Tag Archives: IAN ASTUBURY

DARK TOURISM UK … THE MUCH LOVED, ADORED & BEAUTIFUL LADY DIANA … THE SEEMINGLY TRAGIC LIFE AND UNTIMELY DEATH OF THE PRINCESS OF WALES……. FEATURED HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, FOREST OF DEAN, GLOUCESTERSHIRE.

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Above & Below: Diana , Princess of Wales with her husband Prince Charles pictured here with the SAS Blue Team in 1983 at the SAS Killing House, Hereford . Clearly seen here wearing  personalised SAS black jumpsuits.

SASDI

Below: Explosive revelations claiming  conspiracy theories that the SAS, MI5, MI6, CIA were involved in the untimely death of both Lady Diana and Dodi Al-Fayed .

Undoubtedly  there will always be an endless array of conspiracy theories ???

 

On display here we have a number of personal handwritten and signed letters from Lady Diana along with handwritten and signed Christmas Card. Also a wonderful signed photograph of Diana with her 2 children Prince William and Prince Harry set in her royal crested frame (see below)

As we all know much controversy, sleaze, scandal and tabloid sensationalism has and will always continue to surround the British Royal Family . Here at the jail we provide  an insight into some of the scandals and Royal traitors from behind closed doors .

On a personal level I believe that the British monarchy is important to our country and in particular wish Prince William and his beautiful wife Kate lots of happiness in the future

BELOW ARE IMAGES OF VARIOUS SIGNED PHOTOGRAPHS , CHRISTMAS CARD AND HANDWRITTEN LETTERS FROM LADY DIANA, PRINCESS OF WALES

THE SEEMINGLY ALWAYS OUTSPOKEN AND CONTROVERSIAL AL FAYED , FATHER OF DODI FAYED (FROWNED UPON FORMER LOVER OF LADY DIANA WHO ALSO DIED IN THE CAR  CRASH )

SIGNED PHOTOGRAPH OF ALLEGED ROYAL TRAITOR FROM WITHIN LADY DIANA’S ROYAL HOUSEHOLD (DIANA’S BUTLER) ….. WHOM HIMSELF WAS  BELIEVED TO HAVE SUBSTANTIALLY PROFITED FROM HER DEATH

SIGNED PHOTOGRAPH OF ALLEGED ROYAL TRAITOR FROM WITHIN LADY DIANA’S ROYAL HOUSEHOLD (DIANA’S BUTLER) ….. WHOM HIMSELF WAS  BELIEVED TO HAVE SUBSTANTIALLY PROFITED FROM HER DEATH

SIGNED PHOTO AND MONTAGE DISPLAY OF THE PERSISTANTLY ALLEGED FORMER LOVER OF LADY DIANA (AND ALLEGED FATHER OF PRINCE HARRY) .

A MAN AGAIN WHO HAS ALLEGEDLY SUBSTANTIALLY PROFITED FROM HIS RELATIONSHIP WITH LADY DIANA

SIGNED PHOTO AND MONTAGE DISPLAY OF THE PERSISTANTLY ALLEGED FORMER LOVER OF LADY DIANA (AND ALLEGED FATHER OF PRINCE HARRY) .

A MAN AGAIN WHO HAS ALLEGEDLY SUBSTANTIALLY PROFITED FROM HIS RELATIONSHIP WITH LADY DIANA

NAUGHTY, NAUGHTY !!! LADY DIANA -PRINCESS OF WALES RIDICULED BY THE SUNDAY SPORT ON AUGUST 16TH 1989 ……PICTURED  HERE WITH HER HEAD SUPERIMPOSED ON A TOPLESS GLAMOUR MODEL’S BODY

UNFORTUNATELY I WAS BUSY AND COULDN’T MAKE IT !!!

BELOW :  Undoubtedly Lady Diana’ death conspiracy theories will continue for many years to come …..

 

TRUE CRIME, MURDERABILIA AND MAIMERABILIA HERE AT LITTLEDEAN JAIL …. GLOUCESTERSHIRE’S EVIL SERIAL KILLERS … FRED & ROSE WEST … PART 3 OF 3

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HERE ARE THE LAST THREE PARTS OF THIS “MUST SEE”  IN DEPTH INTERACTIVE  DOCUMENTARY FOOTAGE  INTO THE LIVES AND CRIMES OF FRED AND ROSE WEST INCLUDING ROSE WEST PROSTITUTING HERSELF AT HOME AT 25 CROMWELL STREET , GLOUCESTER . VIDEOED BY HER HUSBAND FRED WEST

WHILST VERY INTRIGUING AND INFORMATIVE DOCUMENTARY FOOTAGE …. PLEASE BE WARNED THAT THERE IS CONSIDERABLE FOUL LANGUAGE IN SEVERAL PARTS FROM BOTH FRED AND ROSE WEST .

HERE AT THE JAIL WE EXHIBIT AND DISPLAY A NUMBER OF PERSONAL ITEMS , WORN  CLOTHING AND ALSO TOOLS OF THE TRADE USED BY FRED WEST

DO COME VISIT THE CRIME THROUGH TIME COLLECTION HERE AT         LITTLEDEAN JAIL  AND SEE OUR EXTENSIVE AND DIVERSE PRIVATE COLLECTION OF TRUE CRIME MURDERABILIA , MEMORABILIA , THE TABOO AND MUCH MUCH MORE .

AS WE ALWAYS SAY …… IF EASILY OFFENDED, DISTURBED OR OF A SENSITIVE NATURE PLEASE DO AVOID VISITING THE JAIL

The nice folks at number 25

Horror House

The world of brutality and degradation sank to a new low with the series of grisly discoveries at Cromwell Street, Gloucester in 1994. The occupants, Rosemary and her husband Fred West, were accused of murdering 10 women and young girls over a 16 year period ending in 1987. They had taken pleasure in luring away vulnerable runaways with offers of rides, lodging or jobs as nannies. Once in their clutches inside the House of Horrors the young women were stripped, bound with tape, abused, tortured, then killed, some were dismembered and buried.

The killer couple was arrested at their home, 25 Cromwell Street, Gloucester, in 1994. Police, armed with a search warrant, dug up the remains of the Wests’ 16 year old daughter, Heather, who vanished in 1987. Further excavations under the house and in the garden produced eight more female bodies and a further body was found under the kitchen of a former home in Gloucester.

The Wests shared a fascination with BDSM. Police found pictures and tapes of Rose bound, gagged and whipped. They also found a wide variety of apparatus including gags, hoods, and huge dildos. Their victims were often abducted, then bound and gagged before being subjected to hideous torture over a period of days in their cellar.

Rosemary it seems loved to torture by the insertion of huge dildos and they both had a fascination with an exteme form of bondage and suffocation. When they went too far, as they often did, Fred would dismember and bury the bodies. Even their own children were abused, raped and tortured by this wicked couple, being used as guinea-pigs for their sexual experimentation. Rose would usually do the tying up, and the children would be tied naked and spread-eagled on a metal bedframe. One of the children said later ” She had canes and whips, including a cat of nine-tails. She might use all of them or just a selection. When she had completed her experiments on us she would encourage Dad to rape us or insert objects into us herself”. It was a standing joke amongst the children that one of them, Charmian, was buried in the garden under the patio that Fred had laid. This family joke eventually led police and social workers to discover the whole grisly truth.

Fred, aged 7

Fred West

Fred was born in 1941 in the village of Much Marcle, approximately 120 miles west of London, to Walter and Daisy West. It is believed that incest was an accepted part of the West household and Fred claimed that his father had sex with his daughters, using the logic, “I made you so I’m entitled to have you.”  Fred left school when he was fifteen, almost illiterate, and went to work as a farm hand.

Fred’s troubles with the police began in 1961 when he was fined for minor thefts in Hereford. A few months later, he was accused of impregnating a 13-year-old girl who was a friend of the West family. Fred was uncooperative and didn’t see that there was anything wrong with what he had done.

This attitude and the ensuing scandal caused a serious breach with his family. Fred was ordered to find somewhere else to live and it wasn’t long before he was caught stealing from the construction sites where he worked and having sex with young girls.

When Fred was seventeen, he had been seriously injured in a motorcycle accident. After his recovery from the accident, he met the pretty 16-year-old Catherine Bernadette Costello, nicknamed Rena. They were to marry 4 years later, in November 1962. By then Rena was pregnant by another man. Her daughter, Charmaine, was born in March 1963, and in July 1964 Rena bore Fred a daughter named Anne-Marie.

Even though Rena had been a prostitute at various times, she was not happy to be a prisoner to the voracious sexual appetite of Fred West. Colin Wilson in The Corpse Garden tells how Fred’s interest in “normal sex” was minimal. “He wanted oral sex, bondage and…sodomy…at all hours of the day and night.”

Anna McFall, first known victim

First Kill

Fred started a job driving an ice cream truck which afforded him unlimited access to many young women. For someone as highly sexed as Fred, it seemed like paradise. His politeness, apparent trustworthiness and sincerity, and his ability to spin interesting tales made him attractive to the teenagers who flocked around his ice cream truck. His continual seductions turned Rena and Charmaine into afterthoughts. One young girl he met was called Anna McFall
who, in early 1967, became pregnant with Fred’s child. She was trying unsuccessfully to get Fred to divorce Rena and marry her.

Fred’s response to the stress of her demands was to kill her and their unborn child,and then to slowly and methodically dismember her corpse and bury her along with the foetus. Oddly enough, he cut off her fingers and toes, which were missing from the gravesite. It would be his ritualistic signature in future crimes.

The following year Fred met Rose Letts, on November 29th, 1968, her fifteenth birthday.

Rose as a child

Rose

Rosemary Letts was born in November 1953 in Devon, England. Her father was a violent domestic tyrant who demanded unconditional obedience from his wife and children. He enjoyed disciplining them and seemed to look for any excuse to beat them.

.Rose was not a star performer in school and was known as ‘Dozy Rosie’. Also, she was overweight, which made her the butt of cruel jokes by her peers. She lashed out at them and attacked anyone who teased her. Consequently, she became known as an ill tempered, aggressive loner.

