Talk about objects that evoke strong feelings and debate …. you need look no further than a simple rope which just happens to be the Hangman’s Noose .
Here at The Crime Through Time Collection, Littledean Jail we house and display several original Hangman’s Nooses including the one used by James Berry on ” The Man They Couldn’t Hang ” John “Babbacombe” Lee.
We also house and have on display several official government regulation nooses made by John Edgington , Old Kent Road, London. Some of which have the chamois leather noose and the the gutta percha on the noose ends. The gutta percha was later omitted from the regulation noose ends in 1955.
These noose’s would have possibly been used for both test drops and executions by several of Britain’s 20th Century Hangmen and Executioners, and also for executions carried out abroad . These ropes would undoubtedly have been used by the likes of Stephen Wade, Henry Kirk, Robert Lewis Stewart, John Ellis, Albert Pierrepoint and the last hangman in England Harry Allen .
Above : Original oil painting of 3 generations of the Pierrepoint family , who were all Britain’s chief executioners … Painted by local Gloucestershire artist Paul Bridgman , on display at Littledean Jail.
Sadly official records no longer appear to exist in regards to where and on whom these official government regulation J Edgington & Co noose’s were used .All we know is that Edgingtons were awarded the Government contract to supply all the execution noose’s from 1888 up until the abolition of the death penalty in 1964.
The only other official documentation or records that exists in regards to the storage and transportation of numbered J Edgington nooses is that which is held at HMP Wandsworth , London.
We also feature on display an array of handwritten and signed correspondence from a number of hangmen.
All in all a hopefully unique, historical and educational insight into the life and times of Capital Punishment within the UK .
ABOVE AND BELOW: VARIOUS EXAMPLES OF OFFICIAL GOVERNMENT ISSUE HANGMAN NOOSE’S WHICH WERE MADE BY J EDGINGTON & CO , OLD KENT ROAD , LONDON. THESE WERE MANUFACTURED BY THEM FROM 1888 UNTIL THE ABOLITION OF CAPITAL PUNISHMENT IN 1965 .
Official inscription of Government Hangman nNoose makers J. Edgington on brass eyelets .
close-up image of vulcanised rubber noose washer and ” gutta percha ” covering
Close up image of Chamois Leather covered noose
BELOW IS AN INSIGHT INTO SOME OF VARIOUS HANGMEN RELATED EXHIBIT MATERIAL HERE ON DISPLAY, WHICH INCLUDES ORIGINAL HANGMAN’S NOOSE’S USED BY GEORGE SMITH POPULARLY KNOWN AS ” THROTTLER SMITH ” AND JAMES BERRY ON THE “MAN THEY COULD NOT HANG ” – JOHN “BABBACOMBE” LEE . ALSO HANDWRITTEN AND SIGNED LETTERS, BUSINESS CARDS AND RECEIPTS ETC.
GEORGE SMITH ( 1805-1874 )
George Smith, popularly known as Throttler Smith, was an English hangman from 1840 until 1872. He was born in Rowley Regis in the English West Midlands, where he performed the majority of his executions George Smith, popularly known as Throttler Smith, was an English hangman from 1840 until 1872. He was born in Rowley Regis in the English West Midlands, where he performed the majority of his executionsNOOSE’S USED BY GEORGE SMITH POPULARLY KNOWN AS ” THROTTLER SMITH “NOOSE USED BY GEORGE SMITH POPULARLY KNOWN AS ” THROTTLER SMITH “
WILLIAM CALCRAFT (1800 -1879 )
William Calcraft was a 19th-century English hangman, one of the most prolific of British executioners. It is estimated in his 45-year career he carried out 450 executions.
BELOW: Original oil painting by Gloucestershire artist Paul Bridgman of notorious Hangman and Executioner – William Calcraft
BELOW : Original receipt for payment of the sum of £12.12 shillings dated 22 march 1856 for an execution he carried out at Manchester Gaol . It is complete with a lilac Inland Revenue 1d stamp as well as being receipted as signed for by William Calcraft …. an extremely rare historic item for sure here on display at Littledean Jail
In today’s money this would be equivalent to approx £9000 !!!
WILLIAM MARWOOD ( 1818-1883)
William Marwood was a hangman for the British government. He developed the technique of hanging known as the “long drop”.
ABOVE : Original oil painting of William Marwood by Gloucestershire artist Paul Bridgman here on display at Littledean Jail
BELOW : An original rare official business card from William Marwood , Executioner , which he has also signed on the rear as pictured here below.
JAMES BERRY (1852-1913 )
James Berry was an English executioner from 1884 until 1891. Berry was born in Heckmondwike in the West Riding of Yorkshire, where his father worked as a wool-stapler.
Above & below : An original book about James Berry sent to Joe Mawson back in 2004 with a dedicated inscription for his help having , at the time via Andy Jones of The Crime Through Time Collection provided a copy of the original James Berry calling card for illustrated use within this book
ABOVE : Original and very rare James Berry ” Public Executioner ” business / calling cards
ABOVE: An original oil painting by Gloucestershire artist Paul Bridgman of James Berry , here on display at The Crime Through Time Collection , Littledean jail .
ABOVE AND BELOW: THE ORIGINAL JAMES BERRY HANGMAN’S NOOSE, USED BY HIM IN THE FAILED ATTEMPT TO EXECUTE JOHN ‘BABBACOMBE’ LEE IN EXETER JAIL ON 23 FEBRUARY 1885
DISPLAYED HERE ALONG WITH THE ORIGINAL HANDWRITTEN AND SIGNED AUTHENTICATION LETTER FROM JAMES BERRY DATED 3 JULY 1897 IN RELATION TO THE USE OF THIS NOOSE .
Above & below , an original James Berry Executioner business calling card privately acquired from the estate of former crime ephemera collector Joe Mawson (who passed away at the age of 86) by The Crime Through Time Collection along with an original letter from Scotland Yard’s Black Museum curator Bill Waddell sent from the Metropolitan Police Office dated 20-2-1984, previously sent to Joe Mawson with reference to this extremely rare calling card .
PICTURED HERE BELOW IS AN EXCEPTIONALLY RARE AND MOST CERTAINALY HISTORICALLY UNIQUE ENGRAVED 1861 HALF PENNY COIN PRESENTED BY JAMES BERRY PUBLIC EXECUTIONER TO J.BREEZE, 25 JULY 1886.
THIS PERSONALLY ENGRAVED PRESENTATION COIN IS HERE ON DISPLAY, ALONG WITH AN ARRAY OF INFAMOUS HANGMAN JAMES BERRY & OTHER HANGMEN AND EXECUTIONER MEMORABILIA
JOHN ELLIS (1874 -1932 )
John Ellis was a British executioner for 23 years, from 1901 to 1924. His other occupations were as a Rochdale hairdresser and newsagent.
ABOVE: Original oil painting of John Ellis by Gloucestershire Artist Paul Bridgman , here on display at Littledean Jail
JOHN BILLINGTON HANGMAN AND EXECUTIONER
John Billington came from a family of hangmen. His father, James, was an executioner from 1884 to 1901, and his two older brothers, Thomas and William were employed in the same occupation.
In early 1902, at the age of 21, John attended an execution training course at Newgate Prison. His brother William was England’s primary executioner by this time, and the two became partners. They first worked on 18 March. John was the assistant for 10 of William’s commissions in 1902. He helped perform the last execution at Newgate and the first one at Pentonville.
Billington continued as an assistant through most of 1903. However, with his experience, he was soon promoted. On 2 December 1903, he carried out his commission as a chief executioner in Manchester, with John Ellis as his assistant. Twenty-nine executions took place in England and Ireland in 1903; the Billington brothers participated in 27 of them, including 15 as a two-man team.
John Billington worked both as his brother’s assistant and as a chief executioner for the next two years. On three separate occasions, they carried out executions in different cities on the same day. The last of these was on 17 August 1904, when John executed John Kay at Armley Prison, and William hanged Samuel Holden at Winson Green Prison.
Besides Ellis, John Billington also frequently worked with Henry Pierrepoint. In his career, Billington carried out a total of 26 hangings as an assistant and 16 as a chief executioner. He worked as a hairdresser when not performing executions.
In August 1905, Billington received a commission to hang Thomas Tattersall in Leeds. While preparing the scaffold, he fell through the open trapdoor and cracked his ribs. He died about two months later due to those injuries; the official cause of death was pleurisy.
Billington was 25 years old at the time. He was survived by his wife and one child.
ABOVE : Original oil painting of James Billington by Gloucestershire artist Paul Bridgman here on display at Littledean Jail
BELOW: Original oil painting of Henry Pierrepoint by Gloucestershire artist Paul Bridgman here on display at Littledean Jail
THOMAS PIERREPOINT (1870 – 1954 )
ABOVE: Thomas Pierrepoint (left) and his nephew, Albert (right)
BELOW: Thomas Pierrepoint , Hangman and Executioner
Thomas Pierrepoint began working as a hangman in 1906 under the influence of his brother, Henry. His career spanned 39 years, and ended in 1946, by which time he was in his mid-seventies. During this time, he is thought to have carried out 294 hangings, 203 of which were civilians executed in England and Wales, whilst the remainder were executions carried out abroad or upon military personnel. Among those he executed was the poisoner Frederick Seddon in 1912.
During World War II he was appointed as executioner by the US Military and was responsible for 13 out of 16 hangings of US soldiers at the Shepton Mallet military prison in Somerset. In this capacity, Pierrepoint carried out executions not only for murder but also rape which, at the time, was a capital crime under US military law although not in British law. In most of these cases he was assisted by his nephew Albert – who was principal hangman for the remaining three executions.
In 1940, his medical fitness for the job was questioned by a medical officer who called him “unsecure” and doubted “whether his sight was good”. The Prison Commission discreetly asked for reports on his performance during executions in the following time, but evidently found no reason to take action, although one report said that Thomas Pierrepoint had “smelled strongly of drink” on two occasions when reporting at the prison. This, however, appears to clash with Thomas Pierrepoint’s instruction to Albert (when the latter acted as his assistant) not to take a drink if on the job and never to accept the drink customarily given to all witnesses at executions in the Republic of Ireland.
