HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND HOPEFULLY HISTORICALLY EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .
PLEASE DO BE AWARE THAT THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION, CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR ANY OTHER MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .
WIDELY REGARDED TO BE BLACK RACIST MOVIES MANY OF THESE NOW BANNED KU KLUX KLAN MOVIE POSTERS WERE DEEMED TO BE A GLORIFICATION TOOL AND USED FOR RECRUITMENT OF NEW MEMBERS INTO THIS WHITE EXTREMIST HOODED ROBE MOVEMENT
HERE BELOW IS A BRIEF PICTORIAL INSIGHT INTO SOME OF THE KKK MEMORBILIA ITEMS HERE ON DISPLAY AT THE JAIL
Movies about the Ku Klux Klan (KKK)
Ever since the release of legendary director D.W. Griffith’s controversial epic The Birth of the Nation (1915), based on Thomas F. Dixon Jr.’s (play and) novel titled The Clansman: An Historical Romance of the Ku Klux Klan and featuring silent star Lillian Gish and future Oscar winner Donald Crisp (among others), classic Hollywood seems to have avoided taking on the KKK to expose its wicked acts or its members’ ignorant beliefs in any substantive way. Though there are several dramas which incorporate it – or at least Klan-like organizations – peripherally, classic films that feature any real detail about its beginnings, longevity, charters, or even insight into its leaders and/or their motivations etc. are surprisingly absent. Maybe the studios felt that real evil and its practitioners were being adequately portrayed in their gangster and war pictures, or perhaps there were fears that a movie about the Klan wouldn’t make good at the box office (particularly in the South)?
The Warner Bros.’s Storm Warning (1951) wasn’t very specific about the KKK’s prejudices, though much of the film’s dialogue (from prosecutor Ronald Reagan and the miscast Ginger Rogers character) does deliver the requisite indictment of the organization and its members: too scared to act without the courage of numbers or show their faces (hence the hoods). But the twist is that the Grand Dragon’s real motivation for leading the clandestine group is financial – there’s real money for him in the dues and the paraphernalia he sells to its members – such that he comes off as a corrupt union boss, or worse a capitalist;-) In the end, the leader’s true self centered (versus “all for one”) nature is revealed and the enraged and disillusioned group wises up and runs for cover from the law. Warner’s Black Legion (1937), starring Humphrey Bogart and featuring a plot plausible enough to earn Robert Lord his second Best Writing-Original Story AA nom, did a better job of exploring the roots of hatred and xenophobia that can seduce one to join such an organization. Since I wrote about MGM’s Stars in My Crown (1950) in my earlier Films about Faith essay, I’ll not include any more text about it here other than to mention that actor Ed Begley (Sr.) seemed to have excelled in portraying angry racist characters. The WB’s (and producer-director Mervyn LeRoy’s) overlong drama The FBI Story (1959), a veritable paean to the organization’s squeaky clean agents and the stout leadership of J. Edgar Hoover, warrants barely a mention except that one of its storylines includes the infiltration of the KKK by the film’s principal character, played by James Stewart.
Which brings me to The Mating Call (1928), produced by Howard Hughes and including titles written by future Oscar winner Herman J. Mankiewicz. The Klan-like organization in this one is named “The Order” and its purpose is to enforce a morality code within its community: black hooded individuals tie a wife beater to a cross and whip him for abusing his spouse. But the primary sin herein is adultery. Upon returning home a hero after serving his country during World War I, Leslie Hatton (Thomas Meighan) finds that his wartime marriage to Rose (Evelyn Brent, playing a sexually aggressive man-eater) was annulled by her parents. But even though he’s (somehow) not interested in having an affair with his former bride, Hatton’s accused of fooling around with Rose by her current husband Lon, a hypocrite that’s having extramarital relations of his own (with a judge’s daughter, no less). Lon uses The Order to threaten the war hero to leave his wife alone. Hatton’s solution to avoid future visits and further scrutiny from these local self-appointed moral authorities includes his going to Ellis Island and marrying a French girl (Renee Adoree, The Big Parade (1925)) whose parents want to immigrate to the United States. However, a subsequent scandal affecting the aforementioned characters (and others) leads The Order to become involved in Hatton’s life again.