As a teenager, Rose showed signs of being sexually precocious, walking around naked after her baths and climbing into bed with her younger brother and fondling him sexually. Her father’s rules forbade her to date boys her own age and her heaviness and temperament kept boys from being interested in her. She focused her interest in sex on the older men of the village.

When she met Fred West there was an immediate sexual attraction but her father objected strongly to the relationship, and resorted to contacting Social Services and threatening West directly, but to no avail; she was soon pregnant with West’s child and found herself looking after his two children by Rena Costello, when West was sent to prison on various petty theft and fine evasion charges. She gave birth to daughter Heather in 1970. With three children to care for, a boyfriend in jail and constant money problems, Rose’s temper flared constantly. She resented having to take care of Rena’s children and treated them badly.

A Young Fred and Rose

Killing Together

After Heather’s birth, and shortly before Fred’s release, it appears that Rose killed Fred and Rena Costello’s daughter, Charmaine. Since Fred was in jail when Charmaine was murdered, his involvement probably extended to burying her body under the kitchen floor of their home on Midland Road where it lay undiscovered for over 20 years. Before he buried Charmaine, he took off her fingers, toes and kneecaps.

Rena Costello was killed in August 1971 by Fred West. Fred saw that he had no choice but to kill Rena. In all likelihood, he probably got her very drunk and then strangled her at his house on Midland Road. He then dismembered her body and mutilated it in the same odd way that he had Anna McFall’s body: he cut off Rena’s fingers and toes. Then he put her remains into bags and buried her in the same general area as he buried Anna McFall.

On 29 January 1972, Fred and Rosemary married in Gloucester, and on 1 June that year, Rose gave birth to their daughter, Mae. Like Fred, Rose came from a family where incest was considered normal and even after the birth of her fourth child Rose’s father, Bill Letts, with Fred’s approval, would often visit the West’s for sex with his daughter.

Charmaine (left), baby Heather and Anna Marie

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Rose’s magazine ad for prostitution

Torture, Rape, Incest and Murder

The Wests were both indulging their unconventional sexual appetites by this time, with Rose matching her husband in her extreme sexual needs. She had a voracious sexual appetite and enjoyed extreme bondage and sadomasochistic sex. She was bisexual, and many of their victims were picked up for both her and her husband’s sexual pleasure. West also worked as a prostitute (often while Fred watched).

Fred West himself had an almost insatiable appetite for bondage and violent sex acts on underage girls. He fitted out the cellar at No 25 as a torture chamber, and his 8-year-old daughter, Anne-Marie, became one of its first occupants, subjected to a horrifically brutal rape by her father whilst her stepmother held her down. This became a regular occurrence, and the child was threatened with beatings if she told anyone of her ordeal.

In December 1972 the Wests carried out a sexual assault on 17-year-old Caroline Owens whom they had hired as a nanny. Caroline was very attractive, so much so that Rose and Fred competed with each other to seduce her. When Caroline told them she was leaving the couple abducted, stripped and raped her. Caroline escaped and reported the couple to the police. As a result the Wests were fined for serious sexual assault in January of 1973.

Rose and Fred

Cellar of Death

Over the next five years eight young girls were lured to an horrific death in the Wests’ cellar. Lynda Gough, Lucy Partington, Juanita Mott, Therese Siegenthaler, Alison Chambers, Shirley Robinson and 15-year-old schoolgirls Carol Ann Cooper and Shirley Hubbard, all became victims of the West couple’s insatiable appetite for violent sex. After brutal sexual attacks, all were murdered, dismembered and buried in the cellar under No 25, having first had their fingers and toes removed.

Bondage was becoming a major thrill for Fred and Rose. Shirley’s head had been wrapped entirely with tape and a plastic tube was inserted in her nose so that she could breathe. Juanita had been subjected to even more extreme bondage and her body had been suspended from the beams of the cellar.At least one girl, Lucy Partington, was sexually abused for over a week before her death.

Rose continued to produce children at regular intervals and the birth of daughter Louise in November 1978, brought their offspring to six, although not all were fathered by West. Barry joined the brood in June 1980, with Rosemary Junior following in 1982 and Lucyanna in 1983. They were aware to some extent of the activities in the house, but West and Rose exercised strict control over them.

West’s incestuous interest in his own daughters continued, and when Anne-Marie moved out to live with her boyfriend, he switched his attentions to younger siblings, Heather and Mae. Heather resisted his attentions and, in 1986, committed the cardinal sin of telling a friend about the goings on in the house. The Wests responded by murdering and dismembering her, and burying her in the back garden of No 25, where son Stephen was forced to assist with digging the hole.

Justice Finally

Given that the West’s vicious sex acts did not result in murder every time, and the sheer number of attacks, it was inevitable that someone would expose their activities, which resulted in them coming to the attention of Detective Constable Hazel Savage, who led a search at Cromwell Street in August of 1992 that found pornography and clear evidence of child abuse. West was arrested for rape and sodomy of a minor, and Rose for assisting in the rape of a minor.

In the course of the investigation DC Savage uncovered the abuse of Anne-Marie, as well as the disappearances of Charmaine and Heather, that warranted further investigation, as well as rumours about what might be buried under the patio. The younger West children were taken into care, and Rose attempted suicide at this time, although she was found by her son, Stephen, and revived.

On 24th February 1994 a warrant was obtained to search the Cromwell Street house and garden, and police found the remains of two dismembered and decapitated young women, one of whom the police suspected might be Shirley Robinson. West claimed sole responsibility for the murders and, when Rose heard of the confession, she denied all knowledge of Heather’s death.

As the case against them developed, Rose tried increasingly to distance herself from West, claiming that she was also a victim, but police were not convinced of her innocence, given the sheer number of murders which had occurred, and her participation in the rapes.

On 13th December 1994, West was charged on twelve counts of murder, and he was taken into custody at Winson Green Prison in Birmingham, pending trial where, on 1st January 1995, he hanged himself in his cell with knotted bed sheets.

Rose West went on trial on 3rd October 1995 in the glare of media frenzy. Witnesses including her daughter Anne Marie and Caroline Owens, one of their first victims, testified to her participation in sexual assaults on young women. Her defence counsel tried to argue that evidence of assault was not evidence of murder but, when Rose testified on her own behalf, her violent nature and dishonesty became clear to the jury, and they unanimously found her guilty on ten separate counts of murder on 22nd November 1995. She was sentenced to a minimum of 25 years in jail. Rose West’s sentence was later extended to a “whole life” sentence by the Home Secretary, effectively removing any possibility of parole.

No 25 Cromwell Street, or the “House of Horrors”, as it was dubbed by the media, was eventually razed to the ground in October 1996, and in its place is a pathway that leads to the town centre.

There remains a widespread belief both with the public and within the police that Fred and Rose West’s victims numbered far more than the twelve with which they were charged and it is still considered highly likely that Fred West maintained another burial site yet to be discovered. And 12 women and children are definitely gone, forever, and two of their unborn babies, and we’ll never know how many more, simply listed as ‘missing’ during the Sixties and Seventies.

ICONIC FIGURES THAT DIED TOO YOUNG ….AMY WINEHOUSE …14 SEPTEMBER 1983 – 23 JULY 2011

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HERE IS AN UPDATED BACKGROUND AND TRIBUTE TO THE ICONIC AND NOW TRAGICALLY DECEASED MUSIC ICON – AMY WINEHOUSE WHO DIED AT HOME IN CAMDEN , LONDON ON THE 23RD JULY 2011 AND WHOSE FUNERAL WAS ON THE 26TH JULY 2011 .

As we have long featured the sadly turbulent career and mass of tabloid sensationalism that has plagued her short life  here at the jail …….. here is some more interactive news report footage of her untimely death and soon after private funeral .

Here at the jail we have a great many personal signed photographs from Amy Winehouse pieced together in a now historical archive of montage displays , to include a great many tabloid extracts that have covered her life and success

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer-songwriter known for her powerful contralto vocals[1] and her eclectic mix of musical genres including R&B, soul and jazz.[2]

Winehouse’s 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, Back to Black, led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys,[3][4] including three of the “Big Four“: Best New Artist, Record of the Year and Song of the Year. On 14 February 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for “Stronger Than Me“, one in 2007 for Best Contemporary Song for “Rehab“, and one in 2008 for Best Song Musically and Lyrically for “Love Is a Losing Game“, among other distinctions. The album was the third biggest seller of the 2000s in the United Kingdom.[5]

Winehouse was credited as an influence in the rise in popularity of female musicians and soul music, and also for revitalising British music. Winehouse’s distinctive style made her a muse for fashion designers such as Karl Lagerfeld. Winehouse’s problems with drug and alcohol abuse, violence, and her self-destructive behaviours were regular tabloid news from 2007 until her death. She and her former husband, Blake Fielder-Civil, were plagued by legal troubles that left him serving prison time. In 2008, Winehouse faced a series of health complications that threatened both her career and her life.[6][7]

Winehouse died at the age of 27 on 23 July 2011, at her home in London;[8][9] police have said that the cause of her death is “as yet unexplained”.[10][11][12]


Winehouse was born in the Southgate area of north London to a Jewish family,[13] who were influential toward her interest in jazz.[14] Winehouse was the daughter of Mitchell Winehouse, a taxi driver, and Janis Winehouse (née Seaton), a pharmacist. She had one brother, Alex, who was four years older than her.[15] Mitchell often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class.[16]Early life

When Winehouse was nine years old, her grandmother, Cynthia, suggested she attend the Susi Earnshaw Theatre School for further training.[17] At age ten, Winehouse founded a short-lived rap group called Sweet ‘n’ Sour with childhood friend Juliette Ashby.[18] She stayed at the Earnshaw school for four years before seeking full time training at Sylvia Young Theatre School, but was allegedlyexpelled at 14 for “not applying herself” and for piercing her nose.[15][19] With other children from the Sylvia Young School, she appeared in an episode of The Fast Show in 1997.[20] She later attended The Mount School, Mill Hill[21] and then the BRIT School in Selhurst, Croydon[22] and attended Southgate School and Ashmole School.[23][24]