Thomas never officially retired, rather his name was removed from the list of executioners and invitations to conduct executions ceased to arrive. He died at his daughter’s home in Bradford on 11 February 1954, aged 83
ABOVE: Original oil painting of Thomas Pierrepoint by Gloucestershire Artist Paul Bridgman on display at Littledean Jail
ALBERT PIERREPOINT ( 1943 -1992 )
Albert Pierrepoint was a long-serving hangman in England. He executed at least 400 people, including William Joyce and John Amery. In Germany and Austria after the war, he executed some 200 people who had been convicted of war crimes
HARRY ALLEN – THE LAST HANGMAN AND EXECUTIONER IN THE UNITED KINGDOM
ABOVE : Harry Allen, Britain’s last chief executioner, photographed in 1969
Harry Bernard Allen (5 November 1911 – 14 August 1992) was one of Britain’s last official executioners, officiating between 1941 and 1964. He was chief executioner at 41 executions and acted as assistant executioner at 53 others, at various prisons in England, Scotland, Northern Ireland, the Channel Islands and Cyprus. He acted as assistant executioner for 14 years, mostly to Albert Pierrepoint from 1941 to 1955.
ABOVE : Inspection: Hangman Harry Allen, right, examines a noose before an execution he undertook for the British Government in Cyprus
In October 1955 Allen was appointed as Chief Executioner alongside Pierrepoint, although he did not execute anyone in this role until 10 May 1956, when he hanged two EOKA members in Cyprus. Pierrepoint was no longer available because he had resigned in February 1956. Allen’s most controversial hanging came in April 1962, when James Hanratty was hanged for murder, despite efforts to clear his name. Hanratty was proven guilty in 2002 by DNA. Allen also assisted in the execution of Derek Bentley in 1953, and he performed one of the last two executions in Britain, in August 1964.
ABOVE : Original oil painting of hangman and executioner Harry Allen by Gloucestershire Artist Paul Bridgman here on display at Littledean Jail.
TRUE CRIME, MURDERABILIA , MAIMERABILIA , WITCHCRAFT,SATANISM, THE OCCULT,THE ILLUMINATI, SECRET SOCIETIES …. AND MUCH MORE HERE AT THE UK’S CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL .
TOUCHING UPON A GREAT MANY SAD, DISTURBING AND MACABRE SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTION DARE COVER . CERTAINLY NOT SUITABLE FOR CHILDREN OR THOSE EASILY OFFENDED OR OF A SENSITIVE NATURE .
IAN BRADY AND MYRA HINDLEY
‘ MAY THEY ROT IN HELL !’
ABOVE: ORIGINAL OIL PAINTING BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN OF IAN BRADY AND MYRA HINDLEY ALONG WITH THE BAPHOMET SATANIC SYMBOLISM.
THIS PAINTING IS ON PERMANENT DISPLAY WITHIN THE BRADY & HINDLEY EXHIBITION AREA HERE AT THE JAIL .
ABOVE: ORIGINAL PHOTOGRAPH OF BRADY AND HINDLEY LOVED UP PRIOR TO THEIR ARREST FOR THE CHILD MURDERS .
HERE BELOW IS SOME INTRIGUING INTERACTIVE BACKGROUND INFORMATION AND VARIOUS VIDEO FOOTAGE RELATING TO THESE HIDEOUS MURDERS COMMITTED BY THESE SATANIC DRIVEN KILLERS. BOTH OF WHOM HAD A FASCINATION IN WITCHCRAFT AND THE OCCULT .
WE ALSO FEATURE VARIOUS PERSONAL BELONGINGS AND HANDWRITTEN MEMORABILIA ITEMS FROM BOTH BRADY AND HINDLEY .
ABOVE AND BELOW: ORIGINAL OIL PAINTINGS BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN OF EVIL CHILD KILLERS BRADY AND HINDLEY, HERE ON DISPLAY AT THE JAIL
ABOVE IS AN EDITORIAL PIECE DONE BY THE SUNDAY PEOPLE ON VARIOUS EXHIBIT ITEMS KINDLY DONATED TO THE CRIME THROUGH TIME COLLECTION BY LINDA CALVEY – THE BLACK WIDOW , WHO HAD SERVED TIME WITH MYRA HINDLEY …. WHOM SHE HAD HATED BUT HAD TO TOLERATE WITHIN THE PENAL SYSTEM . THESE ITEMS WERE FOR SOME UNKNOWN REASON LEFT TO LINDA PRIOR TO THE DEATH OF HINDLEY. AND FOR OBVIOUS REASONS NOT WANTED BY HER. … HENCE NOW THEY ARE IN OUR POSSESSION FOR DISPLAY HERE AT THE JAIL
BELOW IS A HANDWRITTEN AND SIGNED CHRISTMAS CARD FROM MYRA HINDLEY GIVEN TO HER FELLOW INMATE AND HER THEN PERSONAL HAIRDRESSER …. LINDA CALVEY – “THE BLACK WIDOW”
BELOW : A SIMPLE HAND SIGNED GREETINGS CARD FROM MYRA HINDLEY TO ONE OF THE PRISON GUARDS
BIZARRE GIFT FROM MYRA HINDLEY TO LINDA CALVEY “BLACK WIDOW” , WHILST INCARERATED IN THE SAME PRISON AT HMP HIGHPOINT .
BELOW: FROM THE HANDS OF EVIL SERIAL KILLER IAN BRADY . HERE ARE SOME EXAMPLES OF HIS VARIOUS HANDWRITTEN AND SIGNED LETTERS ON DISPLAY AT THE CRIME THROUGH TIME COLLCTION LITTLEDEAN JAIL
PROBABLY THE LAST CLOTHING WORN BY MYRA HINDLEY DURING HER LAST DAYS IN HIGHPOINT PRISON BEFORE SHE DIED IN 2002 AT A NEARBY HOSPITAL AGED 60. THESE CLOTHES AND OTHER PERSONAL ITEMS WHICH HAD BEEN GIVEN TO LINDA CALVEY “THE BLACK WIDOW ” TO LOOK AFTER ON HER BEHALF.
ON LINDA’S RELEASE FROM PRISON IN 2008, SHE LATER DONATED THESE ITEMS TO THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , UK .
BELOW ARE VARIOUS IMAGES RELATING TO SOME OF THE EXHIBIT MATERIAL WE HAVE ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL
Few have attracted such notoriety or public loathing as the Moors murderers, so-named after they kidnapped and murdered five children over 18 months, between July 1963 and October 1965.
The pair were jailed for life in 1966 for murdering five children – Pauline Reade, 16, John Kilbride, 12, Keith Bennett, 12, Lesley Ann Downey, 10, and Edward Evans, 17, all from the Manchester area.
Brady and Hindley, who were both in their 20s, lured the youngsters to their deaths, sexually torturing their victims before burying them on Saddleworth Moor in the Pennines above Manchester.
Pauline disappeared on her way to a disco on July 12 1963 and John was snatched in November the same year.
From Wikipedia, the free encyclopedia
Ian Brady and Myra Hindley
Brady (left) and Hindley, October 1965
Ian Duncan Stewart
Also known as
The Moors murderers
Brady: 2 January 1938 (age 74) Hindley: 23 July 1942
The Moors murders were carried out by Ian Brady and Myra Hindley between July 1963 and October 1965, in and around what is now Greater Manchester, England. The victims were five children aged between 10 and 17—Pauline Reade, John Kilbride, Keith Bennett, Lesley Ann Downey and Edward Evans—at least four of whom were sexually assaulted. The murders are so named because two of the victims were discovered in graves dug onSaddleworth Moor, with a third grave also being discovered there in 1987, over 20 years after Brady and Hindley’s trial in 1966. The body of a fourth victim, Keith Bennett, is also suspected to be buried there, but despite repeated searches it remains undiscovered.
The police were initially aware of only three killings, those of Edward Evans, Lesley Ann Downey and John Kilbride. The investigation was reopened in 1985, after Brady was reported in the press as having confessed to the murders of Pauline Reade and Keith Bennett. Brady and Hindley were taken separately to Saddleworth Moor to assist the police in their search for the graves, both by then having confessed to the additional murders.
Characterised by the press as “the most evil woman in Britain”, Hindley made several appeals against her life sentence, claiming she was a reformed woman and no longer a danger to society, but she was never released. She died in 2002, aged 60. Brady was declared criminally insane in 1985, since when he has been confined in the high-security Ashworth Hospital. He has made it clear that he never wants to be released, and has repeatedly asked that he be allowed to die.
The murders, reported in almost every English-language newspaper in the world, were the result of what Malcolm MacCulloch, professor of forensic psychiatry at Cardiff University, called a “concatenation of circumstances”, which brought together a “young woman with a tough personality, taught to hand out and receive violence from an early age” and a “sexually sadistic psychopath”.
Saddleworth Moor, viewed from Hollin Brown Knoll. The bodies of three of the victims were found in this area.
The full extent of Brady and Hindley’s killing spree did not come to light until their confessions in 1985, as both had until then maintained their innocence. Their first victim was 16-year-old Pauline Reade, a neighbour of Hindley’s who disappeared on her way to a dance at the British Railways Club in Gorton on 12 July 1963. That evening, Brady told Hindley that he wanted to “commit his perfect murder”. He told her to drive her van around the local area while he followed behind on his motorcycle; when he spotted a likely victim he would flash his headlight, and Hindley was to stop and offer that person a lift.
Driving down Gorton Lane, Brady saw a young girl walking towards them, and signalled Hindley to stop, which she did not do until she had passed the girl. Brady drew up alongside on his motorbike, demanding to know why she had not offered the girl a lift, to which Hindley replied that she recognised her as Marie Ruck, a near neighbour of her mother. Shortly after 8:00 pm, continuing down Froxmer Street, Brady spotted a girl wearing a pale blue coat and white high-heeled shoes walking away from them, and once again signalled for the van to stop. Hindley recognised the girl as Pauline Reade, a friend of her younger sister, Maureen. Reade got into the van with Hindley, who then asked if she would mind helping to search for an expensive glove she had lost on Saddleworth Moor. Reade said she was in no great hurry, and agreed. At 16, Pauline Reade was older than Marie Ruck, and Hindley realised that there would be less of a hue and cry over the disappearance of a teenager than there would over a child of seven or eight. When the van reached the moor, Hindley stopped and Brady arrived shortly afterwards on his motorcycle. She introduced him to Reade as her boyfriend, and said that he had also come to help find the missing glove. Brady took Reade onto the moor while Hindley waited in the van. After about 30 minutes Brady returned alone, and took Hindley to the spot where Reade lay dying, her throat cut. He told her to stay with Reade while he fetched a spade he had hidden nearby on a previous visit to the moor, to bury the body. Hindley noticed that “Pauline’s coat was undone and her clothes were in disarray … She had guessed from the time he had taken that Brady had sexually assaulted her.” Returning home from the moor in the van—they had loaded the motorcycle into the back—Brady and Hindley passed Reade’s mother, Joan, accompanied by her son, Paul, searching the streets for Pauline.