Some other dramas that feature the KKK or like-minded groups are: Legion of Terror (1936), The Burning Cross (1947), Another Part of the Forest (1948), The Klansman (1974), Places in the Heart (1984), which earned writer (director) Robert Benton (Kramer vs. Kramer (1979)) his third Oscar, and Mississippi Burning (1988); plus, it’s hard to forget the hilarious scene in Mel Brooks’ western spoof Blazing Saddles (1974) in which Cleavon Little (accompanied by Gene Wilder) dons a white rob and hood
ABOVE AND BELOW : COMMEMORATIVE BRONZE FIGURINE DEPICTING COLONEL H JONES , 2 PARA ON DISPLAY IN AND AMONGST THE UK SPECIAL FORCES EXHIBITION AREA AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL
On 2 April 1982, Argentina invaded the Falkland Islands, a remote UK colony in the South Atlantic. The move led to a brief, but bitter war.
Argentina’s military junta hoped to restore its support at a time of economic crisis, by reclaiming sovereignty of the islands. It said it had inherited them from Spain in the 1800s and they were close to South America.
The UK, which had ruled the islands for 150 years, quickly chose to fight. Prime Minister Margaret Thatcher said the 1,800 Falklanders were “of British tradition and stock”. A task force was sent to reclaim the islands, 8,000 miles away.
In the fighting that followed, 655 Argentine and 255 British servicemen lost their lives, as did three Falkland Islanders.
medals awarded to H Jones posthumously .
Rare bronze statue on plinth ( 18 inch tall ) of Colonel H Jones , now on display at Littledean Jail .
Plaque on side of Rare bronze statue on plinth ( 18 inch tall ) of Colonel H Jones , now on display at Littledean Jail .
Rare bronze statue on plinth ( 18 inch tall ) of Colonel H Jones , now on display at Littledean Jail .
Colonel H Jones memorial situated oa the Falkland Islands
Colonel H Jones memorial plaque
Colonel H Jones gravestone
Memorial , listing some of those soldiers who were killed in action during the 1982 Falklands War
Was Colonel ‘H’ a mad fool?
Last updated at 00:39 12 May 2007
Much has been written about the hero’s death that won Colonel ‘H’ Jones a Falklands VC.
Here, for the first time, is the brutally honest and vivid account of one of the Paras who fought with him.
It raises some deeply unsettling questions
My breath sounded like a storm in my ears. Surely they could hear it? They were only a dozen metres away – no distance at all.
You know you’re really scared when you think your own breathing is going to betray you.
Sliding my weapon into the crook of my arms, I inched forward on my elbows, pushing slowly, very slowly, with my feet.
The slightest sound could lead to catastrophe for our patrol. Every movement I made was carefully measured and weighed.
I was soaked to the skin, and my knees and thighs were bruised by the rocky ground I’d crawled over.
My hands were numb with cold, and the muscles on my neck and shoulders were clenched like a vice. But I had to concentrate.
There was an Argy trench directly in front of me. No enemy visible. One heavy machine gun in place. Couldn’t miss that. I was staring straight down its barrel.
Another trench 20 yards to the left. Two enemy talking – and pink toilet paper everywhere.
The dirty devils had not dug latrines, they’d just walked out of their trenches and fouled the ground in front of their own positions.
This was encouraging. It told us they’d been worn down by the wind and weather and couldn’t be bothered to dig pits in the freezing cold.
If they were similarly sloppy about sentry duty, that was good news for our lads.
Surprisingly, no one seemed to be manning the gun pointing straight up my nose. What was going on in that trench? Better take a closer look.
As I inched forward, I could hear the Argies still chatting away in a low murmur. What were they talking about? Girlfriends? Mothers? The price of penguin meat?
All that mattered was that there was no edge of alarm in their voices; no hint they’d heard anything. I didn’t need Spanish to know they hadn’t rumbled us.
One more push and I was nearly close enough to touch the ice-cold barrel of that machine-gun.