Music career

Early career

After toying with her brother’s guitar, Winehouse received her first guitar when she was 13, and began writing music a year later. She began working soon after, including as a showbiz journalist for theWorld Entertainment News Network, in addition to singing with local group the Bolsha Band.[15][25] Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R person.[14]Winehouse signed to Simon Fuller‘s 19 Management in 2002. While being developed by the management company, the artist was kept an industry secret.[26] Her future A&R representative at Island/Universal, Darcus Beese, heard her by accident when the manager of The Lewinson Brothers showed him some productions of his clients on which Winehouse featured as vocalist. When he asked who the singer was the manager told him he was not allowed to say. Having decided that he wanted to sign her it took several months of asking around for Beese to eventually discover who the singer was. By this time Winehouse had already recorded a number of songs and signed a publishing deal with EMI. Through the publishers she formed a working relationship with the producer Salaam Remi.[26]

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal as rival interest in Winehouse had started to build, with representatives at EMI and Virgin also starting to make moves. Beese told HitQuarters that he felt the reason behind the excitement over an artist who was an atypical pop star for the time was due to a backlash against reality TV music shows with audiences becoming starved for genuine young talent.[26]

Winehouse’s greatest love was 1960s girl groups. She borrowed her “instantly recognisable” beehive hairdo (a weave[27]) and Cleopatra makeup from The Ronettes.[28]

Major label success and Frank

Performing at the Bowery Ballroom, New York City in 2007

Winehouse’s debut album, Frank, was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews[29][30] with compliments over the “cool, critical gaze” in its lyrics[2]and brought comparisons of her voice to Sarah Vaughan,[31] Macy Gray and others.[2]

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of “British Female Solo Artist” and “British Urban Act”. It went on to achieve platinum sales.[32] Later in 2004, she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, “Stronger Than Me“.[33] The album also made the short list for the 2004 Mercury Music Prize. In the same year, she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was “only 80 percent behind [the] album” because of the inclusion by her record label of certain songs and mixes she disliked.[14]

International success and Back to Black

In contrast to her jazz-influenced former album, Winehouse’s focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singerSharon Jones‘s longtime band, the Dap-Kings to back her up in the studio and on tour.[34] In May 2006, Winehouse’s demonstration tracks such as “You Know I’m No Good” and “Rehab” appeared onMark Ronson‘s New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of “Pumps” and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work.[35] Promotion of Back to Black soon began and, in early October 2006, Winehouse’s official website was relaunched with a new layout and clips of previously unreleased songs.[32] Back to Black was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the Billboard 200 in the United States. It was the best-selling album in the UK in 2007, selling 1.85 million copies over the year.[36]
Play sound
21-second audio sample from Amy Winehouse’s first hit
Play sound
25-second audio sample from one of the standout tracks on “Back to Black” album
Play sound
Originally performed by The Shirelles in the 1960s, this version slows the tempo down and features a jazz arrangement.
Problems listening to these files? See media help.

The album spawned a number of singles. The first single released from the album was the Ronson-produced “Rehab”. The song reached the top ten in the UK and the US.[37] Time magazine named “Rehab” the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, “What she is is mouthy, funny, sultry, and quite possibly crazy” and “It’s impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you’ve got the best song of 2007.”[38] The album’s second single and lead single in the US, “You Know I’m No Good”, was released in January 2007 with a remixfeaturing rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, “Back to Black“, was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe.[39] “Tears Dry on Their Own“, “Love Is a Losing Game” and “Just Friends” were also released as singles, but failed to achieve the same level of success.[40]

A deluxe edition of Back to Black was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as “Valerie”. Winehouse’s debut DVD I Told You I Was Trouble: Live in London was released the same day in the UK and 13 November in the US. It includes a live set recorded at London’s Shepherds Bush Empire and a 50-minute documentary charting the singer’s career over the previous four years.[41] Frank was released in the United States on 20 November 2007 to positive reviews.[42][43] The album debuted at number 61 on the Billboard 200 chart.[44]

In addition to her own album, she collaborated with other artists on singles. Winehouse was a vocalist on the song “Valerie” on Ronson’s solo album Version. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for “Best British Single”.[45][46][47] Her work with ex-Sugababe Mutya Buena, “B Boy Baby“, was released on 17 December 2007. It served as the fourth single from Buena’s solo debut album, Real Girl.[48]

Continued success and acclaim

Winehouse performing at Eurockéennesin 2007

By year’s end, Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year,Song of the Year, and Best Female Pop Vocal Performance for the single “Rehab”, while her album Back to Black was nominated for Album of the Year and won the Best Pop Vocal Album award.[49][50] Producer Mark Ronson’s work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category.[51] The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of theGuinness Book of World Records for Most Grammy Awards won by a British Female Act.[52] She performed “You Know I’m No Good” and “Rehab” at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said “This is for London because Camden town is burning down”, in reference to the Camden Market fire.[53] After the Grammy Awards, album sales increased catapulting Back to Black to number two on the U.S. Billboard 200 after initially peaking at number seven.[54] On 13 January 2008, Back to Black held the number one position on the Billboard Pan European charts for the third straight week.[55] In January 2008, Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.[56]

Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007

A special deluxe edition of Back to Black topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while “Frank” charted at number 35.[57] By 12 March, the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK’s top 10 best-selling albums of the 21st century for the first time.[58] On 7 April, Back to Black was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week.[59]Back to Black was the world’s seventh biggest selling album for 2008.[60] These sales helped keep Universal Music’s recorded music division from dropping to levels experienced by the overall music market.[61]

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for “Love Is a Losing Game” and was nominated for “You Know I’m No Good”.[62] “Rehab”, a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song.[63] Winehouse was nominated for a MTV Europe Award in the Act of The Year category.[64]Amy Winehouse – The Girl Done Good: A Documentary Review, a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists.[65][66] A clip of Winehouse’s music is included in the “Roots and Influences” area that looks at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread starts with Billie Holiday continues with Aretha Franklin, Mary J. Blige and finishes with Winehouse.[67] In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse’s music during the previous year.[68] Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song “Cupid” for an Artists Project Earth benefit album that was released on 13 July 2009.[69][70]

Final projects

Winehouse and Mark Ronson contributed a cover of Lesley Gore‘s “It’s My Party” to the Quincy Jones tribute album Q Soul Bossa Nostra released 9 November 2010.[71] Winehouse and drummer?uestlove of the Roots had agreed to form a group. Winehouse’s problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi has already created some material with Winehouse as part of the project.[72] According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released.[61] In late October, Winehouse’s spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.[73]

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, “I’ve heard a couple of song demos that have absolutely floored me”.[74] In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying “It’s going to be very much the same as my second album, where there’s a lot of jukebox stuff and songs that are… just jukebox, really.” Mark Ronson said in July 2010 that he had not started to record the album.[75]

American singer Tony Bennett recorded a song with Winehouse for his forthcoming album, Duets II, which is scheduled for release on 20 September 2011 (almost two months after her death).[76]

Artistry

Music and voice

Wiki letter w cropped.svg This section requires expansion.

Influence on the music industry

British singer Adele had credited Winehouse’s success in the United States for making her and fellow British singer Duffy’s journey to the United States “a bit smoother”.[77] American singer Lady Gagacredited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success.[78] The “Winehouse phenomenon” has been credited by Sebastian Danchin, author of Encyclopedia of Rhythm & Blues and Soul, of kick-starting a revival of soul music that has been ongoing since 2000. Danchin quoting Raphael Saadiq, Anthony Hamilton, and John Legend said “Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect”.[79]

The release of Back to Black and the emergence of Lily Allen has been credited by The Sunday Times as directly creating the market for the media proclaimed “the year of the women” in 2009 which has seen five female artists nominated for the Mercury Prize. After the album was released record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse’s. A third wave of female musicians that has emerged since the album was released are led byVV Brown, Florence and the Machine, La Roux and Little Boots.[80] In February 2010, rapper Jay-Z credited Winehouse with revitalising British music, saying, “There’s a strong push coming out of London right now, which is great. It’s been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy.”[81] In March 2011 the New York Daily News ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. Spin magazine music editor Charles Aaron was quoted as saying “Amy Winehouse was the Nirvana moment for all these women,” “They can all be traced back to her in terms of attitude, musical styles or fashion”. According to Keith Caulfield chart manager for Billboard “Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy,” “Now those ladies have brought on the new ones, like Eliza Doolittle,Rumer and Ellie.”[82]

Live performances

Amy Winehouse with her band backstage, March 16, 2009

Winehouse toured in conjunction with the Back to Black album’s release. She performed headlining gigs in September and November 2006, including one of the Little Noise Sessions charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland‘s Annual Hootenannyand performed a cover of Marvin Gaye‘s “I Heard It Through the Grapevine” along with Paul Weller and Holland’s Rhythm and Blues Orchestra. She also performed Toots & the Maytals‘ “Monkey Man”. She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of “Rehab” at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegasjaunt in the hours before the show.[83] During the summer of 2007, Winehouse performed at various festivals, including UK’s Glastonbury Festival,[84]Chicago’s Lollapalooza festival, Rock Werchter and Baltimore‘s Virgin Music Festival.

