THE CRIME THROUGH TIME COLLECTION …. HERE AT LITTLEDEAN JAIL, FOREST OF DEAN , GLOUCESTERSHIRE, UK

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DARK TOURISM IN THE UK……. NAZI SEXPLOITATION AND EXPLOITATION MOVIE POSTERS. BANNED THROUGHOUT THE WORLD … DISPLAYED HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, UK

Posted on May 10, 2017 by CRIME THROUGH TIME COLLECTION
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HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

POLITE WARNING …  THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL (WHERE UPON THIS EXHIBITION IS HOUSED )  IS NOT SUITABLE FOR CHILDREN, OR THOSE OF YOU WHO ARE EASILY OFFENDED , DISTURBED OR OF A SENSITIVE NATURE …..

PLEASE DO BE AWARE THAT  THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION , CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR OTHERWISE MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

CERTAINLY POLITICALLY INCORRECT IN TODAY’S SOCIETY – THE TITILLATING, NAZI EXPLOITATION AND SEXPLOITATION FILMS TOUCHING ON THE VERY SENSITIVE TRUE CRIME HORRORS OF THE NAZI HOLOCAUST YEARS . 
EXHIBITED HERE AT LITTLEDEAN JAIL. RIGHT OR WRONG YOU AS VISITORS DECIDE FOR YOURSELVES 

HERE BELOW ARE SOME OF THE MANY NAZI HOLOCAUST SEXPLOITATION AND EXPLOITATION MOVIE POSTERS ON DISPLAY AT LITTLEDEAN JAIL .

THESE HAVE BEEN BANNED WORLDWIDE AND ARE VERY RARE . 

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Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves villainous Nazis committing criminal acts of a sexual nature often as camp or prison overseers in World War II settings. Most follow the standard women in prison formula, only relocated to a death camp or Nazi brothel, with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (and the one that set the standards of the genre) is perhaps Ilsa, She Wolf of the SS (1974), a Canadian production. Its surprise success and sequels led European film makers, mostly in Italy, to produce dozens of similar films depicting Nazi atrocities. While the Ilsa series and Salon Kitty were profitable, the other films were mostly box-office flops and the genre all but vanished by the mid 1980s.
In Italy, these films are known as part of the “il sadiconazista” cycle which is largely inspired by the art-house films Salon Kitty by Tinto Brass, Liliana Cavani’s The Night Porter, and Pier Paolo Pasolini’s Salò. Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, aka The Beast in Heat, SS Hell Camp), Cesare Canevari (L’ultima orgia del III Reich, aka Last Orgy of the Third Reich), and Alain Payet (Train spécial pour SS, aka Hitler’s Lust Train, Love Train for The SS), all from 1977.

WARNING ……

HERE BELOW ARE SOME GRUESOME AND SEXUALLY EXPLICIT TRAILERS AND AN ENTIRE FILM (VERY SEXUALY GRAPHIC ) RELATING TO THE EVIL NAZI SEXPLOITATION AND EXPLOITATION MOVIES OF THE 1970’S

German camp brothels in World War II

From Wikipedia, the free encyclopedia

Camp brothel in Gusen, Austria

In World War II Nazi Germany established brothels in the concentration camps (Lagerbordell) to create an incentive for prisoners to collaborate, although these institutions were used mostly by Kapos, “prisoner functionaries” and criminal element, because real inmates, penniless and emaciated, were usually too debilitated and wary of exposure to SS schemes. In the end, the camp brothels did not produce any noticeable increase in the prisoners’ work productivity levels, but instead, created a market for coupons among the camp VIPs.[1] The women forced into these brothels came mainly from the Ravensbrück concentration camp,[2] except for Auschwitz, which employed its own prisoners.[3] In combination with the German military brothels in World War II, it is estimated that at least 34,140 female inmates were forced to serve as prostitutes during the Third Reich.[3]

Further information: German military brothels in World War II and Rapes of the Wehrmacht