Cloaked by the mist, I lifted myself onto one knee, rifle at the ready, and peered down into the gloom of the trench.
There they were. Three of them. Sleeping like babes, tucked up nicely in their sleeping bags, counting Falklands sheep in their sleep.
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I could have killed all three before they could say their Hail Marys. This was a unit that was exhausted and couldn’t give a damn. More good news for our lads.
It was time to pull back. But as I crawled away in reverse, slowly and deliberately, I had a hunch that we hadn’t discovered all the Argy positions and decided we should look further over to the east.
There was no way that we’d let our mates run into a lead storm that they hadn’t been warned about.
They were depending on us to recce these outlying positions before we launched our attack on Goose Green.
As we began eyeballing the ground we hadn’t covered, we were ready for anything. Or so we thought.
It was Pete Myers, the youngest member of our patrol, who spotted them first, swirling around like spirits in the mist.
“What’s that over there?” he growled.
“Get down,” I ordered. We hit the ground and tried to make out what the hell we were looking at.
One thing was for sure, they weren’t spirits. These things were neighing and whinnying.
“They’re f****** wild horses,” said Steve Jones, our Welsh lead scout. At that moment, they came thundering straight for us. It was scary as hell.
“F*** it. Let’s drop the b*******,” I spat.
“No, don’t!” said Jonesy. “Just lie still and flat! They’ll run over you! Horses hate stepping on living things!”
What did he know that I didn’t? Had he been a hussar before he joined the Paras? I didn’t think so.
There was no time to argue. The herd was upon us. I looked up at them for a moment before pressing my nose to the ground and squeezing my eyes shut.
Heads and manes tossing, they charged over us, pounding the ground in every direction, filling our senses.
I opened one eye and looked up as a mustang leapt over me. I could see the blur of its legs for a split second before one of its hooves slapped into the peat inches from my head.
Then gun shots! One, two, three! The Argies must have stampeded the horses to flush us out and pinpoint our position.
We were done for – laid out in the middle of nowhere with only horse-dung to hide behind.
As the horses vanished into the darkness, I snatched up my rifle and took aim. But it was OK. The shooting had stopped.
The Argies had only been firing to scare the horses off, turning them away from their trenches.
A few relieved shouts and nervous laughter from the enemy. The sight of wild animals coming out of the dark had rattled them, too.
“Everyone all right?” A quick head check confirmed that no one had been hoof-minced.
“How did you know they wouldn’t stamp the f*** out of us?” I asked Steve. “Some ancient bit of Welsh folklore?”
“Nah,” he answered, “Grand National. You know when those jockeys come off at Beechers Brook?
“They just roll into a ball and stay still as f***, then the horses do anything they can not to put a hoof on ’em.”
“Really?” I said. “Interesting.” My heart was pounding, I’d just produced enough adrenaline to fuel a rocket, and my second in command was telling me the reason we’d lived through it was the Grand National.
Still, the Argies didn’t suspect it was us who had spooked the horses or they would have mown the grass with machine guns. God, they were sloppy.
Careless soldiering costs lives, I reflected as we made our way back to base.
Those poor devils were going to discover the truth of that within the next three hours when our lads got stuck into them. The trouble was, so would we.
FLASHBACK. December 1981. Kenya. An hour after dawn.
As I gazed out over the African plain stretching far away into the heat haze, I blinked the salty sweat out of my eyes and tried to concentrate on the view through the sight of my rifle as I searched for the enemy.
Movement was not an option. One absent-minded swat at the cluster of flies drinking on my sweat and the game was up.
We’d laid three long snakes of green parachute cord across the bush and they slithered invisibly through the landscape.
Suddenly one came to life with a rapid tattoo of tugs – a signal from one of the other lads that the enemy was advancing into our trap.
We watched them every step of the way. They were inching forward, knowing we were out there. And every second took them deeper into our ambush.
It was only an exercise. The yellow blank-firing attachments on the muzzles of our rifles showed that. The enemy were just other lads from 2 Para.
But the stakes were high. To the victor went the spoils and that meant the right to taunt the losers over free beer for weeks to come. A prize not to be scoffed at.