Accompanied by Brady, Hindley approached 12-year-old John Kilbride in the early evening of 23 November 1963 at a market in Ashton-under-Lyne, and offered him a lift home on the pretext that his parents would be worried about him being out so late. With the added inducement of a proffered bottle of sherry, Kilbride readily agreed to get into the Ford Anglia car that Hindley had hired. Brady told Kilbride that the sherry was at their home, and they would have to make a detour to collect it. On the way he suggested that they take another detour, to search for a glove he said that Hindley had lost on the moor. When they reached the moor Brady took the child with him while Hindley waited in the car. Brady sexually assaulted Kilbride and attempted to slit his throat with a six-inch serrated blade before fatally strangling him with a piece of string, possibly a shoelace.
Twelve-year-old Keith Bennett vanished on his way to his grandmother’s house in Longsight during the early evening of 16 June 1964, four days after his birthday. Hindley lured him into her Mini pick-up—which Brady was sitting in the back of—by asking for the boy’s help in loading some boxes, after which she said she would drive him home. She drove to a lay-by on Saddleworth Moor as she and Brady had previously arranged, and Brady went off with Bennett, supposedly looking for a lost glove. Hindley kept watch, and after about 30 minutes or so Brady reappeared, alone and carrying a spade that he had hidden there earlier. When Hindley asked how he had killed Bennett, Brady said that he had sexually assaulted the boy and strangled him with a piece of string.
Brady and Hindley visited a fairground on 26 December 1964 in search of another victim, and noticed 10-year-old Lesley Ann Downey standing beside one of the rides. When it became apparent that she was on her own, they approached her and deliberately dropped some of the shopping they were carrying close to her, before asking for the girl’s help to carry some of the packages to their car, and then to their home. Once inside the house Downey was undressed, gagged, and forced to pose for photographs before being raped and killed, perhaps strangled with a piece of string. Hindley maintained that she went to draw a bath for the child and found the girl dead (presumably killed by Brady) when she returned. In Dr. Chris Cowley’s book Face to Face with Evil: Conversations with Ian Brady, Brady states that it was Hindley who killed Lesley Ann Downey. The following morning Brady and Hindley drove with Downey’s body to Saddleworth Moor, where she was buried, naked with her clothes at her feet, in a shallow grave.
The empty plot where 16 Wardle Brook Avenue in Hattersley, once stood. The house was demolished in the 1980s by the local council.
The attack on Edward Evans was witnessed by Hindley’s 17-year-old brother-in-law, David Smith, the husband of her younger sister Maureen. The Hindley family had not approved of Maureen’s marriage to Smith, who had several criminal convictions, including actual bodily harm and housebreaking, the first of which, wounding with intent, occurred when he was aged eleven. Throughout the previous year Brady had been cultivating a friendship with Smith, who had become “in awe” of the older man, something that increasingly worried Hindley, as she felt it compromised their safety.
On the evening of 6 October 1965 Hindley drove Brady to Manchester Central Station, where she waited outside in the car while he selected their victim; after a few minutes Brady reappeared in the company of Edward Evans, to whom he introduced Hindley as his sister. After they had driven back home and relaxed over a bottle of wine, Brady sent Hindley to fetch her brother-in-law. When they got back to the house Hindley told Smith to wait outside for her signal, a flashing light. When the signal came Smith knocked on the door and was met by Brady, who asked if he had come for “the miniature wine bottles”. Brady led Smith into the kitchen and left him there, saying that he was going to collect the wine. A few minutes later Smith heard a scream, followed by Hindley shouting loudly for him to come and help. Smith entered the living room to find Brady repeatedly striking Evans with the flat of an axe, and watched as he then throttled Evans with a length of electrical cord. Evans’ body was too heavy for Smith to carry to the car on his own—Brady had sprained his ankle in the struggle—so they wrapped it in plastic sheeting and put it in the spare bedroom.
Smith agreed to meet Brady the following evening to dispose of Evans’ body, but after returning home he woke his wife and told her what he had seen. Maureen told him that he must call the police. Three hours later the couple cautiously made their way to a public phone box in the street below their flat, Smith taking the precaution of arming himself with a screwdriver and a kitchen knife to defend them in the event that Brady suddenly appeared and confronted them. At 6:07 am Smith made an emergency services call to the police station in nearbyHyde and told his story to the officer on duty. In his statement to the police Smith claimed that:
[Brady] opened the door and he said in a very loud voice for him … “Do you want those miniatures?” I nodded my head to say yes and he led me into the kitchen … and he gave me three miniature bottles of spirits and said: “Do you want the rest?” When I first walked into the house, the door to the living room … was closed. … Ian went into the living room and I waited in the kitchen. I waited about a minute or two then suddenly I heard a hell of a scream; it sounded like a woman, really high-pitched. Then the screams carried on, one after another really loud. Then I heard Myra shout, “Dave, help him,” very loud. When I ran in I just stood inside the living room and I saw a young lad. He was lying with his head and shoulders on the couch and his legs were on the floor. He was facing upwards. Ian was standing over him, facing him, with his legs on either side of the young lad’s legs. The lad was still screaming. … Ian had a hatchet in his hand … he was holding it above his head and he hit the lad on the left side of his head with the hatchet. I heard the blow, it was a terrible hard blow, it sounded horrible.”
Early on the morning of 7 October, shortly after Smith’s call, Superintendent Bob Talbot of the Cheshire Police arrived at the back door of 16 Wardle Brook Avenue, wearing a borrowed baker’s overall to cover his uniform. Talbot identified himself to Hindley as a police officer when she opened the door, and told her that he wanted to speak to her boyfriend. Hindley led him into the living room, where Brady was sitting up in a divan writing a note to his employer explaining that he would not be able to get into work because of his ankle injury. Talbot explained that he was investigating “an act of violence involving guns” that was reported to have taken place the previous evening. Hindley denied that there had been any violence, and allowed police to look around the house. When they came to the upstairs room in which Evans’ body was stored the police found the door locked, and asked Brady for the key. Hindley claimed that the key was at work, but after the police offered to drive her to her employer’s premises to retrieve it, Brady told her to hand the key over. When they returned to the living room the police told Brady that they had discovered a trussed up body, and that he was being arrested on suspicion of murder. As Brady was getting dressed, he said “Eddie and I had a row and the situation got out of hand.”
Hindley was not arrested with Brady, but she demanded to go with him to the police station, accompanied by her dog Puppet, to which the police agreed. Hindley was questioned about the events surrounding Evans’ death, but she refused to make any statement beyond claiming that it had been an accident. As the police had no evidence that Hindley was involved in Evans’ murder she was allowed to go home, on condition that she return the next day for further questioning. Hindley was at liberty for four days following Brady’s arrest, during which time she went to her employer’s premises and asked to be dismissed, so that she would be eligible for unemployment benefits. While in the office where Brady worked she found some papers belonging to him in an envelope that she claimed she did not open, which she burned in an ashtray. She believed that they were plans for bank robberies, nothing to do with the murders. On 11 October Hindley was charged as an accessory to the murder of Edward Evans and was remanded at Risley.
Brady admitted under police questioning that he and Evans had fought, but insisted that he and Smith had murdered Evans between them; Hindley, he said, had “only done what she had been told”.Smith told police that Brady had asked him to return anything incriminating, such as “dodgy books”, which Brady then packed into suitcases. Smith had no idea what else the suitcases contained or where they might be, but he mentioned in passing that Brady “had a thing about railway stations”. The police consequently requested a search of all Manchester’s left-luggage offices for any suitcases belonging to Brady, and on 15 October British Transport Police found what they were looking for at Manchester Central railway station—the left-luggage ticket was found several days later in the back of Hindley’s prayer book. Inside one of the suitcases were nine pornographic photographs taken of a young girl, naked and with a scarf tied across her mouth, and a 13-minute tape recording of her screaming and pleading for help. Ann Downey, Lesley Ann Downey’s mother, later listened to the tape after police had discovered the body of her missing 10-year-old daughter, and confirmed that it was a recording of her daughter’s voice.
Police searching the house at Wardle Brook Avenue also found an old exercise book in which the name “John Kilbride” had been scribbled, which made them suspicious that Brady and Hindley might have been involved in the unsolved disappearances of other youngsters. A large collection of photographs was discovered in the house, many of which seemed to have been taken on Saddleworth Moor. One hundred and fifty officers were drafted to search the moor, looking for locations that matched the photographs. Initially the search was concentrated along the A628 road near Woodhead, but a close neighbour, 11-year-old Pat Hodges, had on several occasions been taken to the moor by Brady and Hindley and she was able to point out their favourite sites along the A635 road. On 16 October police found an arm bone sticking out of the peat; officers presumed that they’d found the body of John Kilbride, but soon discovered that the body was that of Lesley Ann Downey. Her mother (later Ann West after her marriage to Alan West) had been on the moor watching as the police conducted their search, but was not present when the body was found. She was shown clothing recovered from the grave, and identified it as belonging to her missing daughter.
A photograph taken by Ian Brady of Myra Hindley with her dog, Puppet, crouching over John Kilbride’s grave on Saddleworth Moor in November 1963.
Detectives were able to locate another site on the opposite side of the A635 from where Downey’s body was discovered, and five days later they found the “badly decomposed” body of John Kilbride, whom they identified by his clothing. That same day, already being held for the murder of Evans, Brady and Hindley appeared at Hyde Magistrate’s Court charged with Lesley Ann Downey’s murder. Each was brought before the court separately and remanded into custody for a week. They made a two-minute appearance on 28 October, and were again remanded into custody.
The search for bodies continued, but with winter setting in it was called off in November. Presented with the evidence of the tape recording Brady admitted to taking the photographs of Lesley Ann Downey, but insisted that she had been brought to Wardle Brook Avenue by two men who had subsequently taken her away again, alive. Brady was further charged with the murder of John Kilbride, and Hindley with the murder of Edward Evans, on 2 December. At the committal hearing on 6 December Brady was charged with the murders of Edward Evans, John Kilbride, and Lesley Ann Downey, and Hindley with the murders of Edward Evans and Lesley Ann Downey, as well as with harbouring Brady in the knowledge that he had killed John Kilbride. The prosecution’s opening statement was held in camera, and the defence asked for a similar stipulation, but was refused. The proceedings continued in front of three magistrates in Hyde over an 11-day period during December, at the end of which the pair were committed for trial at ChesterAssizes.