[edit]History and operation

Heinrich Himmler inspecting the camp brothel inMauthausen/Gusen

The first camp brothel was established in Mauthausen/Gusen in 1942. After 30 June 1943, a camp brothel existed in Auschwitz, and from 15 July 1943, inBuchenwald. The one in Neuengamme was established in early 1944, Dachau‘s in May 1944, Dora-Mittelbau‘s in late summer, and Sachsenhausen‘s on 8 August 1944.[4] There are conflicting dates for the camp brothel in Flossenbürg: one source claims summer 1943[5]; another states it was not opened until 25 March 1944.[4]

The camp brothels were usually built as barracks surrounded by a barbed-wire fence, with small individual rooms for up to 20 women prisoners, controlled by a female overseer (Aufseherin).[1] The sex workers were replaced frequently due to exhaustion and illness, and were usually sent away to their deaths later. The brothels were open only in the evenings. No Jewish male prisoners were allowed. Those with access to the customer lineup (Aryan VIPs only), had to sign up for a specific day and pay two reichsmarks for a 20-minute “service” based on a predetermined schedule. The prostitutes were matched with their clients by an SS-man. The market for the “prize-coupons” was routinely cornered by the common criminals who wore the green triangles (hence the “green men” denomination).[1]There is evidence (somewhat controversial)[6] that in some of the brothels, women might have had tattoos inscribed on their chests saying “Feld-Hure” (Field Whore).[7] Some of them underwent forced sterilizations as well as forced abortions, often resulting in death.[3]

The subject of camp prostitution was alluded to in survivors’ memoirs at least as early as 1972, when the first edition of Heinz Heger’s book[5] was published. However, the subject remained largely taboo in studies of Nazism until the mid-1990s, when new publications by female researchers broke the silence.[8][9]

Sometimes the SS enticed women into becoming sex workers by promising them better treatment or reductions of their indefinite sentence. This caused anger or envy among some female inmates. Nina Michailovna, Russian camp prisoner, reported: “When we found out that a girl in our block was chosen, we caught her and threw a blanket on her and beat her up so badly that she could hardly move. It wasn’t clear if she would recover. They just wanted to have a better life and we punished them this way.”[10]

[edit]Homosexual prisoners and camp brothels

In addition to using camp brothels as a means to control inmates, encourage collaboration, and prevent riots and escapes, Heinrich Himmler also intended them to be used as a means of teaching pink triangle prisoners “the joys of the opposite sex”[5], i.e., as “therapy” for their homosexuality. Heger claims that Himmler directed that all gay prisoners were to make compulsory visits to the camp brothel once per week as a means of curing them of their same-sex attraction.[5]

[edit]Cultural references

German concentration camp brothels were re-enacted in fictional Nazi exploitation films made in the 1970s such as Ilsa, She Wolf of the SS, Last Orgy of the Third Reich, Love Camp 7, SS Experiment Camp and Nazi Love Camp 27.[11] Examples of Israeli fictional literature on the subject include writer’s Yehiel De-Nur alias K. Tzetnik’s book The House of Dolls and Stalag fictiongenre.[12][13]

[edit]See also

  • Comfort women (Japan)
  • German military brothels in World War II
  • German war crimes
  • Recreation and Amusement Association (Japan)
  • Sexual Slavery by Germany during World War II
  • War rape by German forces during World War II