Then I spotted him, moving up through the scrub to the foot of the ridge we were lying on, right up with the enemy’s lead section.
It was our boss, 2 Para’s commanding officer, Colonel Herbert ‘H’ Jones.
What the hell was H doing there? He should have been back with his tactical headquarters unit conducting operations, not up with the front platoons.
Mark Sleap saw him too. Sleapy by name but not sleepy by nature, Mark was sharp as a tack and one of our top guys. As H handed out instructions to his men, Sleapy opened up.
The ambush erupted as rifles and machine guns raked the enemy. It was fast, brutal and effective. The colonel was dead. Direct hit.
He wasn’t happy. No one likes to be killed and H humped and grumped about it. “It wouldn’t have happened,” he told Mark later.
“We’d have got you lot with our artillery when we softened up your area before moving in.”
“Maybe, sir,” said Sleapy diplomatically. “But I did get you, sir.”
It was a prophetic moment, a glimpse into a future some six months ahead. Next time, though, 2 Para wouldn’t be sweltering in Kenya; we’d be freezing our backsides off in the Falklands.
ONCE again, H would be leading from the front, where he shouldn’t be, but this time it wouldn’t be an exercise. It would be live rounds and H really would be dead.
The posthumous Victoria Cross he earned at Goose Green is probably the most controversial VC of all time.
The accounts of the events surrounding his death have mostly been written by former officers and military historians.
They’re fine as far as they go, but they can’t tell it like a front-line para – or Toms as we call ourselves – and they haven’t told the whole story. But I can. I was there.
The first thing to say is that H was a cracking bloke, the best boss I ever had in the army.
He was what we called a “crap-hat” – a soldier from a non-Para regiment, and thus a stranger to the coveted red beret – but he made an immediate impact the moment he joined us.
The hard-core Toms loved the way he called battalion meetings in the drill hall and then announced:
“Right, now that you’re all here we’re going on a ten-mile run.”
All the fat HQ wallahs, drivers and officers, who normally skived off battalion runs, were trapped and H ran the life out of them.
Like any good commander, H wanted action and if there was any glory about, he wanted it for his men and not the “Booties”, the Royal Marines who led the task force sent to the Falklands after the Argentinian invasion in April 1982.
H’s distrust of the “Booties” was apparent from the moment we tried to come ashore on the night of May 21, scrambling off the converted car ferry which had brought us south and cramming into landing craft driven by the marines.
As the boats swayed and dipped in the swell, sea-sickness was only part of the problem. There was something else in the air.
Raw fear. Any minute now a fusillade from the shore might cut us into pieces.
We thought we would head straight for the beach but, instead, we went round and round in endless circles like day-trippers on a municipal boating lake.
Just in case the enemy might have any problem spotting us, the whole performance took place in the light of a near-full moon.
Boat engines throbbed, chains rattled and clanked, and friendly Booties flashed lights and called out to one another across the water.
I was not impressed – and neither was H. We heard him bellowing as he verbally castrated a few gobby marines.
When we finally got ashore, we holed up for two days on the freezing slopes of Sussex Mountain before London gave us the go-ahead for a raid on the airfield at Goose Green to the south.
H was on top form. He had plans to formulate and there isn’t an officer on the planet that doesn’t love planning.
Critics now say his plan was too complex, with lots of overlapping waves of attack. It certainly started to come unstuck pretty quickly.
On the night of May 23, we pressed through dense mist and rain towards Camilla Creek House -a sheep farm which was our initial base for the attack.
But after seven stumbling, mind-numbing, muscle-tearing miles in full kit, we were almost there when we were told to turn back.
Bad weather had grounded the Sea King helicopters that were supposed to be moving our artillery forward and Brigadier Julian Thompson, the Bootie in charge of the task force, had called the mission off.
H kicked off like a firecracker. “I’ve waited 20 years for this,” he snarled. “Now some f****** marine’s cancelled it.”
There was nothing for it but to slog back to Sussex Mountain. With the gallows humour typical of the paras, me and the lads from the Patrols Platoon started belting out a song: John Lennon’s Give Peace A Chance.