Many of the photographs taken by Brady and Hindley on the moor featured Hindley’s dog Puppet, sometimes as a puppy. Detectives arranged for the animal to be examined by a veterinary surgeon to determine its age, from which they could date when the pictures were taken. The examination involved an analysis of the dog’s teeth, which required a general anaesthetic from which Puppet did not recover, as he suffered from an undiagnosed kidney complaint. On hearing the news of her dog’s death Hindley became furious, and accused the police of murdering Puppet, one of the few occasions detectives witnessed any emotional response from her. In a letter to her mother shortly afterwards Hindley wrote:
I feel as though my heart’s been torn to pieces. I don’t think anything could hurt me more than this has. The only consolation is that some moron might have got hold of Puppet and hurt him.
The trial was held over 14 days beginning on 19 April 1966, in front of Mr Justice Fenton Atkinson. Such was the public interest that the courtroom was fitted with security screens to protect Brady and Hindley. The pair were each charged with three murders, those of Evans, Downey, and Kilbride, as it was considered that there was by then sufficient evidence to implicate Hindley in Kilbride’s death. The prosecution was led by the Attorney General, Frederick Elwyn Jones. Brady was defended by the LiberalMember of ParliamentEmlyn Hooson, and Hindley was defended by Godfrey Heilpern, recorder of Salford from 1964—both experienced QCs. David Smith was the chief prosecution witness, but during the trial it was revealed that he had entered into an agreement with a newspaper that he initially refused to name—even under intense questioning—guaranteeing him £1,000 (equivalent to about £10,000 as of 2012) for the syndication rights to his story if Brady and Hindley were convicted, something the trial judge described as a “gross interference with the course of justice”. Smith finally admitted in court that the newspaper was the News of the World,which had already paid for a holiday in France for him and his wife and was paying him a regular income of £20 per week, as well as accommodating him in a five-star hotel for the duration of the trial.
Brady and Hindley pleaded not guilty to the charges against them; both were called to give evidence, Brady for over eight hours and Hindley for six. Although Brady admitted to hitting Evans with an axe, he did not admit to killing him, arguing that the pathologist in his report had stated that Evans’ death was “accelerated by strangulation”. Under cross-examination by the prosecuting counsel, all Brady would admit was that “I hit Evans with the axe. If he died from axe blows, I killed him.” Hindley denied any knowledge that the photographs of Saddleworth Moor found by police had been taken near the graves of their victims.
The tape recording of Lesley Anne Downey, on which the voices of Brady and Hindley were clearly audible, was played in open court. Hindley admitted that her attitude towards the child was “brusque and cruel”, but claimed that was only because she was afraid that someone might hear Downey screaming. Hindley claimed that when Downey was being undressed she herself was “downstairs”; when the pornographic photographs were taken she was “looking out the window”; and that when the child was being strangled she “was running a bath”.
On 6 May, after having deliberated for a little over two hours, the jury found Brady guilty of all three murders and Hindley guilty of the murders of Downey and Evans. The Murder (Abolition of Death Penalty) Act had come into force during the time that Brady and Hindley were held in prison, abolishing the death penalty for murder, and therefore the judge passed the only sentence that the law allowed: life imprisonment. Brady was sentenced to three concurrent life sentences and Hindley was given two, plus a concurrent seven-year term for harbouring Brady in the knowledge that he had murdered John Kilbride. Brady was taken to Durham Prison and Hindley was sent to Holloway Prison.
In his closing remarks Mr Justice Atkinson described the murders as a “truly horrible case” and condemned the accused as “two sadistic killers of the utmost depravity”. He recommended that both Brady and Hindley spend “a very long time” in prison before being considered for parole but did not stipulate a tariff. He stated that Brady was “wicked beyond belief” and that he saw no reasonable possibility of reform. He did not consider that the same was necessarily true of Hindley, “once she is removed from [Brady’s] influence”. Throughout the trial Brady and Hindley “stuck rigidly to their strategy of lying”, and Hindley was later described as “a quiet, controlled, impassive witness who lied remorselessly”.
In 1985 Brady allegedly confessed to Fred Harrison, a journalist working for The Sunday People, that he had also been responsible for the murders of Pauline Reade and Keith Bennett, something that the police already suspected, as both children lived in the same area as Brady and Hindley and had disappeared at about the same time as their other victims. The subsequent newspaper reports prompted the Greater Manchester Police (GMP) to reopen the case, in an investigation headed by Detective Chief Superintendent Peter Topping, who had been appointed Head of GMP’s Criminal Investigation Department (CID) the previous year.
On 3 July 1985 Topping visited Brady, then being held at Gartree Prison, but found him “scornful of any suggestion that he had confessed to more murders”. Police nevertheless decided to resume their search of Saddleworth Moor, once more using the photographs taken by Brady and Hindley to help them identify possible burial sites. Meanwhile, in November 1986 Winnie Johnson, Keith Bennett’s mother, wrote a letter to Hindley begging to know what had happened to her son, a letter that Hindley seemed to be “genuinely moved” by. It ended:
I am a simple woman, I work in the kitchens of Christie’s Hospital. It has taken me five weeks labour to write this letter because it is so important to me that it is understood by you for what it is, a plea for help. Please, Miss Hindley, help me.
Police visited Hindley, then being held in Cookham Wood, a few days after she had received the letter, and although she refused to admit any involvement in the killings, she agreed to help by looking at photographs and maps to try to identify spots that she had visited with Brady. She showed particular interest in photographs of the area around Hollin Brown Knoll and Shiny Brook, but said that it was impossible to be sure of the locations without visiting the moor. The security considerations for such a visit were significant; there were threats made against her should she visit the moors, but Home SecretaryDouglas Hurd agreed with Topping that it would be worth the risk. Writing in 1989, Topping said that he felt “quite cynical” about Hindley’s motivation in helping the police. Although the letter from Winnie Johnson may have played a part, he believed that Hindley’s real concern was that, knowing of Brady’s “precarious” mental state, she was afraid that he might decide to co-operate with the police, and wanted to make certain that she, and not Brady, was the one to gain whatever benefit there may have been in terms of public approval.
Hindley made the first of two visits to assist the police search of Saddleworth Moor on 16 December 1986. Four police cars left Cookham Wood at 4.30 am. At about the same time, police closed all roads onto the moor, which was patrolled by 200 officers, 40 of them armed. Hindley and her solicitor arrived by helicopter from an airfield near Maidstone, touching down at 8:30 am. Wearing a donkey jacket and balaclava, she was driven, and walked around the area. It was difficult for Hindley to make a connection between her memories of the area and what she saw on the day, and she was apparently nervous of the helicopters flying overhead. At 3:00 pm she was returned to the helicopter, and taken back to Cookham Wood. Topping was criticised by the press, who described the visit as a “fiasco”, a “publicity stunt”, and a “mindless waste of money”. He was forced to defend the visit, pointing out its benefits:
We had taken the view that we needed a thorough systematic search of the moor […] It would never have been possible to carry out such a search in private.
Topping continued to visit Hindley in prison, along with her solicitor Michael Fisher and her spiritual counsellor, the Reverend Peter Timms, who had been a prison governor before resigning to become a minister in the Methodist Church. She made a formal confession to police on 10 February 1987, admitting her involvement in all five murders, but news of her confession was not made public for more than a month. The tape recording of her statement was over 17 hours long; Topping described it as a “very well worked out performance in which, I believe, she told me just as much as she wanted me to know, and no more”. He also commented that he “was struck by the fact that she was never there when the killings took place. She was in the car, over the brow of the hill, in the bathroom and even, in the case of the Evans murder, in the kitchen.” Topping concluded that he felt he “had witnessed a great performance rather than a genuine confession”.
During the 1987 search for Pauline Reade and Keith Bennett, Hindley recalled that she had seen the rocks of Hollin Brown Knoll silhouetted against the night sky.
Police visited Brady in prison again and told him of Hindley’s confession, which at first he refused to believe. Once presented with some of the details that Hindley had provided of Pauline Reade’s abduction, Brady decided that he too was prepared to confess, but on one condition: that immediately afterwards he be given the means to commit suicide, a request that was impossible for the authorities to comply with.
At about the same time, Winnie Johnson sent Hindley another letter, again pleading with her to assist the police in finding the body of her son Keith. In the letter, Johnson was sympathetic to Hindley over the criticism surrounding her first visit. Hindley, who had not replied to the first letter, responded by thanking Johnson for both letters, explaining that her decision not to reply to the first resulted from the negative publicity that surrounded it. She claimed that, had Johnson written to her 14 years earlier, she would have confessed and helped the police. She also paid tribute to Topping, and thanked Johnson for her sincerity. Hindley made her second visit to the moor in March 1987. This time, the level of security surrounding her visit was considerably higher. She stayed overnight in Manchester, at the flat of the police chief in charge of GMP training at Sedgley Park, and visited the moor twice. She confirmed to police that the two areas in which they were concentrating their search—Hollin Brown Knoll and Hoe Grain—were correct, although she was unable to locate either of the graves. She did later remember, though, that as Pauline Reade was being buried she had been sitting next to her on a patch of grass and could see the rocks of Hollin Brown Knoll silhouetted against the night sky.
In April 1987 news of Hindley’s confession became public. Amidst strong media interest Lord Longford pleaded for her release, writing that her continuing detention to satisfy “mob emotion” was not right. Fisher persuaded Hindley to release a public statement, in which she explained her reasons for denying her complicity in the murders, her religious experiences in prison, the letter from Johnson, and that she saw no possibility of release. She also exonerated David Smith from any part in the murders, except that of Edward Evans.
A map of Saddleworth Moor, showing the areas in which the bodies of three of the children were found, and the general area in which police searched for the body of Keith Bennett
Over the next few months interest in the search waned, but Hindley’s clue had directed the police to focus their efforts on a specific area. On the afternoon of 1 July 1987, after more than 100 days of searching, they found a body lying in a shallow grave 3 feet (0.9 m) below the surface, only 100 yards (90 m) from the place where Lesley Ann Downey had been found.Brady had been co-operating with the police for some time, and when news reached him that Reade’s body had been discovered he made a formal confession to Topping. He also issued a statement to the press, through his solicitor, saying that he too was prepared to help the police in their search. Brady was taken to the moor on 3 July, but he seemed to lose his bearings, blaming changes that had taken place in the intervening years, and the search was called off at 3:00 pm, by which time a large crowd of press and television reporters had gathered on the moor.
Topping refused to allow Brady a second visit to the moors, and a few days after his visit Brady wrote a letter to BBC television reporter Peter Gould, giving some sketchy details of five additional murders that he claimed to have carried out.Brady refused to identify his alleged victims, and the police failed to discover any unsolved crimes matching the few details that he supplied. Hindley told Topping that she knew nothing of these killings.