[edit]Notes

  1. ^ a b c “Camp Brothel.” Wollheim Memorial. Accessed June 30, 2011.
  2. ^ New Exhibition Documents Forced Prostitution in Concentration Camps – Der Spiegel – 15 January 2007
  3. ^ a b c Nanda Herbermann, Hester Baer, Elizabeth Roberts Baer (2000) (Google Books). The Blessed Abyss: Inmate #6582 in Ravensbruck Concentration Camp for Women. Detroit: Wayne State University Press. pp. 33–34. ISBN 0-8143-2920-9. (English)
  4. ^ a b Christl Wickert: Tabu Lagerbordell, in: Eschebach/Jacobeit/Wenk: Gedächtnis und Geschlecht, 2002, S. 44
  5. ^ a b c d Heinz Heger, Die Männer mit dem rosa Winkel, 5th ed., 2001, p. 137
  6. ^ Tom Segev, “Who was the camp whore?” Haaretz.com, January 13, 2011
  7. ^ Melissa Kuntz (2007) (WWW), The Forgotten Photographs: The Work of Paul Goldman from 1943-1961, Pittsburgh: American Jewish Museum See photograph of an inmate with chest tattoopublished by Jerusalem Post, retrieved January 10, 2011
  8. ^ Christa Schulz, “Weibliche Häftlinge aus Ravensbrück in Bordellen der Männerkonzentrationslager” (Female prisoners from Ravensbrück in brothels for male concentration camp prisoners)
  9. ^ Christa Paul, Zwangsprostitution. Staatlich errichtete Bordelle im Nationalsozialismus (Forced prostitution: Brothels established by the National Socialist State).
  10. ^ In: Thomas Gaevert / Martin Hilbert: “Frauen als Beute” (“Women as Booty”), 2004 documentary film made for ARD. Quote in German: „Wenn wir wußten, daß in unserem Block eine ausgesucht wurde, haben wir sie geschnappt und ihr eine Decke übergeworfen und sie so verprügelt, daß sie sich nicht mehr rühren konnte. Es war unklar, ob sie sich davon überhaupt wieder erholen könnte. Die wollten doch nur ein schöneres Leben haben und wir haben sie so bestraft.“
  11. ^ Stiglegger, Marcus (2007-02-09). “Beyond Good and Evil? Sadomasochism politics cinema 1970s”. IKONEN. Ikonenmagazin.de. Retrieved 2010-03-14.
  12. ^ Schultzes Hündin, taz
  13. ^ “Folternde, vollbusige SS-Frauen «”. Diepresse.com. 2010-02-18. Retrieved 2010-03-14.
Posted in CRIME THROUGH TIME | Tagged ADOLF, ADOLF HITLER, aka Hitler's Lust Train, aka Last Orgy of the Third Reich), aka The Beast in Heat, ALBERT PIERREPOINT, ALEISTER CROWLEY, ALEX SANDERS WITCHCRAFT, all from 1977., and Alain Payet (Train spécial pour SS, and Pier Paolo Pasolini's Salò. Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, ANDY JONES, ANTI NAZI, ANTON LAVEY, AUSCHWITZ, BANKSY, BAPHOMET MUSEUM, BARACK OBAMA, BELSEN, BEST WORLD CRIME MUSEUM, BIGGEST CRIME MUSEUM IN EUROPE, BIZARRE MUSEUM, BLACK AMERICAN HISTORY, BLACK MAGIC, BLACK MUSEUM, BLACK PANTHER PARTY, BLACK POWER, BLACK SHIRTS, BLACKSHIRTS, BNP, BRAYNE COURT LITTLEDEAN, BRITISH FASCISM, BRITISH FASCIST, BRITISH MOVEMENT, BRITISH UNION MOVEMENT, BURNING CROSS, CAPITAL PUNISHMENT, Cesare Canevari (L'ultima orgia del III Reich, CHANNEL 4 KKK, CHARLOTTE RAMPLING, CHILD KKK, CHURCH OF SATAN, CINDERFORD, COLLECTION, CONCENTRATION CAMPS, Confederate Army., CORPERAL PUNISHMENT, CORPORAL PUNISHMENT, CORPSE, CRIME, CRIME AND PUNISHMENT, CRIME COLLECTION, CRIME COLLECTIONS, CRIME EXHIBITION, CRIME GALLERY, CRIME MEMORABILIA, CRIME MUSEUM, CRIME MUSUEM, CRIME SCENE, CRIME THROUGH TIME, CRIME THROUGH TIME COLLECTION, CRIME THROUGH TIME MUSEUM, CRIME THROUGH TIME MUSUEM, CRIMERABILIA, 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