Suddenly a head popped out of the command HQ tent flap. It was H. He didn’t say anything. He just looked at us with an expression that said:
“Oh, it’s those f****** nutters from Patrols.”
H loved the Patrols Platoon – fit, aggressive soldiers whose speciality was getting up close to the enemy, acting as the eyes and ears of the regiment.
He just looked at us like a patient father with some naughty kids and never said a word.
Four days later, the battle was on for real -but there was more grief for H. On the morning of May 27, we were awaiting orders at Camilla Creek House when suddenly a melee of officers and sergeants appeared among the men. They were in a right flap.
“Move out! Move out! Away from these buildings on the double!” one of them yelled. “Grab your kit and f****** get out of here!”
It turned out the BBC had announced that we were about to attack Goose Green and, according to some of the men, had even revealed our position at Camilla Creek House.
Ironically, it turned out later that the Argy high command thought the bulletins were a double bluff, designed to wrong-foot them.
But the BBC announcement was a real jolt for H and left him wondering how much the enemy knew about his intentions.
It wasn’t his day. The chaos caused by the BBC meant that several officers failed to make a vital briefing meeting.
On top of that, the Special Forces recces that he’d been relying on to assess the readiness of the enemy were turning out to be a fairytale, while a Harrier jet had just been lost in a raid that left the enemy unscathed and on full alert.
All of which was enough to put any colonel into a spin on the eve of a battle.
Nothing travels faster in a battalion than news of the boss’s mood and the word was out. H was not a happy man.
CLICK, click. Click, click, click. It sounded like sinister insects calling out to each other in the darkness and the hairs on the back of my neck stood on end.
For this wasn’t insects. It was our lads fixing their bayonets and preparing to advance down the narrow isthmus of land leading to Goose Green.
I was thrilled and I’m not ashamed to say it. I was a soldier and the thought of the fight to come gave me a warrior’s rush.
One or two hands reached out and briefly clasped mine as they slipped by me into the darkness. Somewhere in the gloom a young para puked up with the tension.
He got that off his chest and went on to fight like a demon.
Things kicked off around 3am when one of the lads from B Company spotted a silhouette in the middle of a field. “It must be a scarecrow,” whispered a young officer.
A scarecrow? He was on the Falklands, the place was crawling with Argies and he thought he was seeing a scarecrow.
“Hands up!” shouted one of the lads. With that, the scarecrow came to life. “Por favor?” he said and reached under his poncho for his weapon.
Two rifles and two machine guns opened up on him without a moment’s hesitation. Bullets tore through him and tracer rounds ignited his clothing, lighting him up like a Halloween pumpkin.
Soon B Company had taken out nearly 20 Argy trenches, tearing through them with machine-guns, grenades and bayonets.
It was a good start to their advance but elsewhere H’s plans were evaporating as fast as a bottle of port in the officers’ mess.
We were supposed to be receiving support from HMS Arrow, softening up the enemy positions with bombardments of huge shells at the rate of 30 a minute. This would have shortened the engagement by hours.
In the event, Arrow had fired just one shell before her gun jammed. Meanwhile, the Harrier jets we had been promised were fog-bound on their carriers.
Here below is a very brief look and insight into our Nazi Holocaust Years Exhibition here at The Crime Through Time Collection , Littledean Jail, UK
Original painting by Gloucestershire artist Paul Bridgman of Adolf Hitler here on display at The Crime Through Time Collection , Littledean Jail , UK .
ABOVE : Original handwritten, inscribed and signed Adolf Hitler photo dated 9 November 1943 here on display at the Jail .
HERE IS A PICTURE OF SOME OF THE EMPTY ZYKLON B CANISTERS USED AT VARIOUS NAZI DEATH CAMP GAS CHAMBERS , AS CAN BE SEEN HERE ON DISPLAY . ( LEST WE FORGET )
POLITE WARNING … THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL (WHERE UPON THIS EXHIBITION IS HOUSED ) IS NOT SUITABLE FOR CHILDREN OR THOSE OF YOU WHO ARE EASILY OFFENDED , DISTURBED OR OF A SENSITIVE NATURE
Original painting by Gloucestershire artist Paul Bridgman on display at The Crime Through Time Collection, Littledean Jail ,UK.