Winehouse’s tour, however, did not go as well. In November 2007, the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the Birmingham Mail said it was “one of the saddest nights of my life…I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience.”[85] Other concerts ended similarly, with, for example, fans at herHammersmith Apollo performance saying that she “looked highly intoxicated throughout”,[86] until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed “the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks” for the decision.[87]

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing “Valerie” with Mark Ronson, followed by “Love Is a Losing Game”. She urged the crowd to “make some noise for my Blake.”[88] In Paris, she performed what was described as a “well-executed 40 minute” set at the opening of a Fendi boutique.[89] Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008.[17] Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers.[90] Winehouse performed at Nelson Mandela’s 90th Birthday Party concert at London’s Hyde Park on the 27 June,[91] and the next day at the Glastonbury Festival.[92] On 12 July at the Oxegen Festival she performed a well-received 50 minute set[93] which was followed the next day by a 14 song set at T in the Park.[94] On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed.[95] On 6 September she was the headliner at ‘Bestival‘. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.[96]

In May 2009, Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being “bored” and ended her set by walking off the stage in the middle of a song.[97][98] To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs “You’re Wondering Now” and “Ghost Town“.[99]

In July 2010, she performed “Valerie” with Mark Ronson at a movie premiere. She sang lead but forgot some of the song’s lyrics.[75] In October Winehouse performed a four song set to promote her fashion line. In December 2010 Winehouse played a 40 minute concert at a Russian oligarch‘s party in Moscow. Guests included other Russian tycoons and Russian show business stars. The tycoon hand picked the songs she played.[100]

During January 2011, she played five dates in Brazil, with opening acts of Janelle Monáe and Mayer Hawthorne.[101][102] On 11 February 2011, Winehouse cut short a performance in Dubai following booing from the audience. Winehouse was reported to be tired, distracted and “tipsy” during the performance.[103]

On 18 June 2011, Winehouse started her 12-leg 2011 European tour in Belgrade. Local media described her performance as a scandal and disaster, and she was booed off the stage due to her apparently being too drunk to perform. It was reported that she was unable to remember the city she was in, the lyrics of her songs or – when trying to introduce them – the names of the members of her band.[104][105] The local press also claimed that Winehouse was forced to perform by her bodyguards, who didn’t allow her to leave the stage when she tried to do so.[106] She then pulled out of performances in Istanbul and Athens which had been scheduled for the following week.[107] On 21 June it was announced that she had cancelled all shows of her European tour and would be given “as long as it takes” to sort herself out.[108]

Winehouse’s last public appearance took place at Camden’s Roundhouse, London on 20 July 2011, when she made a surprise guest appearance on stage to support her goddaughter, Dionne Bromfield, who was singing “Mama Said” with The Wanted.[109]

Club nights

On 10 July 2008, Winehouse launched her own club night, Snakehips at the Monarch, in the Camden Monarch venue in London. Although billed as a DJ battle between her and another DJ, she stayed behind the decks swaying as another person actually played 1960s music.[110] She appeared at another Snakehips event at the Monarch on the night of 11 September. After reportedly arriving two hours late she spun music and played a short acoustic set.[111]

Other ventures

Winehouse joined a campaign to stop a block of flats being built beside the George Tavern, a famous London East End music venue. Campaign supporters feared the residential development would end the spot’s lucrative sideline as a film and photo location, on which it relies to survive.[112] As part of a breast cancer awareness campaign, Winehouse appeared in a revealing photograph for the April 2008 issue of Easy Living magazine.[113] Winehouse had an estimated £10m fortune, tying her for tenth place in the 2008 Sunday Times listing of the wealth of musicians under age 30.[114] The following year her fortune had dropped to an estimated £5m.[115] Her finances are run by Mitch and Janis Winehouse.[116] It was reported she earned about £1m singing at two private parties duringParis Fashion Week.[117] as well as another £1m to perform at a Moscow Art Gallery for Russian oligarch Roman Abramovich.[118] Winehouse loaned a vintage dress used in her video for “Tears Dry on Their Own” as well as a DVD to the British Music Experience, a new museum dedicated to the history of British pop music.[119] The museum, located in The O2, opened on 9 March 2009.[120][121]

In January 2009 Winehouse announced that she was launching her own record label. The first act on her Lioness Records is Winehouse’s 13-year-old goddaughter, Dionne Bromfield. Her first album, featuring covers of classic soul records, was released on 12 October 2009.[122] Winehouse is the backing singer on several tracks on the album and she performed backing vocals for Bromfield on the television programme Strictly Come Dancing on 10 October.[123]

Winehouse and her family are the subject of a 2009 documentary shot by Daphne Barak titled Saving Amy.[124]

Winehouse entered into a joint venture in 2009 with EMI to launch a range of wrapping paper and gift cards containing song lyrics from her album Back to Black.[125]

On 8 January 2010 a television documentary, My Daughter Amy, aired on Channel 4.[126]

Saving Amy was released as a paperback book in January 2010.[127]

Winehouse has collaborated on a 17 piece fashion collection with the Fred Perry label. It was released for sale in October 2010. According to Fred Perry’s marketing director “We had three major design meetings where she was closely involved in product style selection and the application of fabric, colour and styling details,” and gave “crucial input on proportion, colour and fit”. The collection consists of “vintage-inspired looks including Capri pants, a bowling dress, a trench coat, pencil skirts, a longline argyle sweater and a pink-and-black checkerboard-printed collared shirt”.[128][129]

Personal life

With the paparazzi taking photographs of her wherever they could, Winehouse obtained an injunction against a leading paparazzi agency under the Protection from Harassment Act 1997, the resultant court order banning them from following her.[130] Photographers were also banned from following her within 100 metres of her home and photographing Winehouse in her home or the home of her friends and family. According to a newspaper report, sources close to the singer said legal action was taken out of concern for the safety of Winehouse and those close to her.[130]

Relationships

She married on-off boyfriend Blake Fielder-Civil (born August 1978), a former video production assistant,[131][132] on 18 May 2007, in Miami, Florida. Fielder-Civil was a “dropout” of Bourne Grammar School, who moved to London at aged 16 from his native Lincolnshire.[17] In a June 2007 interview, Winehouse admitted she was sometimes violent towards him when she had been drinking, stating “if he says one thing I don’t like then I’ll chin him”.[133] In August 2007, they were photographed, bloodied and bruised, in the streets of London after an alleged fight, although she contended her injuries were self-inflicted.[134] Equality campaigner Glenn Sacks criticised Winehouse for “bragging” about abusing her husband, noting how a male abuser would have been “locked up, stigmatised, and vilified”.[135]

Winehouse’s parents and in-laws publicly reported their numerous concerns, citing fears that the two might commit suicide, with Fielder-Civil’s father encouraging fans to boycott her music.[136] Fielder-Civil was quoted in a British tabloid as saying he introduced her to crack cocaine and heroin.[137] During a visit with Mitch Winehouse at the prison in July 2008, Fielder-Civil reportedly said that they would cut themselves to ease the pain of withdrawal.[17]

From 21 July 2008 to 25 February 2009, Fielder-Civil was imprisoned following his guilty plea on charges of trying to pervert the course of justice as well as a charge of grievous bodily harm with intent.[138][139][140] The incident, in July 2007, involved an assault on a pub landlord that resulted in a broken cheek.[141] According to the prosecution the landlord accepted £200,000 as part of a deal to “effectively throw the [court] case and not turn up”. The prosecution testified that the money used to pay off the landlord belonged to Winehouse,[142] but that Winehouse pulled out of a meeting with the men involved in the plot, because she had to attend an awards ceremony.[143]

Winehouse was spotted with aspiring actor Josh Bowman on holiday in Saint Lucia in early January 2009, saying she was “in love again, and I don’t need drugs.”[144] She commented that the “whole marriage was based on doing drugs” and that “for the time being I’ve just forgotten I’m even married.”[144] On 12 January, Winehouse’s spokesman confirmed that “papers have been received” for what Fielder-Civil’s solicitor has said are divorce proceedings based on a claim of adultery.[145][146] On 25 February, Blake Fielder-Civil was quoted as saying that he planned to continue divorce proceedings to give himself a drug-free fresh start.[140] In March, Winehouse was quoted in a magazine as saying, “I still love Blake and I want him to move into my new house with me – that was my plan all along … I won’t let him divorce me. He’s the male version of me and we’re perfect for each other.”[147] Uncontested,[148] the divorce was granted on 16 July 2009 and became final on 28 August 2009.[148]Upon his request Fielder-Civil received no money in the settlement.[149] She is believed to have been dating director Reg Traviss shortly before her death.[150]

Substance abuse and mental health issues

Winehouse’s battles with substance abuse were the subject of much media attention. In various interviews, she admitted to having problems with self-harm, depression and eating disorders.[15][151] In 2005, she went through a period of drinking, heavy drug use, violent mood swings and weight loss.[17] People who saw her during the end of that year and early 2006 reported a rebound that coincided with the writing of Back to Black.[17] Her family believes that the mid-2006 death of her grandmother, who was a stabilising influence, set her off into addiction.[17] In August 2007, Winehouse cancelled a number of shows in the UK and Europe, citing exhaustion and ill health. She was hospitalised during this period for what was reported as an overdose of heroin, ecstasy, cocaine, ketamine and alcohol.[152]

Winehouse told a magazine that the drugs were to blame for her hospitalisation and that “I really thought that it was over for me then.”[153] Soon after, Winehouse’s father commented that when he had made public statements regarding her problems, he was using the media because it seemed the only way to get through to her.[154] In an interview with The Album Chart Show on British television, Winehouse said she was manic depressive and not alcoholic, adding that that sounded like “an alcoholic in denial”.[155]

On 2 December 2007, images of the singer outside her home in the early morning hours, barefoot and wearing only a bra and jeans, appeared on the internet and in tabloid newspapers. In a statement, her spokesman blamed paparazzi harassment for the incident.[156] The spokesman reported that the singer was in a physician-supervised programme and was channelling her difficulties by writing a lot of music.[157] The British tabloid The Sun posted a video of a woman, alleged to be Winehouse, apparently smoking crack cocaine and speaking of having taken ecstasy and valium. Winehouse’s father moved in with her,[158] and Island Records, her record label, announced the abandonment of plans for an American promotion campaign on her behalf.[159] In late January 2008, Winehouse reportedly entered a rehabilitation facility for a two-week treatment program.[160]

On 23 January 2008, the video was passed on to the Metropolitan Police,[159] who questioned her on 5 February.[161] No charges were brought. On 26 March 2008, Winehouse’s spokesman said she was “doing well” and denied a published report in a British tabloid that consideration was being given to having her return to rehab.[162] Her record company reportedly believed that her recovery remained fragile.[163] By late April 2008, her erratic behaviour, including an allegation of assault, caused fear that her drug rehabilitation efforts have been unsuccessful,[164] leading to efforts by Winehouse’s father and manager to seek assistance in having her sectioned.[165] Her dishevelled appearance during and after a scheduled club night in September sparked new rumours of a relapse. Photographers were quoted as saying she appeared to have cuts on her legs and arms.[111]

