DARK TOURISM HERE IN THE UK ORIGINAL KU KLUX KLAN EXPLOITATION AND SEXPLOITATION MOVIE POSTERS … BANNED THROUGHOUT THE WORLD , BUT HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL, UK

HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

PLEASE DO BE AWARE THAT  THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION , CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR OTHERWISE MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

WIDELY REGARDED TO BE BLACK RACISM MOVIES MANY OF THESE NOW BANNED KU KLUX KLAN MOVIE POSTERS WERE DEEMED TO BE A GLORIFICATION TOOL AND USED FOR RECRUITMENT OF NEW MEMBERS INTO THIS WHITE EXTREMIST HOODED ROBE MOVEMENT

 

HERE BELOW IS A BRIEF PICTORIAL INSIGHT INTO SOME OF THE KKK MEMORBILIA ITEMS HERE ON DISPLAY AT THE JAIL

Movies about the Ku Klux Klan (KKK)

Ever since the release of legendary director D.W. Griffith’s controversial epic The Birth of the Nation (1915), based on Thomas F. Dixon Jr.’s (play and) novel titled The Clansman: An Historical Romance of the Ku Klux Klan and featuring silent star Lillian Gish and future Oscar winner Donald Crisp (among others), classic Hollywood seems to have avoided taking on the KKK to expose its wicked acts or its members’ ignorant beliefs in any substantive way. Though there are several dramas which incorporate it – or at least Klan-like organizations – peripherally, classic films that feature any real detail about its beginnings, longevity, charters, or even insight into its leaders and/or their motivations etc. are surprisingly absent. Maybe the studios felt that real evil and its practitioners were being adequately portrayed in their gangster and war pictures, or perhaps there were fears that a movie about the Klan wouldn’t make good at the box office (particularly in the South)?

The Warner Bros.’s Storm Warning (1951) wasn’t very specific about the KKK’s prejudices, though much of the film’s dialogue (from prosecutor Ronald Reagan and the miscast Ginger Rogers character) does deliver the requisite indictment of the organization and its members: too scared to act without the courage of numbers or show their faces (hence the hoods). But the twist is that the Grand Dragon’s real motivation for leading the clandestine group is financial – there’s real money for him in the dues and the paraphernalia he sells to its members – such that he comes off as a corrupt union boss, or worse a capitalist;-) In the end, the leader’s true self centered (versus “all for one”) nature is revealed and the enraged and disillusioned group wises up and runs for cover from the law. Warner’s Black Legion (1937), starring Humphrey Bogart and featuring a plot plausible enough to earn Robert Lord his second Best Writing-Original Story AA nom, did a better job of exploring the roots of hatred and xenophobia that can seduce one to join such an organization. Since I wrote about MGM’s Stars in My Crown (1950) in my earlier Films about Faith essay, I’ll not include any more text about it here other than to mention that actor Ed Begley (Sr.) seemed to have excelled in portraying angry racist characters. The WB’s (and producer-director Mervyn LeRoy’s) overlong drama The FBI Story (1959), a veritable paean to the organization’s squeaky clean agents and the stout leadership of J. Edgar Hoover, warrants barely a mention except that one of its storylines includes the infiltration of the KKK by the film’s principal character, played by James Stewart.

Which brings me to The Mating Call (1928), produced by Howard Hughes and including titles written by future Oscar winner Herman J. Mankiewicz. The Klan-like organization in this one is named “The Order” and its purpose is to enforce a morality code within its community: black hooded individuals tie a wife beater to a cross and whip him for abusing his spouse. But the primary sin herein is adultery. Upon returning home a hero after serving his country during World War I, Leslie Hatton (Thomas Meighan) finds that his wartime marriage to Rose (Evelyn Brent, playing a sexually aggressive man-eater) was annulled by her parents. But even though he’s (somehow) not interested in having an affair with his former bride, Hatton’s accused of fooling around with Rose by her current husband Lon, a hypocrite that’s having extramarital relations of his own (with a judge’s daughter, no less). Lon uses The Order to threaten the war hero to leave his wife alone. Hatton’s solution to avoid future visits and further scrutiny from these local self-appointed moral authorities includes his going to Ellis Island and marrying a French girl (Renee Adoree, The Big Parade (1925)) whose parents want to immigrate to the United States. However, a subsequent scandal affecting the aforementioned characters (and others) leads The Order to become involved in Hatton’s life again.