THE CONTENT HERE ON DISPLAY BOTH ONLINE AND WITHIN THE JAIL IS IN THE MAIN HARD HITTING , GRAPHIC, EXPLICIT , IN YOUR FACE , TONGUE IN CHEEK , CONTROVERSIAL AND TO MANY … VERY DISTURBING .
WITH THIS IN MIND AND FOR YOUR BENEFIT AND COMFORT … PLEASE DO TAKE A LOOK AT SOME OF OUR FACEBOOK POSTS , READ OUR TOURISM LEAFLETS AND DO TAKE NOTICE OF ALL OUR WARNING SIGNAGE PRIOR TO ENTERING THE JAIL .
Above : Original painting by Gloucestershire Artist Paul Bridgman on display here at Littledean Jail, of the sadistic Irma Grese …. deemed to be “The Angel of Death ” , who was subsequently arrested and later hanged by British Hangman Albert Pierrepoint
Irma Ida Ilse Grese (7 October 1923 – 13 December 1945) was a female SS guard at the Nazi concentration camps of Ravensbrück and Auschwitz, and served as warden of the women’s section of Bergen-Belsen.
Grese was convicted for crimes against humanity committed at Auschwitz and Bergen-Belsen, and sentenced to death at the Belsen trial. Executed at 22 years of age, Grese was the youngest woman to die judicially under British law in the 20th century. She was nicknamed by the camps’ inmates “the Hyena of Auschwitz Above : Original painting by Gloucestershire Artist Paul Bridgman on display here at Littledean Jail, of the sadistic Irma Grese ….
Josef Kramer (10 November 1906 – 13 December 1945) was the Commandant of the Bergen-Belsen concentration camp. Dubbed The Beast of Belsen by camp inmates, he was a notorious German Nazi war criminal, directly responsible for the deaths of thousands of people. He was detained by the British army after the Second World War, convicted of war crimes and hanged on the gallows in Hamelin prison by British executioner Albert Pierrepoint.
Above : Original oil painting by Gloucestershire Artist Paul Bridgman of Josef Kramer , The Beast of Belsen , on display here at Littledean Jail,
Below: Original painting by Gloucestershire Artist Paul Bridgman on display here at Littledean Jail, of the evil and sadistic Josef Kramer …. better known as “The Beast of Belsen “
Used original Zyklon B 100gram sized canisters from one of the first Nazi gas chambers situated at Grafeneck Euthanasia Center, housed in Grafeneck Castle, Germany . It had officially opened in January 1940 and was closed on the orders of Nazi warlord Himmler in December 1940 . This facility was mainly used to exterminate mentally Handicapped and retarded victims as part of the Nazi euthanasia program. These canisters are exceptionally rare find from what was one of the earliest gas chambers and crematorium facilities . There is evidence that exists to the effect that a minimum 10, 654 were gassed there, though inevitably many more victims were murdered there before its closure . these canisters are now on public display at the Crime Through Time Collection, Littledean Jail
Here is some more interactive, historical and hopefully educational background footage and insight into the horrors of the Nazi Holocaust years. The photo gallery below the first video also provides a brief pictorial glimpse into our own disturbing Nazi Holocaust exhibition here at the jail .
We also feature a great many interactive pieces in relation to UK World War 2 Special Forces, including the SOE (Special Operations Executive) and the SAS (Special Air Service) …. whom were both actively involved in a great many operations against the Nazi’s during this period .
Original painting by Gloucestershire artist Paul Bridgman on display at The Crime Through Time Collection, Littledean Jail , UK
BELOW IS A BRIEF PICTORIAL GLIMPSE INTO SOME OF THE EXHIBIT ITEMS HERE ON DISPLAY AT LITTLEDEAN JAILS NAZI HOLOCAUST EXHIBITION .
Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …
Witness drawing of the sboskek wrist knife used to quickly dispatch prisoners at Jasenovac
Srbosjek (literally “Serb cutter” in Croatian and Serbian, often referred to as “cutthroat”) is the colloquial serbo-Croatian term for a type of knife used for killing …
The Holocaust was the systematic, bureaucratic, state-sponsored persecution and murder of approximately six million Jews by the Nazi regime and its collaborators. “Holocaust” is a word of Greek origin meaning “sacrifice by fire.” The Nazis, who came to power in Germany in January 1933, believed that Germans were “racially superior” and that the Jews, deemed “inferior,” were an alien threat to the so-called German racial community.
During the era of the Holocaust, German authorities also targeted other groups because of their perceived “racial inferiority”: Roma (Gypsies), the disabled, and some of the Slavic peoples (Poles, Russians, and others). Other groups were persecuted on political, ideological, and behavioral grounds, among them Communists, Socialists, Jehovah’s Witnesses, and homosexuals.
WHAT WAS THE HOLOCAUST?
In 1933, the Jewish population of Europestood at over nine million. Most European Jews lived in countries that Nazi Germany would occupy or influence during World War II. By 1945, the Germans and theircollaborators killed nearly two out of every three European Jews as part of the “Final Solution,” the Nazi policy to murder the Jews of Europe. Although Jews, whom the Nazis deemed a priority danger to Germany, were the primary victims of Nazi racism, other victims included some 200,000 Roma (Gypsies). At least 200,000 mentally or physically disabled patients, mainly Germans, living in institutional settings, were murdered in the so-called Euthanasia Program.
As Nazi tyranny spread across Europe, the Germans and their collaborators persecuted and murdered millions of other people. Between two and three million Soviet prisoners of warwere murdered or died of starvation, disease, neglect, or maltreatment. The Germans targeted the non-Jewish Polish intelligentsia for killing, and deported millions of Polish and Soviet civilians for forced labor in Germany or in occupiedPoland, where these individuals worked and often died under deplorable conditions. From the earliest years of the Nazi regime, German authorities persecuted homosexuals and others whose behavior did not match prescribed social norms. German police officials targeted thousands of political opponents (including Communists, Socialists, and trade unionists) and religious dissidents (such as Jehovah’s Witnesses). Many of these individuals died as a result of incarceration and maltreatment.
ADMINISTRATION OF THE “FINAL SOLUTION”
In the early years of the Nazi regime, the National Socialist government established concentration camps to detain real and imagined political and ideological opponents. Increasingly in the years before the outbreak of war, SS and police officials incarcerated Jews, Roma, and other victims of ethnic and racial hatred in these camps. To concentrate and monitor the Jewish population as well as to facilitate later deportation of the Jews, the Germans and their collaborators created ghettos, transit camps, and forced-labor camps for Jews during the war years. The German authorities also established numerous forced-labor camps, both in the so-called Greater German Reich and in German-occupied territory, for non-Jews whose labor the Germans sought to exploit.
Following the invasion of the Soviet Union in June 1941,Einsatzgruppen (mobile killing units) and, later, militarized battalions of Order Police officials, moved behind German lines to carry out mass-murder operations against Jews, Roma, and Soviet state and Communist Party officials. German SS and police units, supported by units of the Wehrmacht and the Waffen SS, murdered more than a million Jewish men, women, and children, and hundreds of thousands of others. Between 1941 and 1944, Nazi German authorities deported millions of Jews from Germany, from occupied territories, and from the countries of many of its Axis allies to ghettos and to killing centers, often called extermination camps, where they were murdered in specially developed gassing facilities.
THE END OF THE HOLOCAUST
In the final months of the war, SS guards moved camp inmates by train or on forced marches, often called “death marches,” in an attempt to prevent the Allied liberation of large numbers of prisoners. As Allied forces moved across Europe in a series of offensives against Germany, they began to encounter andliberate concentration camp prisoners, as well as prisoners en route by forced march from one camp to another. The marches continued until May 7, 1945, the day the German armed forces surrendered unconditionally to the Allies. For the western Allies, World War II officially ended in Europe on the next day, May 8 (V-E Day), while Soviet forces announced their “Victory Day” on May 9, 1945.