In an interview released in June 2009 Winehouse’s father said the singer was in a drug replacement programme. He said she was gradually recovering but that heavy drinking was causing “slight backward steps”. A documentary shot early in 2009 shows Winehouse apparently intoxicated according to a newspaper report.[166] Pictures published by a magazine in July 2009 upon her return to the United Kingdom from her extended stay in Saint Lucia appeared to show that Winehouse had gained weight and that her complexion was improved.[167] In an October 2010 interview Winehouse said she had been drug-free for three years, saying “I literally woke up one day and was like, ‘I don’t want to do this any more.’”[168]

Winehouse entered the Priory Clinic on 25 May 2011, where she stayed for one week.[169]

Violence and legal difficulties

in 2006 Winehouse admitted punching a fan in the face for criticising taking Blake Fielder-Civil as a husband. She then attacked her spouse as he attempted to calm her down, kneeing him in the crotch.[170]

In October 2007, Winehouse and her then-husband were arrested in Bergen, Norway for possession of seven grams of marijuana. The couple were later released and fined 3850 kroner (around £350).[171] Winehouse first appealed the fines, claiming she was “duped” into confessing,[171][172] but later dropped the appeal.[173]

On 26 April 2008, Winehouse was cautioned after she admitted to police she slapped a 38 year old man in the face, a “common assault” offence. She voluntarily turned herself in and was held overnight. Police said, at her arrival she was “in no fit state” to be interviewed.[174] Winehouse was arrested on 7 May 2008 on suspicion of possessing drugs after a video of her apparently smoking crack cocaine was passed to the police in January,[175] but was released on bail a few hours later because they could not confirm, from the video, what she was smoking.[152][176] The Crown Prosecution Service considered charging her with possessing a controlled drug and allowing her premises to be used for the supply by others of a controlled drug, but she was cleared when the service could not establish that the substance in the video was a controlled drug.[177] In reaction to the decision, former police commander John O’Connor said it is an “absolute scandal that nothing could be done” about Winehouse “cocking a snook at the law”.[178] Some members of Parliament also reacted negatively.[178][179] Two London residents were subsequently charged with conspiracy to supply cocaine and ecstasy to Winehouse.[180] One of the pair was sentenced to two years in prison on 13 December 2008, while the other received a two-year community order.[181]

On 5 March 2009, Winehouse was arrested and charged with common assault following a claim by a woman that Winehouse hit her in the eye at a September 2008 Prince’s Trust charity ball.[182] At the same time, she was reported to have spat at the English socialite Pippa Middleton and to have headbutted a photographer.[183] Winehouse’s spokesperson announced the singer cancelled a scheduled United States Coachella Festival appearance in “light of current legal issues”.[184] Swearing in under her legal name of Amy Jade Civil, Winehouse appeared in court on 17 March to enter her plea of not guilty.[185] On 23 July her assault trial began with prosecutor Lyall Thompson charging that Winehouse acted with “deliberate and unjustifiable violence” while appearing to be under the influence of alcohol or another substance. The woman, Sharene Flash, testified that Winehouse “punched me forcefully in my right eye. She used a fist, her right one.” Winehouse testified that she did not punch Flash, but tried to push Flash away from her because she was scared of Flash. Winehouse cited her worry that Flash would sell her story to a tabloid, Flash’s height advantage, and Flash’s “rude” behaviour as reasons for her fear of Flash.[186][187] On the 24 July, District Judge Timothy Workman ruled that Winehouse was not guilty of the charge. Workman cited the facts that all but two of the witnesses were intoxicated at the time of the incident and that medical evidence did not show “the sort of injury that often occurs when there is a forceful punch to the eye”.[188]

On 19 December 2009, Winehouse was arrested again on charges of common assault, plus another charge of public order offence. Winehouse assaulted the front-of-house manager of the Milton Keynes Theatre after he asked her to move from her seat.[189] On 20 January 2010, she admitted common assault and disorderly behaviour. She was given a two-year conditional discharge and ordered to pay £85 court costs and £100 compensation to the man she attacked.[190]

Respiratory problems

On 23 June 2008, Winehouse’s publicist corrected earlier misstatements by Mitch Winehouse that his daughter had early stage emphysema, instead claiming she had signs of what could lead to early-stage emphysema.[7] Mitch Winehouse had also stated that his daughter’s lungs were operating at 70 percent capacity and that she had an irregular heartbeat. Mitch Winehouse said that these problems had been caused by her chain smoking and crack cocaine use. The singer’s father also reported that doctors had warned Winehouse that, if she continued smoking crack cocaine, she would have to wear an oxygen mask and would eventually die.[191] In a radio interview, Mitch Winehouse said the singer was responding “fabulously” to treatment, which included being covered with nicotine patches.[192] British Lung Foundation spokesman Keith Prowse noted this type of condition could be managed with treatment. Prowse also said the condition was not normal for a person her age but “heavy smoking and inhaling other substances like drugs can age the lungs prematurely”.[193] Norman H. Edelman of the American Lung Association explained that if she stopped smoking, her lung functions would decline at the rate of a normal person, but continued smoking would lead to a more rapid decline in lung function.[194] Photographs of the singer with a cigarette in her mouth, taken 23 June 2008, were widely published.[195]

Winehouse was released from The London Clinic 24 hours after returning from a temporary leave to perform at Nelson Mandela‘s 90th birthday and at a concert in Glastonbury, and continued receiving treatment as an outpatient.[196] In July, 2008 Winehouse stated that she had been diagnosed with “some areas of emphysema” and said she is getting herself together by “eating loads of healthy food, sleeping loads, playing my guitar, making music and writing letters to my husband every day”.[197] She also kept a vertical tanning bed in her apartment.[27] Winehouse began precautionary testing on her lungs and chest on 25 October 2008[198] at the London Clinic for what was reported as a chest infection. Winehouse was in and out of the facility and was granted permission to set her own schedule regarding home leave.[73] She returned to the hospital on 23 November 2008 for a reported reaction to her medication.[199]

Death

Tributes outside Amy Winehouse’s home at Camden Square on the evening of her death on 23 July 2011

At 3:54 pm BST (15:54 UTC+1) on 23 July 2011, two ambulances were called to Winehouse’s home in Camden, London.[200] Winehouse had been found by a member of her security team[201] and was pronounced dead at the scene. Shortly afterwards, the Metropolitan Police confirmed that she had died.[202][203] A post mortem with inconclusive results was completed on 25 July, and no cause of death could be established.[204] An inquest was adjourned to 26 October, and results of further toxicology tests will take two to four weeks.[201][204] A private funeral was planned for Tuesday for friends and family.[205] After her death was announced, media and camera crews appeared as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside.

Winehouse’s record label, Universal Republic, released a statement that read in part: “We are deeply saddened at the sudden loss of such a gifted musician, artist and performer.”[206][207]

Controversy

Winehouse’s dichotomous public image of critical and commercial success versus personal turmoil proved to be controversial. The New Statesman magazine called Winehouse “a filthy-mouthed, down-to-earth diva,”[208] while Newsweek magazine called her “a perfect storm of sex kitten, raw talent and poor impulse control.”[209] Karen Heller with The Philadelphia Inquirer summarised the maelstrom this way:

She’s only 24 with six Grammy nods, crashing headfirst into success and despair, with a codependent husband in jail, exhibitionist parents with questionable judgement, and the paparazzi documenting her emotional and physical distress. Meanwhile, a haute designer Karl Lagerfeld appropriates her dishevelled style and eating issues to market to the elite while proclaiming her the new Bardot.[210]

By 2008, her continued drug problems threatened her career. Even as Nick Gatfield, the president of Island Records, toyed with the idea of releasing Winehouse “to deal with her problems”, he remarked on her talent, saying, “It’s a reflection of her status [in the U.S.] that when you flick through the TV coverage [of the Grammys] it’s her image they use.”[159] Post-Grammys, some questioned whether Winehouse should have been honoured with the awards given her recent personal and drug problems,[211][212][213] including Natalie Cole, who introduced Winehouse at the ceremony. Cole (who battled her own substance-abuse problems while winning a Grammy for Best New Artist in 1975[214]) remarked, “I think the girl is talented, gifted, but it’s not right for her to be able to have her cake and eat it too. She needs to get herself together.”[214] In an opinion newspaper commentary, Antonio Maria Costa, executive director of the United Nations Office on Drugs and Crime, said that the alleged drug habits of Winehouse and other celebrities send a bad message “to others who are vulnerable to addiction” and undermine the efforts of other celebrities trying to raise awareness of problems in Africa, now that more cocaine used in Europe passes through Africa.[215] Winehouse’s spokesperson called Costa a “ludicrous man” and noted that “Amy has never given a quote about drugs or flaunted it in any way. She’s had some problems and is trying to get better. The U.N. should get its own house in order.”[216] Graeme Pearson, the former head of Scotland’s drug enforcement agency, criticised Winehouse and Kate Moss for making going to rehab a badge of honour, thus giving the false impression that quitting drugs is easy, because many cannot afford to go to clinics.[217]

Winehouse became a staple in popularity polls. The 2008 NME Awards nominated Winehouse in the categories of “Villain of the Year”, “Best Solo Artist”, and “Best Music DVD”; Winehouse won for “Worst Dressed Performer”.[218][219] In its third annual list, Glamour magazine named Winehouse the third worst dressed British Woman.[220] Winehouse was ranked number two on Richard Blackwell’s 48th annual “Ten Worst Dressed Women” list, behind Victoria Beckham.[221] In an April 2008 poll conducted by Sky News, Winehouse was named the second greatest “ultimate heroine” by the UK population at large, topping the voting for that category of those polled under 25 years old.[222] Psychologist Donna Dawson commented that the results demonstrate women like Winehouse who have “a certain sense of vulnerability or have had to fight against some adversity in their lives” receive recognition.[222] Winehouse was voted the second most hated personality in the United Kingdom in a poll conducted one month later by Marketing magazine.[223]