Some other dramas that feature the KKK or like-minded groups are: Legion of Terror (1936), The Burning Cross (1947), Another Part of the Forest (1948), The Klansman (1974), Places in the Heart (1984), which earned writer (director) Robert Benton (Kramer vs. Kramer (1979)) his third Oscar, and Mississippi Burning (1988); plus, it’s hard to forget the hilarious scene in Mel Brooks’ western spoof Blazing Saddles (1974) in which Cleavon Little (accompanied by Gene Wilder) dons a white rob and hood

GERALD GARDNER (1884 -1964) FATHER OF MODERN WITCHCRAFT . FEATURED HERE IN AND AMONGST THE WITCHCRAFT, PAGANISM, WICCAN, THE OCCULT, SATANISM, THE ILLUMINATI AND SECRET SOCIETIES EXHIBITION AT LITTLEDEAN JAIL , FOREST OF DEAN, GLOUCESTERSHIRE,UK.

Gerald Gardner in one of his many naked ceremonial initiations and Wiccan gatherings.

Gerald Brosseau Gardner (1884–1964), also known by the craft name Scire, was an English Wiccan, as well as an author and an amateur anthropologist and archaeologist. He was instrumental in bringing the Contemporary Pagan religion of Wicca to public attention, writing some of its definitive religious texts and founding the tradition of Gardnerian Wicca.

Original painting of Gerald Gardner along with High Priestess’s Patricia Crowther and Monique Wilson , by Gloucestershire artist Paul Bridgman. Here on display in and amongst the Witchcraft and Occult Collection at The Crime Through Time Museum , Littledean Jail , Gloucestershire , UK .

Born into an upper-middle-class family in Blundellsands, Lancashire, Gardner spent much of his childhood abroad in Madeira. In 1900, he moved to colonial Ceylon, and then in 1911 to Malaya, where he worked as a civil servant, independently developing an interest in the native peoples and writing papers and a book about their magical practices. After his retirement in 1936, he travelled to Cyprus, penning the novel A Goddess Arrives before returning to England. Settling down near the New Forest, he joined an occult group, the Rosicrucian Order Crotona Fellowship, through which he claimed to have encountered the New Forest coven into which he was initiated in 1939. Believing the coven to be a survival of the pre-Christian Witch-Cult discussed in the works of Margaret Murray, he decided to revive the faith, supplementing the coven’s rituals with ideas borrowed from Freemasonry, ceremonial magic and the writings of Aleister Crowley to form the Gardnerian tradition of Wicca.

Moving to London in 1945, following the repeal of the Witchcraft Act of 1736 he became intent on propagating this religion, attracting media attention and writing about it in High Magic’s Aid (1949), Witchcraft Today (1954) and The Meaning of Witchcraft (1959). Founding a Wiccan group known as the Bricket Wood coven, he introduced a string of High Priestesses into the religion, including Doreen Valiente, Lois Bourne, Patricia Crowther and Eleanor Bone, through which the Gardnerian community spread throughout Britain and subsequently into Australia and the United States in the late 1950s and early 1960s. Involved for a time with Cecil Williamson, Gardner also became director of the Museum of Magic and Witchcraft on the Isle of Man, which he ran until his death.

Gardner is internationally recognised as the “Father of Wicca” among the Pagan and occult communities. His claims regarding the New Forest coven have been widely scrutinised, with Gardner being the subject of investigation for historians and biographers such as Aidan Kelly, Ronald Hutton and Philip Heselton

A brief video introduction into the life and times of Gerald Gardner

Below : Various images of Gerald Gardner at his Witches Mill , Isle of Man

Above and Below: Various insight into some of the many collage displays here at Littledean Jail.

SATANIC DECORATED RAMS HEAD SKULL ON DISPLAY ALONG WITH A GREAT MANY  OTHER INTRIGUING ITEMS  WITHIN THE WITCHCRAFT AND OCCULT EXHIBITION  AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , FOREST OF DEAN , GLOUCESTERSHIRE, UK .

Above and below : Various paintings on display in and amongst The Witchcraft and Occult Collection here at Littledean Jail .