Hoe Grain leading to Shiny Brook, the area in which police believe Bennett’s undiscovered body is buried
On 24 August 1987 police called off their search of Saddleworth Moor, despite not having found Keith Bennett’s body. Brady was taken to the moor for a second time on 1 December, but he was once again unable to locate the burial site. Keith Bennett’s body remains undiscovered as of 2012, although his family continues to search the moor, over 40 years after his disappearance.
Although Brady and Hindley had confessed to the murders of Pauline Reade and Keith Bennett, the Department of Public Prosecutions (DPP) decided that nothing would be gained by a further trial; as both were already serving life sentences no further punishment could be inflicted, and a second trial might even have helped Hindley’s case for parole by giving her a platform from which to make a public confession.
In 2003 the police launched Operation Maida, and again searched the moor for the body of Keith Bennett. They read statements from Brady and Hindley, and also studied photographs taken by the pair. Their search was aided by the use of sophisticated modern equipment, including a US satellite used to look for evidence of soil movement. The BBC reported on 1 July 2009 that Greater Manchester Police had officially given up the search for Keith Bennett, saying that “only a major scientific breakthrough or fresh evidence would see the hunt for his body restart”. Detectives were also reported as saying that they would never again give Brady the attention or the thrill of leading another fruitless search on the moor where they believe Keith Bennett’s remains are buried. Donations from members of the public funded a search of the moor for Bennett’s body by volunteers from a Welsh search and rescue team that began in March 2010.
Ian Brady was born in Glasgow as Ian Duncan Stewart on 2 January 1938 to Maggie Stewart, an unmarried 28-year-old tea room waitress. The identity of Brady’s father has never been reliably ascertained, although his mother claimed he was a reporter working for a Glasgow newspaper, who died three months before Brady was born. Stewart had little support, and after a few months was forced to give her son into the care of Mary and John Sloan, a local couple with four children of their own. Brady took their name, and became known as Ian Sloan. His mother continued to visit him throughout his childhood. As a young child he took pleasure in torturing animals; he broke the hind legs of one dog, set fire to another, and decapitated a cat. Aged nine, Brady visited Loch Lomond with his family, where he reportedly discovered an affinity for the outdoors, and a few months later the family moved to a new council house on an overspill estate at Pollok. He was accepted forShawlands Academy, a school for above average pupils. As he grew older Brady’s “brutality escalated”, and soon he was hurting children smaller than himself. At Shawlands his behaviour worsened; as a teenager he twice appeared before a juvenile court for housebreaking. He left the academy aged 15, and took a job as a tea boy at a Harland and Wolff shipyard in Govan. Nine months later he began working as a butcher’s messenger boy. He had a girlfriend, Evelyn Grant, but their relationship ended when he threatened her with a flick knife after she visited a dance with another boy. He again appeared before the court, this time with nine charges against him, and shortly before his 17th birthday a court put him on probation on the condition that he went to live with his mother,who had by then moved to Manchester and married an Irish fruit merchant named Patrick Brady, who got him a job as a fruit porter at Smithfield Market.
Within a year of moving to Manchester, Brady was caught with a sack full of lead seals he had stolen and was trying to smuggle out of the market. Because he was still under 18, he was sentenced to two years in borstal for “training”. He was initially sent to Hatfield but after being discovered drunk on alcohol he had brewed he was moved to the much tougher unit at Hull. Released on 14 November 1957 Brady returned to Manchester, where he took a labouring job, which he hated, and was dismissed from another job in a brewery. Deciding to “better himself”, Brady obtained a set of instruction manuals on book-keeping from a local public library, with which he “astonished” his parents by studying alone in his room for hours. In January 1959, Brady applied for and was offered a clerical job at Millwards Merchandising, a wholesale chemical distribution company based in Gorton. He was regarded by his work colleagues as a quiet, punctual, but short-tempered young man. He read books such as Teach Yourself German, and Mein Kampf, as well as works on Nazi atrocities. He rode a Tiger Cub motorcycle, which he used to visit the Pennines.
Myra Hindley was born on 23 July 1942 and raised in Gorton, then a working class area of Manchester. Her parents, Nellie and Bob Hindley (the latter an alcoholic), beat her regularly as a young child. The small house the family lived in was in such poor condition that Hindley and her parents had to sleep in the only available bedroom, she in a single bed next to her parents’ double. The family’s living conditions deteriorated further when Hindley’s sister, Maureen, was born in 1946. Shortly after the birth, Hindley, then aged five, was sent by her parents to live with her grandmother, who lived nearby.
Hindley’s father had fought in North Africa, Cyprus, and Italy during the Second World War, and had served with the Parachute Regiment. He had been known in the army as a “hard man” and he expected his daughter to be equally tough; he taught her how to fight, and insisted that she “stick up for herself”. When Hindley was aged 8, a local boy approached her in the street and scratched both of her cheeks with his fingernails, drawing blood. She burst into tears and ran into her parents’ house, to be met by her father, who demanded that she “Go and punch him [the boy], because if you don’t I’ll leather you!” Hindley found the boy and succeeded in knocking him down with a sequence of punches, as her father had taught her. As she wrote later, “at eight years old I’d scored my first victory”.
Malcolm MacCulloch, professor of forensic psychiatry at Cardiff University, has suggested that the fight, and the part that Hindley’s father played in it, may be “key pieces of evidence” in trying to understand Hindley’s role in the Moors murders:
The relationship with her father brutalised her […] She was not only used to violence in the home but rewarded for it outside. When this happens at a young age it can distort a person’s reaction to such situations for life.
One of her closest friends was 13-year-old Michael Higgins, who lived in a nearby street. In June 1957 he invited her to go swimming with friends at a local disused reservoir. A good swimmer, Hindley chose not to go and instead went out with a friend, Pat Jepson. Higgins drowned in the reservoir, and upon learning of his fate Hindley was deeply upset, and blamed herself for his death. She collected for a funeral wreath, and his funeral at St Francis’s Monastery in Gorton Lane—the church where Hindley had been baptised a Catholic on 16 August 1942—had a lasting effect on her. Hindley’s mother had only agreed to her father’s insistence that she be baptised a Catholic on the condition that she was not sent to a Catholic school, as her mother believed that “all the monks taught was thecatechism“. Hindley was increasingly drawn to the Catholic Church after she started at Ryder Brow Secondary Modern, and began taking instruction for formal reception into the Church soon after Higgins’s funeral. She took the confirmation name of Veronica, and received her first communion in November 1958. She also became a godparent to Michael’s nephew, Anthony John. It was also at about this time that Hindley first began bleaching her hair.
Hindley’s first job was as a junior clerk at a local electrical engineering firm. She ran errands, made tea, and typed. She was well liked at the firm, enough so that when she lost her first week’s wage packet, the other girls had a collection to replace it. She had a short relationship with Ronnie Sinclair from Christmas 1958, and became engaged aged 17. The engagement was called off several months later; Hindley apparently thought Sinclair immature, and unable to provide her with the life she envisaged for herself.
Shortly after her 17th birthday she changed her hair colour, with a pink rinse. She took judo lessons once a week at a local school, but found partners reluctant to train with her, as she was often slow to release her grip. She took a job at Bratby and Hinchliffe, an engineering company in Gorton, but was dismissed for absenteeism after six months.
As a couple
In 1961, the 18-year-old Myra Hindley joined Millwards as a typist. She soon became infatuated with Brady, despite learning that he had a criminal record. She began a diary and, although she had dates with other men, some of the entries detail her fascination with Brady, whom she eventually spoke to for the first time on 27 July 1961. Over the next few months she continued to make entries, and grew increasingly disillusioned with him, until 22 December when Brady asked her on a date to the cinema, where they watched the biblical epic King of Kings.[nb 1] Their dates together followed a regular pattern; a trip to the cinema, usually to watch an X-rated film, and then back to Hindley’s house to drink German wine. Brady then gave her reading material, and the pair spent their work lunch breaks reading aloud to one another from accounts of Nazi atrocities. Hindley began to emulate an ideal of Aryan perfection, bleaching her hair blonde and applying thick crimson lipstick. She expressed concern at some aspects of Brady’s character; in a letter to a childhood friend, she mentioned an incident where she had been drugged by Brady, but also wrote of her obsession with him. A few months later she asked her friend to destroy the letter. In her 30,000-word plea for parole, written in 1978 and 1979 and submitted to Home SecretaryMerlyn Rees, Hindley said:
Within months he [Brady] had convinced me that there was no God at all: he could have told me that the earth was flat, the moon was made of green cheese and the sun rose in the west, I would have believed him, such was his power of persuasion.
Hindley began to change her appearance further, wearing clothing considered risqué such as high boots, short skirts, and leather jackets, and the two became less sociable to their work colleagues. The couple were regulars at the library, borrowing books on philosophy, as well as crime and torture. They also read works by the Marquis de Sade, and Fyodor Dostoyevsky‘s Crime and Punishment. Although she was not a qualified driver (she passed her test on the third attempt, late in 1963), Hindley often hired a van, in which the two planned bank robberies. Hindley befriended George Clitheroe, the President of the Cheadle Rifle Club, and on several occasions visited two local shooting ranges. Clitheroe, although puzzled by her interest, arranged for her to buy a .22 rifle from a gun merchant in Manchester. She also asked to join a pistol club, but she was a poor shot and allegedly often bad-tempered, so Clitheroe told her that she was unsuitable; she did, though, manage to purchase a Webley .45 and a Smith and Wesson .38 from other members of the club. Brady and Hindley’s plans for robbery came to nothing, but they became interested in photography. Brady already owned a Box Brownie, which he used to take photographs of Hindley and her dog, Puppet, but he upgraded to a more sophisticated model, and also purchased lights anddarkroom equipment. The pair took photographs of each other that, for the time, would have been considered explicit. For Hindley, this demonstrated a marked change from her earlier, more shy and prudish nature.
Hindley claimed that Brady began to talk about “committing the perfect murder” in July 1963, and often spoke to her about Meyer Levin‘s Compulsion, published as a novel in 1956 and adapted for the cinema in 1959. The story tells a fictionalised account of the Leopold and Loeb case, two young men from well-to-do families who attempt to commit the perfect murder of a 12-year-old boy, and escape the death penalty because of their age.