June 2008 brought a report that Winehouse, singing a disparaging chant about blacks, the disabled, and homosexuals, and containing racial epithets about Pakistanis and Indians, was taped by her former husband Fielder-Civil, despite assurances to her that he was not filming.[224] Winehouse denied allegations that she was a racist, saying “I don’t want to play anything down, but I’m the leastracist person going.”[224] Winehouse added that the film was taken during “really, really happy times.”[224] Speaking at a discussion entitled Winehouse or White House?: Do we go too big on showbiz news? Jeff Zycinski, head of BBC Radio Scotland, said the BBC and media in general were complicit in the destruction of celebrities like Winehouse. He said that public interest in the singer’s lifestyle does not make her lifestyle newsworthy. Rod McKenzie editor of the BBC Radio One program Newsbeat replied that “If you play [Amy Winehouse’s] music to a certain demographic, those same people want to know what’s happening in her private life. If you don’t cover it, you’re insulting young license fee payers.”[225] British singer and songwriter Lily Allen was quoted in a Scottish newspaper as saying

I know Amy Winehouse very well. And she is very different to what people portray her as being. Yes, she does get out of her mind on drugs sometimes, but she is also a very clever, intelligent, witty, funny person who can hold it together. You just don’t see that side.[226]

Artistic impressions

London’s Mall Galleries opened an exhibition in May 2008 that included a sculpture of Winehouse, entitled Excess. The piece, created by Guy Portelli, had a miniature of the singer lying on top of acracked champagne bottle, with a pool of spilled liquid underneath. The body was covered with what appeared to be tiny pills, while one outstretched hand held a glass.[227] Another piece, a print entitled “Celebrity 1” by artist Charlotte Suckling, was exhibited in the same exhibition.[227] A wax sculpture of Winehouse went on display at the London Madame Tussauds on 23 July 2008. The singer did not attend the unveiling, although her parents did.[228] A sculpture by Marco Perego, entitled “The Only Good Rock Star Is a Dead Rock Star”, that depicts Winehouse lying in a pool of blood with an apple and a bullet hole in her head after being shot by American novelist and beat poet William S. Burroughs (in a recreation of the accidental killing of his wife Joan Vollmer),[229] was scheduled to go on display in New York’s Half Gallery on 14 November 2008. The sale price for the sculpture is listed at US $100,000. Perego said of the sculpture “Rock stars are the sacrificial animals of society.” Winehouse’s spokesperson said “It’s a funny kind of tribute. The artist seems in thrall to a tabloid persona that is not the real Amy. People often use her image to sell their work.”[229]

Winehouse attracted a number of musical tribute acts including Paula Delany, based in Southport, Merseyside, who styled herself “Amy Housewine”.[230]

Discography

Awards and nominations

Among the awards and recognitions for Frank, Winehouse earned an Ivor Novello Award for Best Contemporary Song (“Stronger Than Me“),[231] a BRIT Award nomination for Best Female Solo Artist,[232] and an inclusion in Robert Dimery’s 2006 book, 1001 Albums You Must Hear Before You Die.[233] Back to Black produced numerous nominations, including two from the BRIT Awards (Best Female Solo Artist and Best British Album), six from the Grammy Awards (including five wins),[3] four from the Ivor Novello Awards, four from the MTV Europe Music Awards, three from the MTV Video Music Awards, three from the World Music Awards, and one each from the Mercury Prize (Album of the Year) and MOBO Awards (Best UK Female). During her career, Winehouse received 23 awards from 58 nominations.

LITTLEDEAN JAIL IMAGES

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HERE IS A SLIDESHOW OF VARIOUS PHOTOGRAPHS TAKEN IN AND AROUND LITTLEDEAN JAIL . UNFORTUNATELY DUE TO THE SHEAR SCALE OF EXHIBIT MATERIAL WITHIN THE JAIL (THE CRIME THROUGH TIME COLLECTION AND THEQUADROPHENIA COLLECTION ETC ) …THERE ARE NO IMAGES HERE OF THE VARIOUS COLLECTIONS, SO A VISIT WOULD BE THE BETTER WAY TO SEE THEM ALL  FOR YOURSELVES

LITTLEDEAN JAIL IS A FORMER  VICTORIAN HOUSE OF CORRECTION , JAIL, COURTHOUSE AND POLICE STATION – ORIGINALLY COMPLETED IN 1791 HAVING TAKEN 3 YEARS TO COMPLETE .

IT IS NOW A LANDMARK BUILDING AT ONE OF THE GATEWAYS TO THE FOREST OF DEAN , GLOUCESTERSHIRE, UK   …. AND OF COURSE NOW THE HOME TO THE CRIME THROUGH TIME COLLECTION AND THE UK’S ONLY QUADROPHENIA EXHIBITION OPEN TO THE PUBLIC …

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INCIDENTALLY THERE WERE NEVER ANY HANGINGS OR EXECUTIONS AT THE JAIL. THIS EXECUTION LAMP IS FROM LEAVENWORTH PRISON IN THE USA … AND IS SIMPLY HERE ON DISPLAY AS PART OF OUR MANY DIVERSE COLLECTIONS .

SEX, DRUGS & ROCK & ROLL …THE BIZARRE , TABOO, CELEBRITY SLEAZE, SCANDAL AND BEYOND … IT’S ALL HERE TOO AT LITTLEDEAN JAIL.

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CELEBRITIES BEHAVING BADLY ?

THE SEEMINGLY ALWAYS DRINK, DRUGS AND DEBAUCHED FUELLED WORLD OF A GREAT MANY OF OUR ICONIC TABLOID FAVOURITES…… MANY OF WHOM WE COVER AND TOUCH UPON WITHIN OUR DIVERSE MEMORABILIA COLLECTIONS HERE AT OUR POLITICALLY INCORRECT …. LITTLEDEAN JAIL

BELOW …. HERE IS SOME INTERACTIVE BACKGROUND FOOTAGE BEHIND SOME OF THE TABLOID SENSATIONALIST HEADLINES OF JUST A FEW OF THOSE WE COVER HERE

AMY WINEHOUSE & PETE DOHERTY ON DRUGS TOGETHER

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CELEBRITY SLEAZE AND SCANDAL HERE AT LITTLEDEAN JAIL…..AND MUCH MUCH MORE

ICONIC ….NOW TRAGICALLY DECEASED AMY WINEHOUSE SEEN HERE ON A SEEMINGLY DOWNWARD SPIRAL ON DRUGS WITH  FRIEND – PETE DOHERTY

Here at the jail we have long featured various exhibition displays and tabloid sensationalism of the controversial , drink and drug fuelled world of both Amy Winehouse and Pete Doherty as well as a great many other well known celebrities and music icons

DEAD OR ALIVE -YOU SPIN ME ROUND (LIKE A RECORD)

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AS IT’S FRIDAY HERE’S OUR BREAK FROM OUR NORMAL TRUE CRIME, SLEAZE & SCANDAL CONTENT. HERE ARE SOME MORE OF LITTLEDEAN JAIL OWNERS FAVOURITE MUSIC TRACKS, PAST & PRESENT HOPE YOU LIKE THEM TOO…..
HERE’S ONE FOR ALL YOU LADIES ….. AND OF COURSE SOME OF YOU MEN …….THE CLASSIC 1984 NIGHTCLUB ANTHEM ….DEAD OR ALIVE’S HIT “YOU SPIN ME ROUND (LIKE A RECORD) 

You Spin Me Round (Like a Record)” is a song by British band Dead or Alive on their 1985 album Youthquake. The song was the first UK number-one hit by the Stock Aitken Waterman production trio. Released in November 1984, the record reached number one in March 1985, taking seventeen weeks to get there. In the US, it peaked at #11 in September of that year.

The video was directed by Vaughan Arnell and Anthea Benton.

The strings were based on Richard Wagner‘s classical piece Ride of the Valkyries.[1] The song is in 4/4 time and in the key of F# minor.[citation needed]


“You Spin Me Round” was re-released in 2003 at the same time as the Dead or Alive greatest hits album Evolution was released. The song reached #23 in the UK singles chart. It was re-released again on 30 January 2006 because of lead singer Pete Burns’ controversial time as a contestant on television seriesCelebrity Big Brother and reached #5.Re-releases

Earlier remixes were in 1996 and 1997 (some are included on the US, European and Australian releases of Nukleopatra). In 1999 these mixes were issued in the US as a 2CD set. The first disc held seven mixes of “You Spin Me Round” while disc two has five mixes of “Sex Drive”. In 2000, new mixes appeared on Fragile and in 2001, on Unbreakable: The Fragile Remixes. No videos were made for these.

Chart performance

Dead or Alive version

The song has been re-released three times since its original release in 1984. Each time of its release, it achieved success, but failed to match the success of the original. However, after lead-singer Pete Burns‘ appearance on UK Celebrity Big Brother, the single was re-released and managed a Top 5 peak on the UK Singles Chart in 2006.

Chart (1984–1985) Peak
position
Australian Singles Chart 3[2]
Canadian RPM Top Singles 1[3]
Media Control Charts 2[4]
Italian Singles Chart 3[5]
Swiss Music Charts 1[6]
UK Singles Chart 1[7]
U.S. Billboard Hot 100 11[8]
U.S. Billboard Hot Dance Club Play 4[9]
Chart (1996) Peak
position
Australian Singles Chart 28
Chart (2003) Peak
position
Australian Singles Chart 62
Media Control Charts 96
UK Singles Chart 23
U.S. Billboard Hot Dance Club Play 21[10]
Chart (2006) Peak
position
UK Singles Chart 5

Dope version

Dope‘s version of the song became their first chart entry on any Billboard chart, reaching #37 on the Hot Mainstream Rock Tracks chart. Their version is often misattributed to Marilyn Manson.[citation needed]

Chart (2000) Peak
position
U.S. Billboard Hot Mainstream Rock Tracks 37

Jessica Simpson version

Jessica Simpson‘s version of the song was released as a promo single from her fourth studio album A Public Affair in 2006. Her version of the song barely made the Pop 100, and failed to make theBillboard Hot 100 chart, however, it charted to #20 on the Bubbling Under Hot 100, which is equivalent to #120. Simpson’s version has new lyrics and only preserves the chorus of the song.