In the aftermath of the Holocaust, many of the survivors found shelter in displaced persons (DP) camps administered by the Allied powers. Between 1948 and 1951, almost 700,000 Jews emigrated to Israel, including 136,000 Jewish displaced persons from Europe. Other Jewish DPs emigrated to the United States and other nations. The last DP camp closed in 1957. The crimes committed during the Holocaust devastated most European Jewish communities and eliminated hundreds of Jewish communities in occupied eastern Europe entirely
FOR THE FIRST TIME ON PUBLIC DISPLAY …EXCEPTIONALLY RARE AND ORIGINAL WW2 SAS OFFICERS PEAK CAP , WW2 SAS OFF-WHITE BERET AND OTHERS HERE IN AND AMONGST NOW THE UK’S LARGEST PRIVATELY OWNED SAS COLLECTIONS ON PUBLIC DISPLAY .
Above : Here is an original oil painting of one of the SAS founders David Stirling aka ” The Phantom Major”, by Gloucestershire Artist Paul Bridgman, here on display at Littledean Jail
ABOVE; AN ORIGINAL AND VERY RARE WW2 SAS OFFICERS PEAK CAP
Here is an original oil painting of one of the SAS founders Paddy Mayne aka “Mad Jack ” by Gloucestershire Artist Paul Bridgman, here on display at Littledean Jail
ORIGINAL RARE SAS PEAK CAP AS WORN AT THE SAS HEADQUARTERS IN HEREFORD . (NOT THE BEST PICTURES AS VERY DIFFICULT TO PHOTOGRAPH TO SHOW THE ACTUAL COLOURS )
INSIDE OF THE ABOVE PICTURED ORIGINAL RARE SAS PEAK CAP AS WORN AT THE SAS HEADQUARTERS IN HEREFORD .
IF IN THE LOCALITY OF THE FOREST OF DEAN , GLOUCESTERSHIRE AND HAVE AN INTEREST IN THE SAS AND UK SPECIAL FORCES …. DO PAY A VISIT
BELOW IS A BRIEF PICTORIAL INSIGHT INTO SOME OF THE VARIOUS LIMITED EDITION COMMEMORATIVE SAS PLATES AND OTHER MEMORABILIA ITEMS HERE ON DISPLAY
Above and Below : Original Heckler and Koch MP5 A3 submachine gun of the type that was used during Operation Nimrod – Iranian Embassy Siege, London 1980
BELOW: ORIGINAL SAS POSTER HAND SIGNED BY VARIOUS MEMBERS OF OPERATION NIMROD- IRANIAN EMBASSY SIEGE 1980, HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL .
BELOW IS A UNIQUE COLLAGE DEPICTING MEMBERS OF THE HEROIC SAS ,WHO FOUGHT IN THE EPIC SECRET WAR CODENAMED ” SAS OPERATION STORM ” AT THE BATTLE MIRBAT, OMAN , 19 JULY 1972 . THIS COLLAGE ALSO INCLUDES WING COMMANDER BILL STOKER , STRIKE MASTER PILOT , LEAD JET, SECOND SORTIE, WHO WAS A KEY FIGURE IN HELPING WIN THE BATTLE .
BELOW : Original one of only two privately commissioned oil paintings by Gloucestershire artist Paul Bridgman of Talaiasi Labalaba PWC, BEM, MID , one of the heroic SAS troopers who fought in Operation Storm during The Battle of Mirbat , Oman and was sadly killed in action.
This painting is here on display at The Crime Through Time Collection, whilst the other is in the possession of Sekonaia Takavesi PWC, DCM.
Below: An enlarged original photograph showing some of the surrounding landscape where the Battle of Mirbat took place. This photo was apparently taken during the 1980’s
Above : Original painting by Gloucestershire Artist Paul Bridgman on display here at Littledean Jail, of the sadistic Irma Grese …. 
Below: Original painting by Gloucestershire Artist Paul Bridgman on display here at Littledean Jail, of the evil and sadistic Josef Kramer …. better known as “The Beast of Belsen “
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