By June 1963, Brady had moved in with Hindley at her grandmother’s house in Bannock Street, and on 12 July 1963 the two murdered their first victim, 16-year-old Pauline Reade. Reade had attended school with Hindley’s younger sister, Maureen, and had also been in a short relationship with David Smith, a local boy with three criminal convictions for minor crimes. Police could find nobody who had seen Reade before her disappearance, and although the 15-year-old Smith was questioned by police he was cleared of any involvement in her death. Their next victim, John Kilbride, was killed on 23 November 1963. A huge search was undertaken, with over 700 statements taken, and 500 “missing” posters printed. Eight days after he failed to return home, 2,000 volunteers scoured waste ground and derelict buildings.
Hindley hired a vehicle a week after Kilbride went missing, and again on 21 December 1963, apparently to make sure the burial sites had not been disturbed. In February 1964, she bought a second-hand Austin Traveller, but soon after traded it for a Mini van. On 16 June 1964, 12-year-old Keith Bennett disappeared. His stepfather, Jimmy Johnson, became a suspect; in the two years following Bennett’s disappearance, Johnson was taken for questioning on four occasions. Detectives searched under the floorboards of the Johnsons’ house, and on discovering that the houses in the row were connected, extended the search to the entire street.
David and Maureen Smith, pictured around the time of the murders. David Smith’s statement to the police led to Brady’s arrest.
Maureen Hindley married David Smith on 15 August 1964. The marriage was hastily arranged and performed at a register office. None of Hindley’s relatives attended; Myra did not approve of the marriage, and her mother was too embarrassed—Maureen was seven months pregnant. The newlyweds moved into Smith’s father’s house. The next day, Brady suggested that the four take a day-trip to Windermere. This was the first time Brady and Smith had met properly, and Brady was apparently impressed by Smith’s demeanour. The two talked about society, the distribution of wealth, and the possibility of robbing a bank. The young Smith was similarly impressed by Brady, who throughout the day had paid for his food and wine. The trip to the Lake District was the first of many outings. Hindley was apparently jealous of their relationship, but became closer to her sister.
In 1964 Hindley, her grandmother, and Brady were rehoused as part of the post-war slum clearances in Manchester, to 16 Wardle Brook Avenue in the new overspill estate of Hattersley. Brady and Hindley became friendly with Patricia Hodges, an 11-year-old girl who lived at 12 Wardle Brook Avenue. Hodges accompanied the two on their trips to Saddleworth Moor to collect peat, something that many householders on the new estate did to improve the soil in their gardens, which was full of clay and builder’s rubble. She remained unharmed; living only a few doors away, her disappearance would have been easily solved.
Early on Boxing Day 1964, Hindley left her grandmother at a relative’s house and refused to allow her back to Wardle Brook Avenue that night. On the same day, 10-year-old Lesley Ann Downey disappeared from a funfair in Ancoats. Despite a huge search she was not found. The following day Hindley brought her grandmother back home. By February 1965 Patricia Hodges had stopped visiting 16 Wardle Brook Avenue, but David Smith was still a regular visitor. Brady gave Smith books to read, and the two discussed robbery and murder. On Hindley’s 23rd birthday, her sister and brother-in-law, who had until then been living with relatives, were rehoused in Underwood Court, a block of flats not far from Wardle Brook Avenue. The two couples began to see each other more regularly, but usually only on Brady’s terms.
During the 1990s, Hindley claimed that she took part in the killings only because Brady had drugged her, was blackmailing her with pornographic pictures he had taken of her, and had threatened to kill her younger sister, Maureen. In a 2008 television documentary series on female serial killers broadcast on ITV3, Hindley’s solicitor, Andrew McCooey, reported that she had said to him:
I ought to have been hanged. I deserved it. My crime was worse than Brady’s because I enticed the children and they would never have entered the car without my role … I have always regarded myself as worse than Brady.
Following his conviction, Brady was moved to Durham prison, where he asked to live in solitary confinement. He spent 19 years in mainstream prisons before he was declared criminally insane in November 1985 and sent to the high-security Ashworth Psychiatric Hospital; he has since made it clear that he never wants to be released. The trial judge had recommended that his life sentence should mean life, and successive Home Secretaries have agreed with that decision. In 1982, the Lord Chief JusticeLord Lane said of Brady: “this is the case if ever there is to be one when a man should stay in prison till he dies”.
In contrast to the common belief that serial killers often continue with their crimes until they are caught, Brady claimed in 2005 that the Moors murders were “merely an existential exercise of just over a year, which was concluded in December 1964″. By then, he went on to claim, he and Hindley had turned their attention to armed robbery, for which they had begun to prepare by acquiring guns and vehicles. In 2001 Brady wrote The Gates of Janus, which was published by Feral House, an underground US publisher. The book, Brady’s analysis of serial murder and specific serial killers, sparked outrage when announced in Britain.
Winnie Johnson, the mother of undiscovered victim, 12-year-old Keith Bennett, received a letter from Brady at the end of 2005 in which, she said, he claimed that he could take police to within 20 yards (18 m) of her son’s body but the authorities would not allow it. Brady did not refer directly to Keith by name and did not claim he could take investigators directly to the grave, but spoke of the “clarity” of his recollections. In early 2006, prison authorities intercepted a package addressed to Brady from a female friend, containing 50 paracetamol pills, a potentially lethal dose, hidden inside a hollowed-out crime novel.
The death, in November 2007, of John Straffen, who had spent 55 years in prison for murdering three children meant that Brady became the longest serving prisoner in England and Wales. As of 2012, he remains incarcerated in Ashworth. After Brady began a hunger strike in 1999 he was force-fed, fell ill, and was transferred to another hospital for tests. He recovered, and in March 2000 asked for a judicial review of the decision to force-feed him, but was refused permission.
Myra gets the potentially fatal brain condition, whilst I have to fight simply to die. I have had enough. I want nothing, my objective is to die and release myself from this once and for all. So you see my death strike is rational and pragmatic. I’m only sorry I didn’t do it decades ago, and I’m eager to leave this cesspit in a coffin.
Immediately following the trial, Hindley lodged an unsuccessful appeal against her conviction. Brady and Hindley corresponded by letter until 1971, when she ended their relationship. The two remained in sporadic contact for several months, but Hindley had fallen in love with one of her prison officers, Patricia Cairns. A former assistant governor claimed that such relationships were not unusual in Holloway at that time, as “many of the officers were gay, and involved in relationships either with one another or with inmates”. Hindley successfully petitioned to have her status as acategory A prisoner changed to category B, which enabled Governor Dorothy Wing to take her on a walk round Hampstead Heath, part of her unofficial policy of reintroducing her charges to the outside world when she felt they were ready. The excursion caused a furore in the national press and earned Wing an official rebuke from the then Home Secretary Robert Carr. With Cairns’ assistance and the outside contacts of another prisoner, Maxine Croft, Hindley planned a prison escape, but it was thwarted when impressions of the prison keys were intercepted by an off-duty policeman. Cairns was sentenced to six years in jail for her part in the plot. While in prison, Hindley wrote her autobiography, which remains unpublished.
Hindley was told that she should spend 25 years in prison before being considered for parole. The Lord Chief Justice agreed with that recommendation in 1982, but in January 1985 Home SecretaryLeon Brittan increased her tariff to 30 years. By that time, Hindley claimed to be a reformed Roman Catholic. Ann West, the mother of Lesley Ann Downey, was at the centre of a campaign to ensure that Hindley was never released from prison, and until West’s death in February 1999, she regularly gave television and newspaper interviews whenever Hindley’s release was rumoured.
In 1990, then Home Secretary David Waddington imposed a whole life tariff on Hindley, after she confessed to having a greater involvement in the murders than she had previously admitted. Hindley was not informed of the decision until 1994, when a Law Lords ruling obliged the Prison Service to inform all life sentence prisoners of the minimum period they must serve in prison before being considered for parole. In 1997, the Parole Board ruled that Hindley was low risk and should be moved to an open prison. She rejected the idea and was moved to a medium security prison; the House of Lords ruling left open the possibility of later freedom. Between December 1997 and March 2000, Hindley made three separate appeals against her life tariff, claiming she was a reformed woman and no longer a danger to society, but each was rejected by the courts.
When in 2002 another life sentence prisoner challenged the Home Secretary’s power to set minimum terms, Hindley and hundreds of others, whose tariffs had been increased by politicians, looked likely to be released from prison. Hindley’s release seemed imminent and plans were made by supporters for her to be given a new identity. Lord Longford, a devout Roman Catholic, campaigned to secure the release of “celebrated” criminals, and Myra Hindley in particular, which earned him constant derision from the public and the press. He described Hindley as a “delightful” person and said “you could loathe what people did but should not loathe what they were because human personality was sacred even though human behaviour was very often appalling”. Home Secretary David Blunkett ordered Greater Manchester Police to find new charges against her, to prevent her release from prison. The investigation was headed by Superintendent Tony Brett, and initially looked at charging Hindley with the murders of Pauline Reade and Keith Bennett, but the advice given by government lawyers was that because of the DPP’s decision taken 15 years earlier, a new trial would probably be considered an abuse of process.
Part of Stalybridge Country Park, where Hindley’s ashes were scattered in 2003
David Smith became “reviled by the people of Manchester”, despite having been instrumental in bringing Brady and Hindley to justice. While her sister was on trial, Maureen—eight months pregnant—was attacked in the lift of the building in which she and David lived. Their home was vandalised, and hate mail was regularly posted through their letterbox. Maureen feared for her children: “I couldn’t let my children out of my sight when they were little. They were too young to tell them why they had to stay in, to explain why they couldn’t go out to play like all the other children.”
After knifing another man during a fight, in an attack he claimed was triggered by the abuse he had suffered since the trial, Smith was sentenced to three years in prison in 1969. That same year his children were taken into the care of the local authority. His wife Maureen moved from Underwood Court to a single-bedroom property, and found work in a department store. Subjected to whispering campaigns and petitions to remove her from the estate where she lived, she received no support from her family—her mother had supported Myra during the trial. On his release from prison, David Smith moved in with the girl who became his second wife and won custody of his three sons. Maureen managed to repair the relationship with her mother, and moved into a council property in Gorton. She divorced Smith in 1973, and married a lorry driver, Bill Scott, with whom she had a daughter.
Maureen and her immediate family made regular visits to see Hindley, who reportedly adored her niece. In 1980 Maureen suffered a brain haemorrhage; Hindley was granted permission to visit her sister in hospital, but she arrived an hour after Maureen’s death. Sheila and Patrick Kilbride, who were by then divorced, were present at Maureen’s funeral, believing that Hindley might make an appearance. Patrick Kilbride mistook Bill Scott’s daughter from a previous relationship, Ann Wallace, for Hindley and tried to attack her before being knocked to the ground by another mourner; the police were called to restore order. Shortly before her death at the age of 70 Sheila Kilbride said: “If she [Hindley] ever comes out of jail I’ll kill her.” It was a threat repeated by her son Danny, and Ann West.
