Used original Zyklon B 100gram sized canisters from one of the first Nazi gas chambers situated at Grafeneck Euthanasia Center, housed in Grafeneck Castle, Germany . It had officially opened in January 1940 and was closed on the orders of Nazi warlord Himmler in December 1940 . This facility was mainly used to exterminate mentally Handicapped and retarded victims as part of the Nazi euthanasia program. These canisters are exceptionally rare find from what was one of the earliest gas chambers and crematorium facilities . There is evidence that exists to the effect that a minimum 10, 654 were gassed there, though inevitably many more victims were murdered there before its closure . these canisters are now on public display at the Crime Through Time Collection, Littledean Jail

Here is some more interactive, historical and hopefully educational background footage and insight into the horrors of the Nazi Holocaust years. The photo gallery below the first video also provides a brief pictorial glimpse into our own disturbing Nazi Holocaust exhibition here at the jail .

We also feature a great many interactive pieces in relation to UK World War 2 Special Forces, including the SOE (Special Operations Executive) and the SAS (Special Air Service) …. whom were both actively involved in a great many operations against the Nazi’s during this period .

Original painting by Gloucestershire artist Paul Bridgman on display at The Crime Through Time Collection, Littledean Jail , UK

BELOW IS A BRIEF PICTORIAL GLIMPSE INTO SOME OF THE EXHIBIT ITEMS HERE ON DISPLAY AT LITTLEDEAN JAILS  NAZI HOLOCAUST EXHIBITION .

 

Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …

Witness drawing of the sboskek wrist knife used to quickly dispatch prisoners at Jasenovac

Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …

The Holocaust was the systematic, bureaucratic, state-sponsored persecution and murder of approximately six million Jews by the Nazi regime and its collaborators. “Holocaust” is a word of Greek origin meaning “sacrifice by fire.” The Nazis, who came to power in Germany in January 1933, believed that Germans were “racially superior” and that the Jews, deemed “inferior,” were an alien threat to the so-called German racial community.

During the era of the Holocaust, German authorities also targeted other groups because of their perceived “racial inferiority”: Roma (Gypsies), the disabled, and some of the Slavic peoples (Poles, Russians, and others). Other groups were persecuted on political, ideological, and behavioral grounds, among them Communists, Socialists, Jehovah’s Witnesses, and homosexuals.

WHAT WAS THE HOLOCAUST?

In 1933, the Jewish population of Europestood at over nine million. Most European Jews lived in countries that Nazi Germany would occupy or influence during World War II. By 1945, the Germans and theircollaborators killed nearly two out of every three European Jews as part of the “Final Solution,” the Nazi policy to murder the Jews of Europe. Although Jews, whom the Nazis deemed a priority danger to Germany, were the primary victims of Nazi racism, other victims included some 200,000 Roma (Gypsies). At least 200,000 mentally or physically disabled patients, mainly Germans, living in institutional settings, were murdered in the so-called Euthanasia Program.

As Nazi tyranny spread across Europe, the Germans and their collaborators persecuted and murdered millions of other people. Between two and three million Soviet prisoners of warwere murdered or died of starvation, disease, neglect, or maltreatment. The Germans targeted the non-Jewish Polish intelligentsia for killing, and deported millions of Polish and Soviet civilians for forced labor in Germany or in occupiedPoland, where these individuals worked and often died under deplorable conditions. From the earliest years of the Nazi regime, German authorities persecuted homosexuals and others whose behavior did not match prescribed social norms. German police officials targeted thousands of political opponents (including Communists, Socialists, and trade unionists) and religious dissidents (such as Jehovah’s Witnesses). Many of these individuals died as a result of incarceration and maltreatment.

ADMINISTRATION OF THE “FINAL SOLUTION” 

In the early years of the Nazi regime, the National Socialist government established concentration camps to detain real and imagined political and ideological opponents. Increasingly in the years before the outbreak of war, SS and police officials incarcerated Jews, Roma, and other victims of ethnic and racial hatred in these camps. To concentrate and monitor the Jewish population as well as to facilitate later deportation of the Jews, the Germans and their collaborators created ghettos, transit camps, and forced-labor camps for Jews during the war years. The German authorities also established numerous forced-labor camps, both in the so-called Greater German Reich and in German-occupied territory, for non-Jews whose labor the Germans sought to exploit.