Chart (2007) Peak
position
U.S. Billboard Bubbling Under Hot 100 20
U.S. Billboard Pop 100 95

Other versions

Notable cover versions include recordings by Thalía on her 2002 self-titled album. A cover was featured in Konami’s 2009 video game Dance Dance Revolution Hottest Party. The song’s chorus was used as the basis for Flo Rida‘s 2009 number one single, “Right Round.” Danzel and Gigi D’Agostino have also done remixes. Alvin and the Chipmunks covered the song for the movie, “Alvin and the Chipmunks: The Squeakquel” and the movie’s soundtrack. In 2008, Thea Gilmore did a cover called “You Spin Me Right Round” alongside with Mike Cave, giving the song a more folk pop touch. After its initial release as a separate single, it was included in newer pressings of her album “Liejacker”. Adam Sandler performed the song to open the film The Wedding Singer. There is also another version featured in the red-band trailer of Hot Tub Time Machine. The French band Indochine also covered the song on their 2009 album “La République des Meteors.”

Track listing

JP You Spin Me Round (Murder Mix) – 1984, Epic-Japan (12.3P-625)

  1. “You Spin Me Round (Like a Record)” (Murder Mix)
  2. “Misty Circles” (Extended Version)

US You Spin Me Round / Sex Drive remixes – 1999, Cleopatra (CLP 0533-2)

CD1

  1. “You Spin Me Round (Like a Record)” (Sugar Pumpers Radio Edit) – 3:38
  2. “You Spin Me Round (Like a Record)” (Cleopatra Radio Edit) – 4:13
  3. “You Spin Me Round (Like a Record)” (Marc Antonine Radio Edit) – 3:21
  4. “You Spin Me Round (Like a Record)” (Sugar Pumpers Extended Mix) – 5:11
  5. “You Spin Me Round (Like a Record)” (Sugar Pumpers Pumpin Mix) – 7:05
  6. “You Spin Me Round (Like a Record)” (Vicious Mix) – 8:10
  7. “You Spin Me Round (Like a Record)” (Marc Antonine Club Mix) – 7:00

CD2

  1. “Sex Drive” (Radio Edit) – 2:52
  2. “Sex Drive” (Scream Driven Edit) – 3:54
  3. “Sex Drive” (Dead or Alive Original Mix) – 6:39
  4. “Sex Drive” (Scream Driven Mix) – 6:59
  5. “Sex Drive” (Pee Wee Remix) – 5:56

AUS CD Remix Single – 2003, Epic (673578-2)

  1. “You Spin Me Round (Like a Record)” (Metro 7″ Edit) – 3:46
  2. “You Spin Me Round (Like a Record)” (Metro 12″ Extended Mix) – 6:55
  3. “You Spin Me Round (Like a Record)” (Mark Moore & Mr. Motion Remix) – 6:20
  4. “You Spin Me Round (Like a Record)” (Punx Soundcheck Vs Princess Julia) – 5:47
  5. “You Spin Me Round (Like a Record)” (D Bop Club Mix) – 7:16
  6. “You Spin Me Round (Like a Record)” (Original 7″ Mix) – 3:16

UK CD1 – 2003, Epic (673578-2)

  1. “You Spin Me Round (Like a Record)” (Metro 7″ Edit) – 3:46
  2. “You Spin Me Round (Like a Record)” (Metro 12″ Extended Mix) – 6:55
  3. “You Spin Me Round (Like a Record)” (Punx Soundcheck Vs Princess Julia) – 5:47
  4. “You Spin Me Round (Like a Record)” (Original 7″ Mix) – 3:16

UK CD2 – 2003, Epic (673578-5)

  1. “You Spin Me Round (Like a Record)” (Metro 7″ Edit) – 3:46
  2. “You Spin Me Round (Like a Record)” (Mark Moore & Mr. Motion Remix) – 6:17
  3. “Isn’t It a Pity” – 4:43

UK CD single – 2006, Epic (82876 806212)

  1. “You Spin Me Round (Like a Record)” (Original 7″ Mix) – 3:16
  2. “You Spin Me Round (Like a Record)” (Murder Mix) – 7:27 *
  3. “You Spin Me Round (Like a Record)” (Metro 7″ Edit) – 3:46
  4. “You Spin Me Round (Like a Record)” (Video 2003 Version) – 3:44

THE POGUES -DIRTY OLD TOWN

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AS IT’S FRIDAY HERE’S OUR BREAK FROM OUR NORMAL TRUE CRIME, SLEAZE & SCANDAL CONTENT. HERE ARE SOME MORE OF LITTLEDEAN JAIL OWNERS FAVOURITE MUSIC TRACKS, PAST & PRESENT HOPE YOU LIKE THEM TOO…..
GREAT BAND GREAT TRACK …… DIRTY OLD TOWN – THE POGUES FROM THEIR 1985 ALBUM RUM, SODOMY AND THE LASH 

The Pogues are a band from Kings Cross, London, formed in 1982 and fronted by Shane MacGowan. The band reached international prominence in the 1980s and early 1990s. MacGowan left the band in 1991 due to drinking problems but the band continued first with Joe Strummer and then with Spider Stacy on vocals before breaking up in 1996.[1] The band reformed in 2001, and has been playing regularly ever since, most notably on the US East Coast around St Patrick’s Day and across the UK and Ireland every December. The group has yet to record any new music and, according to Spider Stacy on Pogues.com, has no inclination to do so.

Their politically-tinged music was informed by MacGowan and Stacy’s punk backgrounds,[2] yet used traditional Irish instruments such as the tin whistle,cittern, mandolin and accordion.

The Pogues were founded in Kings Cross,[3] a district of North London, in 1982 as Pogue Mahone—pogue mahone being the Anglicisation of the Irish póg mo thóin, meaning “kiss my arse“.[4]

Band history

The roots of The Pogues were formed when MacGowan (vocals), Peter “Spider” Stacy (tin whistle), and Jem Finer (banjo) were together in an occasional band called The Millwall Chainsaws in the late 1970s after MacGowan and Stacy met in the toilets at a Ramones gig at The Roundhouse in 1977.[5]MacGowan was already with The Nips, though when they broke up in 1980 he concentrated a bit more on Stacy’s Millwall Chainsaws who changed their name to The New Republicans. During this period MacGowan and Finer auditioned unsuccessfully for a licence to busk at Covent Garden.[6] In 1982 James Fearnley (accordion) joined MacGowan, Stacy, and Finer, calling the band Pogue Mahone. The new group played their first gig at The Pindar of Wakefieldon 4 October 1982.[7]
Play sound
Sample of Caitlín O’Riordan singing “Haunted” with the Pogues.
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They later added Cait O’Riordan (bass) and Andrew Ranken (drums). The band played London pubs and clubs,[8] and released a single, “Dark Streets of London,”[9] on their own, self-named label, gaining a small reputation—especially for their live performances. They came to the attention of the media and Stiff Records when they opened for The Clash on their 1984 tour.[1] Shortening their name to “The Pogues” (partly due to BBC censorship following complaints from Gaelic speakers in Scotland) they released their first album Red Roses for Me on Stiff that October.

The band gained more attention when the UK Channel 4’s influential music show The Tube made a video of their version of “Waxie’s Dargle” for the show. The performance—featuring Spider Stacy repeatedly smashing himself over the head with a beer tray (in the manner of Bob Blackman’s infamous “Mule Train/Mule Tray”)—became a favourite with the viewers, but Stiff refused to release it as a single, feeling it was too late for it to help Red Roses for Me (in fact Stiff was by then in deep financial trouble). Nevertheless, it remained a favourite request for the show for many years.

Phil Chevron (guitar) joined the group soon after, then with the aid of punk and New Wave forefather Elvis Costello they recorded the follow-up, Rum Sodomy & the Lash, in 1985. The album title is a famous comment falsely attributed to Winston Churchill who was supposedly describing the “true” traditions of the British Royal Navy.[10] The album cover featured The Raft of the Medusa, with the faces of the characters in Théodore Géricault‘s painting replaced with those of the band members. The album shows the band moving away from covers to original material. Shane MacGowan came into his own as a songwriter with this disc, offering up poetic story-telling, such as “The Sick Bed of Cúchulainn” and “The Old Main Drag”, as well as definitive interpretations of Ewan MacColl‘s “Dirty Old Town” and Eric Bogle‘s “And the Band Played Waltzing Matilda” (this had previously been covered by Shane’s fellow punk contemporaries The Skids in 1981).

The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the four-track EP Poguetry in Motion instead); O’Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt, formerly of Plummet Airlines and Pride of the Cross; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist and principal songwriter, Shane MacGowan. Their record label, Stiff Records, went bankrupt soon after the 1987 release of the single “The Irish Rover” (with The Dubliners). Members of the band, including O’Riordian, acted in Alex Cox‘s Straight to Hell, and five songs by the band were included on the film’s soundtrack album.

[edit]Success and breakup

The band remained stable enough to record If I Should Fall from Grace with God in 1988 (with its Christmas hit duet with Kirsty MacColl “Fairytale of New York“, which was voted “the best Christmas song ever” in VH1 UK polls in 2004) and 1989’s Peace and Love.[11] The band was at the peak of its commercial success, with both albums making the top 5 in the UK (numbers 3 and 5 respectively), but MacGowan was increasingly unreliable. He failed to turn up for the opening dates of their 1988 tour of America, and prevented the band from promoting their next album, Hell’s Ditch, so in 1991 the band sacked him.[2] Vocal duties were for a time handled by Joe Strummer, before Stacy finally took over permanently. After Strummer’s departure, the remaining seven Pogues recorded Waiting for Herb, which contained the band’s third and final top twenty single, “Tuesday Morning”, which became their best-selling single internationally. Terry Woods and James Fearnley then left the band and were replaced by David Coulter and James McNally respectively. Within months of their departures, ill health forced Phil Chevron to leave the band; he was replaced by his former guitar technician, Jamie Clarke. This lineup recorded the band’s seventh (and final) studio album, Pogue Mahone. The album was a commercial failure, and, following Jem Finer’s decision to leave the band in 1996, the remaining members decided it was time to call it quits. According to Shane MacGowan, amongst the reasons of the breakup was disagreement concerning the political orientation of his songs, the band not wanting to sing too obvious pro-republican songs[12] — though some of their previous songs were already politically engaged : for instance, Streams of Whiskey is about the poet and IRAmember Brendan Behan. Soon after the breakup Shane MacGowan recorded a song called Paddy Public Enemy Number One as a tribute to the Republican leader Dominic McGlinchey, a former leader of the INLA killed a few years before.