In 1972, David Smith was acquitted of the murder of his father, who had been suffering from an incurable cancer. Smith pleaded guilty to manslaughter and was sentenced to two days’ detention. He remarried and moved to Lincolnshire with his three sons, and was exonerated of any participation in the Moors murders by Hindley’s confession in 1987.
Joan Reade, Pauline Reade’s mother, was admitted to Springfield Mental Hospital in Manchester. She was present, under heavy sedation, at the funeral of her daughter on 7 August 1987. Five years after their son was murdered, Sheila and Patrick Kilbride divorced. Ann West, mother of Lesley Ann Downey, died in 1999 from cancer of the liver. Since her daughter’s death, she had campaigned to ensure that Hindley remained in prison and doctors said that the stress had contributed to the severity of her illness. Winnie Johnson, mother of Keith Bennett, continues to visit Saddleworth Moor, where it is believed that the body of her son is buried.
The house in which Brady and Hindley lived on Wardle Brook Avenue, and where Edward Evans was murdered, was demolished by the local council.
Hindley died from bronchial pneumonia caused by heart disease, at the age of 60, on 15 November 2002. Cameras “crowded the pavement” outside, but none of Hindley’s relatives were among the congregation of six who attended a short service at Cambridge crematorium, as they were living anonymously in Manchester under assumed names. Such was the strength of feeling more than 35 years after the murders that a reported 20 local undertakers refused to handle her cremation. Four months later, Hindley’s ashes were scattered by a former lover, a woman she had met in prison, less than 10 miles (16 km) from Saddleworth Moor in Stalybridge Country Park. Fears were expressed that the news might result in visitors choosing to avoid the park, a local beauty spot, or even in the park being vandalised. Less than two weeks after Hindley’s death, on 25 November 2002, the Law Lords agreed that judges, not politicians, should decide how long a criminal spends behind bars, and thus stripped the Home Secretary of the power to set minimum sentences.
A 1977 BBC television debate discussed arguments for and against Myra Hindley’s release, with contributions from the parents of some of the murdered children. The case has been dramatised on television twice: in See No Evil: The Moors Murders and Longford (both 2006).
Hindley “shouldered the greater public outrage” because of her gender, and she was popularly assumed to be “the devil incarnate”. The photographs and tape recording of the torture of Lesley Ann Downey, demonstrated in court to a disbelieving audience, and the cool responses of Brady and Hindley, helped to ensure the lasting notoriety of their crimes. Brady, who says that he does not want to be released, is rarely mentioned in the news, but Hindley’s repeated insistence on her innocence, and attempts to secure her release from prison, resulted in her becoming a figure of hate in the national media. Retribution was a common theme amongst those who sought to keep her locked away, and even Hindley’s mother insisted that she should die in prison—although out of fear for her daughter’s safety, and the desire to avoid the possibility that one of the victims’ relatives might kill her. Some commentators expressed the view that of the two, Hindley was the “more evil”. In 1987 she admitted that the plea for parole she had submitted to the Home Secretary eight years earlier was “on the whole […] a pack of lies”, and to some reporters her co-operation in the searches on Saddleworth Moor “appeared a cynical gesture aimed at ingratiating herself to the parole authorities”.0
DEEMED TO BE A BRUTISH CRIME MUSEUM, TOUCHING UPON TRUE CRIME , MURDERABILIA, MAIMERABILIA, POLITICAL INCORRECTNESS, SLEAZE, SCANDAL, THE BIZARRE AND THE TABOO …….
WHAT ON EARTH DO VISITORS EXPECT TO SEE HERE ON DISPLAY ANYWAY?
CONTRARY TO SOME PEOPLES PERCEPTION ……THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL DOES NOT GLORIFY OR CONDONE THE MANY EVIL MONSTERS WE TOUCH UPON AND FEATURE HERE . FURTHERMORE WE HOPEFULLY PROVIDE VISITORS WITH A PSYCHOLOGICAL AND EDUCATIONAL INSIGHT INTO THE MINDS OF ALL THOSE THAT WE FEATURE HERE ON DISPLAY
THE CONTENT WE FEATURE IS IN THE MAIN HORRIFIC, GRAPHIC, AND EXPLICIT AND TOUCHES UPON A GREAT MANY SENSITIVE SUBJECT MATTERS AND AS SUCH IS NOT, AND SHOULD NOT BE PRESENTED IN A PLEASANT WAY EITHER.
AS WE REPEATEDLY SAY TO ALL POTENTIAL VISITORS …… PLEASE DO AVOID IF EASILY OFFENDED, DISTURBED OR OF A SENSITIVE NATURE .
WHILST WE DO ALLOW CHILDREN INTO OUR ESTABLISHMENT… THIS IS SOLELY AT THE DISCRETION OF THEIR PARENTS OR GUARDIANS . WE ARE AN X-RATED ATTRACTION AND DO NOT ENCOURAGE CHILDREN BUT CANNOT STOP THEIR GUARDIANS FROM BRINGING THEM WITH THEM IF THEY SO WISH
A unique original hand drawn and signed charcoal self portrait by Peter Sutcliffe – The Yorkshire Ripper , drawn whilst incarcerated at Broadmoor Hospital . It is signed PWS , which is initials for Peter William Sutcliffe . On display at The Crime Through Time Collection , Littledean Jail , Gloucestershire , UK
Peter Coonan (born Peter William Sutcliffe, 2 June 1946) is an English serial killer who was dubbed the “Yorkshire Ripper” by the press. In 1981, Sutcliffe was convicted of murdering thirteen women and attempting to murder seven others.Sutcliffe had regularly used the services of prostitutes in Leeds and Bradford. His outbreak of violence towards them seems to have occurred because he was swindled out of money by a prostitute and her pimp but he claimed, when interviewed by authorities, that the voice of God had sent him on a mission to kill prostitutes.Sutcliffe carried out his murder spree over five years, during which the public were especially shocked by the murders of women who were not prostitutes. After his arrest for driving with false number plates in January 1981, the police questioned him about the killings and he confessed that he was the perpetrator.At his trial, he pleaded not guilty to murder on grounds of diminished responsibility, owing to a diagnosis of paranoid schizophrenia; but the defence was rejected by a majority of the jury. He is serving twenty concurrent sentences of life imprisonment. Following his conviction, Sutcliffe began using his mother’s maiden name and became known as Peter William Coonan
ABOVE AND BELOW … ORIGINAL PAINTING BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN
Below :A unique original oil painting on canvas dated and signed in 1993 by Peter Sutcliffe – The Yorkshire Ripper , painted by him whilst incarcerated at Broadmoor Hospital . It is signed PWS , which is initials for Peter William Sutcliffe . On display at The Crime Through Time Collection , Littledean Jail , Gloucestershire , UK
BELOW ARE VARIOUS IMAGES OF PETER SUTCLIFFE INCLUDING A RECENT 2015 IMAGE TAKEN AT BROADMOOR , WHERE HE IS STILL IMPRISONED .
Above and below: A brief psychological insight into the mind of British serial killer Peter Sutcliffe AKA ” The Yorkshire Ripper ” through his handwritten poetry
PETER SUTCLIFFE 2015
THE SUN ON SUNDAY 02ND SEPTEMBER 2012 FEATURES THE YORKSHIRE RIPPER EXHIBITION AS ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL.
AN EXHIBITION THAT SIMPLY PROVIDES A GLIMPSE INTO THE CUSHY LIFE OF LUXURY AND PASTIME PLEASURES ENJOYED BY ONE OF THE UK’S MOST EVIL MONSTERS … PETER SUTCLIFFE
—————————————————————————————————-THE DAILY MAIL ALSO FEATURES THE EXHIBITION IN THEIR ONLINE EDITION ON THE 03RD SEPTEMBER 2012
Chilling insight into the Yorkshire Ripper’s world: Never before seen prison possessions of killer Peter Sutcliffe go on public display
PUBLISHED: 00:06, 3 September 2012 | UPDATED: 10:29, 3 September 2012
They offer a chilling glimpse into the dark world of Yorkshire Ripper Peter Sutcliffe – and a insight into the mind of his twisted admirer.
Unseen personal collection of prison possessions belonging to the notorious serial killer have been put on public display for the first time – including handwritten love-letters from a besotted female pen-pal.
The items present a bizarre and pathetic picture of a killer scribbling desperate love-letters to his hypnotherapist and stripper pen pal, Sandra Lester, listening to 1980’s Eurythmics songs such as ‘Better to have Lost in Love’ and ‘I Can’t Stand it’, and reggae classic love songs.
Besotted: Sandra Lester sent this photograph to Peter Sutcliffe with a handwritten note asking the killer to ‘please accept my apologies for the delay’
Smut: The personal items includes a business card of Sandra Lester that she sent to killer Peter Sutcliffe which is now on display at Littledean Jail in Gloucestershire
Sutcliffe’s letters to Lester, who was also an escort girl and glamour model, were written from May 1993 to September that year.
The correspondence only ended, according to Lester – after Sutcliffe asked her to marry him and she rejected him.
The beast referred to their correspondence as his ‘Cloud nine’ letters and Lester as his ‘Sweet Potato’.
Pen pals: The illustrated letters from Peter Sutcliffe to his friend and confident Sandra Lester for part of the collection of personal items on display
Ramblings of a serial killer: Sutcliffe started this letter ‘Dearest Sandra’ and went on to thank her for her ‘enjoyable letter, sweetheart’ in the long, rambling correspondence
Revelations: According to his letters Sutcliffe’s favourite colours were: ‘turquoise, purple, emerald green and yellow. I like red but only in small amounts…as in large quantities it can be overpowering’
Flattery: Sutcliffe was complimentary about Sandra saying in this letter how she was ‘endearingly funny’
The cold-hearted killer joked about building a helicopter and ‘weaving a magic carpet’ to fly away on.
The letters also reveal how he fantasised about Lester and him running away together and living on a desert island or flying on a balloon over Africa’s tallest mountain, Kilimanjaro.
Sutcliffe told Lester that he had turned his hospital room into to a shrine to her, with pictures of her on display.
Sutcliffe appeared to encourage Lester’s attempts to introduce him to hypo-therapy via video tape recordings: ‘I played both videos (you sent me) over and over again, they’re a big help. I can feel a change for the better.’