Following the invasion of the Soviet Union in June 1941,Einsatzgruppen (mobile killing units) and, later, militarized battalions of Order Police officials, moved behind German lines to carry out mass-murder operations against Jews, Roma, and Soviet state and Communist Party officials. German SS and police units, supported by units of the Wehrmacht and the Waffen SS, murdered more than a million Jewish men, women, and children, and hundreds of thousands of others. Between 1941 and 1944, Nazi German authorities deported millions of Jews from Germany, from occupied territories, and from the countries of many of its Axis allies to ghettos and to killing centers, often called extermination camps, where they were murdered in specially developed gassing facilities.

THE END OF THE HOLOCAUST

In the final months of the war, SS guards moved camp inmates by train or on forced marches, often called “death marches,” in an attempt to prevent the Allied liberation of large numbers of prisoners. As Allied forces moved across Europe in a series of offensives against Germany, they began to encounter andliberate concentration camp prisoners, as well as prisoners en route by forced march from one camp to another. The marches continued until May 7, 1945, the day the German armed forces surrendered unconditionally to the Allies. For the western Allies, World War II officially ended in Europe on the next day, May 8 (V-E Day), while Soviet forces announced their “Victory Day” on May 9, 1945.

In the aftermath of the Holocaust, many of the survivors found shelter in displaced persons (DP) camps administered by the Allied powers. Between 1948 and 1951, almost 700,000 Jews emigrated to Israel, including 136,000 Jewish displaced persons from Europe. Other Jewish DPs emigrated to the United States and other nations. The last DP camp closed in 1957. The crimes committed during the Holocaust devastated most European Jewish communities and eliminated hundreds of Jewish communities in occupied eastern Europe entirely

GERALD GARDNER (1884 -1964) FATHER OF MODERN WITCHCRAFT . FEATURED HERE IN AND AMONGST THE WITCHCRAFT, PAGANISM, WICCAN, THE OCCULT, SATANISM, THE ILLUMINATI AND SECRET SOCIETIES EXHIBITION AT LITTLEDEAN JAIL , FOREST OF DEAN, GLOUCESTERSHIRE,UK.

Gerald Gardner in one of his many naked ceremonial initiations and Wiccan gatherings.

Gerald Brosseau Gardner (1884–1964), also known by the craft name Scire, was an English Wiccan, as well as an author and an amateur anthropologist and archaeologist. He was instrumental in bringing the Contemporary Pagan religion of Wicca to public attention, writing some of its definitive religious texts and founding the tradition of Gardnerian Wicca.

Original painting of Gerald Gardner along with High Priestess’s Patricia Crowther and Monique Wilson , by Gloucestershire artist Paul Bridgman. Here on display in and amongst the Witchcraft and Occult Collection at The Crime Through Time Museum , Littledean Jail , Gloucestershire , UK .

Born into an upper-middle-class family in Blundellsands, Lancashire, Gardner spent much of his childhood abroad in Madeira. In 1900, he moved to colonial Ceylon, and then in 1911 to Malaya, where he worked as a civil servant, independently developing an interest in the native peoples and writing papers and a book about their magical practices. After his retirement in 1936, he travelled to Cyprus, penning the novel A Goddess Arrives before returning to England. Settling down near the New Forest, he joined an occult group, the Rosicrucian Order Crotona Fellowship, through which he claimed to have encountered the New Forest coven into which he was initiated in 1939. Believing the coven to be a survival of the pre-Christian Witch-Cult discussed in the works of Margaret Murray, he decided to revive the faith, supplementing the coven’s rituals with ideas borrowed from Freemasonry, ceremonial magic and the writings of Aleister Crowley to form the Gardnerian tradition of Wicca.

Moving to London in 1945, following the repeal of the Witchcraft Act of 1736 he became intent on propagating this religion, attracting media attention and writing about it in High Magic’s Aid (1949), Witchcraft Today (1954) and The Meaning of Witchcraft (1959). Founding a Wiccan group known as the Bricket Wood coven, he introduced a string of High Priestesses into the religion, including Doreen Valiente, Lois Bourne, Patricia Crowther and Eleanor Bone, through which the Gardnerian community spread throughout Britain and subsequently into Australia and the United States in the late 1950s and early 1960s. Involved for a time with Cecil Williamson, Gardner also became director of the Museum of Magic and Witchcraft on the Isle of Man, which he ran until his death.