[edit]Post-breakup

After the Pogues’ break-up, the three remaining long-term members (Spider Stacy, Andrew Ranken and Darryl Hunt) played together briefly in a new band called The Wisemen for five shows. The name was quickly changed to the Vendettas. They played mainly new Stacy-penned tracks, though Darryl Hunt also contributed songs, and the band’s live set included a few Pogues songs. First Ranken then Hunt left the band, the latter going on to become singer/songwriter in an indie band called Bish, whose self-titled debut album was released in 2001. Ranken has gone on to play with a number of other bands, including hKippers, The Municipal Waterboard and, most recently, The Mysterious Wheels. In addition to The Vendettas who Stacy freely admits lost all attraction when the Pogues reformed, Spider continued to write and record music with various bands, including the James Walbourne, Filthy Thieving Bastards, Dropkick Murphys and Astral Social Club. Shane MacGowan founded Shane MacGowan and The Popes in 1992. They only managed two studio albums but struggled on until 2002. His autobiography A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, was released in 2001. Jem Finer went into experimental music, playing a big part in a project known as “Longplayer“, a piece of music designed to play continuously for 1,000 years without repeating itself. In 2005, Finer released the album Bum Steer with DB Bob (as DM Bob and Country Jem). James Fearnley moved to the United States shortly before leaving the Pogues. He was a member of The Low And Sweet Orchestra and later the Cranky George Trio. Philip Chevron reformed his former band The Radiators, which briefly included former Pogue Cait O’Riordan. Terry Woods formed The Bucks with Ron Kavana, releasing the album Dancin’ To The Ceili Band in 1994. Later, he formed The Woods Band, releasing the album Music From The Four Corners of Hell in 2002.

[edit]Reunion

The Pogues in Brixton, 2004

The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed nine shows in the UK and Ireland in December 2004. In 2002 Qmagazine named The Pogues as one of the “50 Bands To See Before You Die”. In July 2005, the band — again including MacGowan — played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there. They played a date in Spain in early September. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic “Fairytale of New York” on 19 December, which went straight in at #3 in the UK Singles charts on Christmas Day 2005, showing the song’s enduring popularity. On 22 December 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan Ross Christmas show with Katie Melua filling in for the late Kirsty MacColl, the first time the band had played the song live on television. The following week they performed live on the popular music show CD:UK.

Shane MacGowan wrote a blog for The Guardian website in 2006, detailing his thoughts on the current tour.[13]

The Pogues with Shane MacGowan, October 11, 2006 in San Diego

The band was awarded the lifetime achievement award at the annual Meteor Ireland Music Awards in February 2006. In March 2006, the band played their first U.S. dates with Shane in over 15 years. The band played a series of sold-out concerts in Washington D.C., Atlantic City, Boston, and New York. Later they played a series of highly acclaimed and sold-out gigs during mid-October 2006 in San Francisco, Las Vegas, and Los Angeles, and toured Glasgow,Manchester, Birmingham, London, Dublin, and Nottingham in mid-December 2006. They began a second U.S. tour in March 2007, once again to coincide (and conclude) with a Roseland Ballroom New York City show on Saint Patrick’s Day. 2007 has proved to be the most prolific year of touring since the reunion. A tour of the west coast of America and eleven dates in the UK in December complement the headlining festival appearances made in the summer across Europe (Sweden, Belgium and Spain). They continue to be in huge demand, often selling out very large venues, despite criticism of selling out, and claims that arenas and festivals do not suit the band’s sound.

The Pogues on August 1, 2010 inAmsterdam

Guitarist Phil Chevron has stated there were no plans to record new music or release a new album. Chevron said that one way to keep enjoying what they were doing was to avoid making a new album, although he did say that there still is a possibility in the future for new music, but certainly not in the near future. Terry Woods has commented that MacGowan has been writing, and most of it sounds good. In 2008 the band released a box set Just Look Them Straight in the Eye and Say….POGUE MAHONE!!, which included rare studio out-takes and previously unreleased material.[14]

The band has received mixed reviews of its recent performances. Reviewing a March 2008 concert, The Washington Post described MacGowan as “puffy and paunchy,” but said the singer “still has a banshee wail to beat Howard Dean‘s, and the singer’s abrasive growl is all a band this marvelous needs to give its amphetamine-spiked take on Irish folk a focal point.” The reviewer continued: “The set started off shaky, MacGowan singing of `goin’ where streams of whiskey are flowin,’ and looking like he’d arrived there already. He grew more lucid and powerful as the evening gathered steam, through two hours and 26 songs, mostly from the Pogues’ first three (and best) albums”.[15] In December 2010 the Pogues played their farewell UK Christmas tour.

In March 2011, the Pogues played a six-city/ten-show US tour titled “A Parting Glass with The Pogues” visiting Chicago, Detroit, Baltimore, Washington D.C., Boston, and New York (in that order), with only the last three cities getting more than one show. It may, or may not, be the last time they tour the States. Stacy said “I think we are basically pretty certain this is the last tour of this type we’ll be doing in the States. There might be the odd sort of one-off here and there. We’re not saying this is absolutely, definitely the end.”[16]

According to Phillip Chevron: “Shane sings no more or no less than has been set by prior agreement.” [17]

[edit]Current members

[edit]Former members

  • Cait O’Riordan: 1982–1986, 2004; bass, vocals
  • Joe Strummer: 1991-1992 (also replaced an ailing Phil Chevron for a U.S. tour in 1987); vocals, guitar
  • Jamie Clarke: 1995–1996; guitar, vocals
  • Dave Coulter: 1993–1996; mandolin, violin, ukulele, percussion
  • James McNally: 1993–1996; accordion, whistles, percussion

[edit]Discography

[edit]Fairytale of New York

Main article: Fairytale of New York

“Fairytale of New York” was released as a single in 1987 and reached #1 in the Irish charts and #2 in the British charts over Christmas (the time of peak sales). The song has become a festive classic in the UK and Ireland over the years, and was voted the best Christmas song of all time three years running in 2004,[18] 2005[19] and 2006 in polls by music channel VH1 UK, despite not achievingChristmas Number One when it was released. It was also voted as the 27th greatest song never to reach UK#1 in another VH1 poll, and also voted as the 84th greatest song of all time by BBC Radio 2listeners in their “Sold on Song” top 100 poll. In 2007 the record was briefly censored by the BBC because of the word “faggot” being deemed potentially offensive to gay people. Following protests from listeners, including the mother of Kirsty MacColl, the censorship was lifted.

[edit]Albums

[edit]Live albums

  • Streams of Whiskey: Live in Leysin, Switzerland 1991 (2002)
  • The Ultimate Collection including Live at the Brixton Academy 2001 (2005): #15 UK

[edit]Compilation albums

  • The Best of The Pogues (1991): #11 UK
  • Essential Pogues (1991)
  • The Rest of The Best (1992)
  • The Very Best of The Pogues (2001): #18 UK
  • The Ultimate Collection (2005): #15 UK
  • Dirty Old Town: The Platinum Collection (Budget CD) (2005)
  • Just Look Them Straight in the Eye and Say….POGUE MAHONE!! (Anthology/Box Set of rare and unreleased tracks) (2008)

[edit]Video

  • The Pogues: Live at The Town & Country Club St Patricks Day 1988 VHS 1988
  • POGUEVISION” Music Video Collection – VHS 1991

[edit]Singles

Year Title Chart positions Album
U.S. Rock U.S. Club UK[20] IRL
1984 “Dark Streets of London” – – – – Red Roses for Me
“Boys from the County Hell” – – – –
1985 “A Pair of Brown Eyes“ – – 72 – Rum Sodomy & the Lash
“Sally MacLennane“ – – 51 –
“Dirty Old Town“ – – 62 27
1986 Poguetry in Motion (EP) – – 29 11 –
“Haunted“ – – 42 7 Sid and Nancy Soundtrack
1987 “Irish Rover” (featuring The Dubliners) – – 8 1 –
“Fairytale of New York” (featuring Kirsty MacColl) – – 2 1 If I Should Fall from Grace with God
1988 “If I Should Fall from Grace with God“ – – 58 4
“Fiesta“ – – 24 11
1989 “Yeah Yeah Yeah Yeah Yeah“ 17 36 43 6 Yeah Yeah Yeah Yeah Yeah
“Misty Morning, Albert Bridge“ – – 41 8 Peace and Love
1990 “Summer in Siam“ – – 64 21 Hell’s Ditch
“Jack’s Heroes” (featuring The Dubliners) – – 63 4 Yeah Yeah Yeah Yeah Yeah
“Miss Otis Regrets / Just One of Those Things” (with Kirsty MacColl) – – – – Red Hot + Blue (Produced by the Red Hot Organization)
1991 “Sunny Side of the Street“ 23 – – – Hell’s Ditch
“Rainy Night in Soho (remix)” – – 67 24 Poguetry in Motion
“Fairytale of New York” (re-issue) – – 36 10 If I Should Fall from Grace with God
1992 “Honky Tonk Women“ – – 56 – Yeah Yeah Yeah Yeah Yeah
1993 “Tuesday Morning“ 11 – 18 26 Waiting for Herb
“Once Upon a Time“ – – 66 –
2005 “Fairytale of New York” (re-release) – – 3 3 If I Should Fall from Grace with God
2006 “Fairytale of New York” (re-entry of re-release) – – 6 –
2007 “Fairytale of New York” (re-entry on downloads alone) – – 4 3
2008 “Fairytale of New York” (re-entry on downloads alone) – – 12 8
2009 “Fairytale of New York” (re-entry on downloads alone) – – 12 13
2010 “Fairytale of New York” (re-entry on downloads alone) – – 17 –

[edit]