Among the unseen items are cassette tapes showing the murderer’s feel-good musical tastes, a gloomy landscape oil painting signed with the initials PWS (Peter William Sutcliffe), a prison radio and desk lamp are all now displayed at the crime museum at Little Dean Jail, Gloucestershire.
After a 1970’s reign of terror in northern English cities including Leeds and Bradford, monster Sutcliffe was arrested and finally convicted in May 1981 of murdering 13 women, many of them sex workers, using a rope, knife and hammer – and attacking a further seven female victims.
Insight: The display includes items used by Peter Sutcliffe while at Broadmoor Secure Mental Hospital
Marked by a killer: The Yorkshire Ripper Peter Sutcliffe clearly marks his music tapes – including Reggae Love Songs, left, and the Eurythmics’ Feminine Touch album, right – with his initial P.W.S
Mix tape of a serial killer: Cassette tapes reveal the murderer’s musical tastes
Sentenced to life imprisonment and sent to Broadmoor high security hospital for Britain’s most disturbed patients where he still languishes there half-blind thanks to repeated attacks by fellow inmates – this previously unseen collection of items sheds new light on how killer Sutcliffe has spent his time in captivity.
According to his letters Sutcliffe’s favourite colours were: ‘turquoise, purple, emerald green and yellow. I like red but only in small amounts…as in large quantities it can be overpowering.’
Sutcliffe’s letters showed he had a love of wildlife programmes. The murderer and rapist revealed his fondness for bee keeping, referring to them as ‘marvellous wee creatures.’
Ostriches were ‘absolutely beautiful wonderful creatures.’ His favourite dog was a spaniel as they were: ‘a good natured dog and so very loyal.’
The nightmare images of 16th century Dutch artist Hieronymus Bosch, which depicts people being graphically tortured in hell, were ‘weird…but fascinating’ according to Sutcliffe.
He repeatedly requested Lester to send his pictures by surrealist painter Salvador Dali.
Sutcliffe’s favourite classical music was produced by legendary German composer Wolfgang Mozart and he described the music of Mozart’s symphony 41 as ‘pure genius’.
Crude: An oil painting by Peter Sutcliffe has his signature PWS on the bottom right corner
Looking for laughter: Sutcliffe was obviously a fan of Hancokck’s Half Hour, adding some of the comedian’s BBC’s shows to his collection of tapes
Prison art: An oil painting by Sutcliffe is signed with the initials PWS (Peter William Sutcliffe)
Keeping in contact: Serial killer Peter Sutcliffe had this old Roberts radio to maintain contact with the outside world
Possessive: Sutcliffe put his initials on nearly all his belongings – including inside his prized Roberts radioDespite complaining of being ‘drugged’ by members of staff at Broadmoor Hospital, Sutcliffe showed off his physical prowess to Lester, declaring that he completed 15miles on the communal exercise bike each day and had a body, ‘as strong as stainless steel’.
He even penned a threat to one female psychiatrist when complaining of how lethargic the medicines she was prescribing for Sutcliffe’s schizophrenia, saying he would tell her about it: ‘when I seize her – tee hee (sic).’
On show: An old Roberts radio used by Peter Sutcliffe after he changed his name to Peter Coonan is now displayed at Littledean Jail, Gloucestershire
At the end of his letters to Lester, Sutcliffe would sign off by gushing his gratitude across the page: ‘Thank you dearly for your soopa doopa exquisitely utopian lovely letter.’
Other items include Sutcliffe’s radio, a cassette of radio legend Tony Hancock’s hugely popular comedy sketch show, ‘Hancock’s Half Hour’.
The Crime through Time Museum at Little Dean Jail, Gloucestershire is home to memorabilia relating to some of Britain’s most notorious murderers and criminals.
Crime through Time curator Andy Jones said: ‘We are Britain’s most politically incorrect visitor attraction.’
‘The museum contains material that is unsuitable for families, including taboo and very scandalous subjects.
‘We do not glorify crime or murder and none of the items are collected for profit through sales.
‘We take great care to inform all potential visitors of what to expect to see.
‘It is not for families and people who are easily offended, disturbed or of a sensitive nature are strongly advised not to visit.’
All items on display have been authenticated by Sutcliffe’s brother, Carl Sutcliffe.
Glimpse into Sutcliffe’s cell: An old lamp used by Peter Sutcliffe while at Broadmoor Secure Mental Hospital is now displayed at Littledean Jail, Gloucestershire
Signed: The old lamp bears Sutcliffe’s initials and name, his prisoner number and ward name
TRUE CRIME , MURDERABILIA, MAIMERABILIA, DISMALABILIA, SERIAL KILLERS, DEBAUCHERY, SLEAZE, SCANDAL , THE TABOO, GANGSTERS, VILLAINS, WITCHCRAFT, SATANISM, THE OCCULT, PARANORMAL AND MUCH MORE …. IT’S ALL HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL, FOREST OF DEAN, GLOUCESTERSHIRE, UK.
Dennis Nilsen -British serial killer
Original painting of Dennis Nilsen by Gloucestershire artist Paul Bridgman on display at Littledean Jail .
Dennis Andrew Nilsen (born 23 November 1945) is a British serial killer and necrophiliac, also known as the Muswell Hill Murderer and the Kindly Killer, who murdered at least 12young men in a series of killings committed between 1978 and 1983 in London, England. Convicted of six counts of murder and two of attempted murder at the Old Bailey, Nilsen was sentenced to life imprisonment on 4 November 1983, with a recommendation that he serve a minimum of 25 years.0He is currently incarcerated at HMP Full Sutton maximum security prison in Full Sutton in the East Riding of Yorkshire, England.
Above and below: An array of handwritten , typed and signed rhymes on display at the jail . Also worth noting are Nilsen’s personalised address labels that he tends to attach to his various correspondence that he sends from his prison cell .
All of Nilsen’s murders were committed in two North London addresses in which he alternately resided throughout the years he is known to have killed. His victims would be lured to these addresses through guile and all were murdered by strangulation, sometimes accompanied by drowning. Following the murder, Nilsen would observe a ritual in which he bathed and dressed the victims’ bodies, which he would retain for extended periods of time, before dissecting and disposing of the remains via burning upon a bonfire, or flushing the remains down a lavatory.
Nilsen became known as the Muswell Hill Murderer as his later murders were committed in the Muswell Hill district of North London; he also became known as the Kindly Killer, in reference to his belief that his method of murder was the most humane. Owing to the similar modus operandi of the murderers, Nilsen has been described as the “British Jeffrey Dahmer“.
Personal artwork incorporating his own finger prints and hand signed on display at the jail
Above and below: Examples of Dennis Nilsen handwritten, typed and signed letters.Also a Christmas card on display at the Jail
CRIME SCENE PICTURE TAKEN AT 23 CRANLEY GARDENS, ONE OF NILSEN’S VICTIMS
Above and below: Crime scene photos taken at scene of crime along with murder weapons
HERE IS A BIT OF INTERACTIVE TITILLATING …. “TONGUE IN CHEEK” INSIGHT INTO SOME OF OUR INTRIGUING AND THOUGHT PROVOKING TOOLS OF THE TRADE USED ON LADIES SUFFERING FROM HYSTERIA DURING THE VICTORIAN ERA THAT ARE ON DISPLAY AT THE JAIL … IN AND AMONGST OUR VERY CLUTTERED, DIVERSE CURIOSITIES AND OTHER COLLECTIONS
Are these power tools? Medieval torture devices? Ancient hairdryers? Vintage egg whisks? No, they are Victorian, er, personal massagers (including one you had to handcrank)
Late 19th, early 20th century self-vibrators on display in Gloucestershire
Were originally created by Victorian doctors to cure women of hysteria
Female patients were treated with ‘pelvic massage’ using plug-in vibrators
On display at Littledean Jail, former courthouse, in the Forest of Dean
PUBLISHED: 14:18, 26 September 2013 | UPDATED: 18:44, 26 September 2013
Take a look at these pictures and consider for a moment what these rather brutal looking metal contraptions might be.
Are they power tools? Medieval torture devices? The world’s first hairdryers? Archaic egg whisks? Nope, these are actually Victorian vibrators, a collection of vintage self-massagers currently on display at Littledean Jail in the Forest of Dean, Gloucestershire, a former house of correction, police station and courthouse-turned-visitor attraction.
And exhibits include Dr Macaura’s Pulsocon Hand Crank Vibrator, which dates back to 1890 and resembles an old-fashioned egg whisk.
This may look like an early hair dryer with different attachments, but it is actually a vintage ‘self-massager’, used by women as a vibrator in the late 19th and early 20th centuries
Dr. Macaura’s Pulsocon Hand Crank (1890) Vibrator, which resembles an archaic egg whisk, is now on display at Littledean Jail, Forest of Dean,
According to Philip Larkin, sex began in 1963, between the end of the Lady Chatterley ban and the Beatles’ first LP.
But this collection of Victorian vibrators shows self-pleasuring has been going on for a whole lot longer than that.
Littledean Jail owner and curator Andy Jones, 51, described the assortment of sex toys as ‘a fascinating insight into women’s pleasure during Victorian times’.
The ‘ACME’ hand-held vibrator shows self-pleasuring has been going on for a whole lot longer than we originally believed
When compared to today’s vibrators such as the pink plastic rampant rabbit, the ACME is certainly a lot less… girly
But despite its pleasurable connotations, the modern-style vibrator was actually invented by respectable Victorian doctors.
‘Pelvic massage’ was a common treatment for female hysteria during the Victorian era.
However, doctors found the process of administering the massage by hand tiring and time-consuming, and so devised a device to do the job for them.
Dr Joseph Mortimer Granville patented an electromechanical vibrator around 1880, a story told in the 2011 film Hysteria, featuring Maggie Gyllenhaal.
Despite its pleasurable connotations, the modern-style vibrator was actually invented by respectable Victorian doctors
‘If you plug them in, the force is incredible. They’re loud and some of them look like hairdryers’
The vibrators come packed neatly in cases with a number of different attachments, and resembles an old-fashioned drill and its bits
While some of these contraptions now look like they belong more in a torture chamber than beneath the sheets, they serve as testament to the ingenuity of Victorian inventors.
The sex toys also offer a fascinating insight into the supposedly ‘prim and proper’ Victorian world, in which some families would supposedly cover up table legs since they were seen as suggestive and risque.
‘If you plug them in, the force is incredible,’ Jones said. ‘They’re loud and some of them look like hairdryers.
‘I would imagine it would have been quite a painful exercise, judging by what I’ve seen of them, like having a kango hammer pressed against your body.’