Gardner is internationally recognised as the “Father of Wicca” among the Pagan and occult communities. His claims regarding the New Forest coven have been widely scrutinised, with Gardner being the subject of investigation for historians and biographers such as Aidan Kelly, Ronald Hutton and Philip Heselton

A brief video introduction into the life and times of Gerald Gardner

Below : Various images of Gerald Gardner at his Witches Mill , Isle of Man

Above and Below: Various insight into some of the many collage displays here at Littledean Jail.

SATANIC DECORATED RAMS HEAD SKULL ON DISPLAY ALONG WITH A GREAT MANY  OTHER INTRIGUING ITEMS  WITHIN THE WITCHCRAFT AND OCCULT EXHIBITION  AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , FOREST OF DEAN , GLOUCESTERSHIRE, UK .

Above and below : Various paintings on display in and amongst The Witchcraft and Occult Collection here at Littledean Jail .

ALEX SANDERS “KING OF THE WITCHES ” ON DISPLAY IN AND AMONGST THE ” WITCHCRAFT AND THE OCCULT COLLECTION ” AT THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL , UK

One of the collage features on display within Littledean Jail’s “Witchcraft, Paganism, Wiccan, Satanism, The Occult, The Illuminati and Secret Societies Collection ” .

Alex Sanders ( 6 June 1926-30 April 1988).  Born Orrell Alexander Carter, who went under the craft name Verbius, was an English occultist and High Priest in the Pagan religion of Wicca, responsible for founding the tradition of Alexandrian Wicca during the 1960s. Raised in a working-class family, he was introduced to esoteric ideas by his mother and grandmother from a young age, and as a young man began working as a medium in the local Spiritualist Churches before going on to study and practice ceremonial magic. In 1963, he was initiated into Gardnerian Wicca before founding his own coven, through which he merged many aspects of ceremonial magic into Wicca. He claimed to have been initiated by his Grandmother as a child, though evidence for this is lacking. Throughout the 1960s, he would court publicity in the press, appearing in a number of documentaries, marrying the far younger Maxine Sanders, and being declared to be the “King of the Witches” by his followers, something that led to other prominent Gardnerian Witches, such as Patricia Crowther and Eleanor Bone, attacking him in the press. In the late 1970s and 1980s, he went on to work with a ceremonial magical group known as the Ordine Della Luna, prior to his death. The tradition he founded with Maxine Sanders became known as Alexandrian Wicca.

Below : An intriguing video footage on the seemingly bizarre life of Alex Sanders

Below : One of the collage features on display within Littledean Jail’s “Witchcraft, Paganism, Wiccan, Satanism, The Occult, The Illuminati and Secret Societies Collection ” .

Below : Alex Sanders initiation into the sacred Mysteries

Below : One of the collage features on display within Littledean Jail’s “Witchcraft, Paganism, Wiccan, Satanism, The Occult, The Illuminati and Secret Societies Collection ” .

Below: Baphomet Ouija board on display at Littledean Jail

Original painting by Gloucestershire Artist Paul Bridgman depicting Alex Sanders and his High Priestess wife Maxine on display at the jail

Below : Collage of newspaper clippings featuring Alex Sanders on display at Littledean Jail

Original painting by Gloucestershire Artist Paul Bridgman depicting Gerald Gardner, and High Priestess’s Monique Wilson and Patricia Crowther  on display at the jail

 

LP Album cover of Alex Sanders  ” A Witch Is Born ” on display at the Jail

Original painting by Gloucestershire Artist Paul Bridgman depicting Aleister Crowley ,   on display at the jail

SAS “WHO DARES WINS” & “OPERATION NIMROD, IRANIAN EMBASSY SIEGE EXHIBITION” … HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL. FEATURING AMONGST OTHERS,RUSTY FIRMIN & PETE “SNAPPER ” WINNER, a.k.a SOLDIER “I” , ONE OF THE SAS HERO’S OF THE 1972 BATTLE OF MIRBAT & THE 1980 IRANIAN EMBASSY SIEGE, LONDON, FINAL ASSAULT.

WWW.SOLDIERISAS.COM