UK NETFLIX DARK TOURIST ATTRACTION HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, FOREST OF DEAN , GLOUCESTERSHIRE, GL14 3NL. ORIGINAL RARE KU KLUX KLAN EXPLOITATION AND SEXPLOITATION MOVIE POSTERS … BANNED FROM PUBLIC DISPLAY THROUGHOUT THE WORLD , BUT ALL EXHIBITED HERE.

Posted on May 9, 2019 by CRIME THROUGH TIME COLLECTION

LESSON’S FROM HISTORY … LEST WE FORGET !!

HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND HOPEFULLY HISTORICALLY EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

PLEASE DO BE AWARE THAT THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION, CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR ANY OTHER MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

WIDELY REGARDED TO BE BLACK RACIST MOVIES MANY OF THESE NOW BANNED KU KLUX KLAN MOVIE POSTERS WERE DEEMED TO BE A GLORIFICATION TOOL AND USED FOR RECRUITMENT OF NEW MEMBERS INTO THIS WHITE EXTREMIST HOODED ROBE MOVEMENT

HERE BELOW IS A BRIEF PICTORIAL INSIGHT INTO SOME OF THE KKK MEMORBILIA ITEMS HERE ON DISPLAY AT THE JAIL

Movies about the Ku Klux Klan (KKK)

Ever since the release of legendary director D.W. Griffith’s controversial epic The Birth of the Nation (1915), based on Thomas F. Dixon Jr.’s (play and) novel titled The Clansman: An Historical Romance of the Ku Klux Klan and featuring silent star Lillian Gish and future Oscar winner Donald Crisp (among others), classic Hollywood seems to have avoided taking on the KKK to expose its wicked acts or its members’ ignorant beliefs in any substantive way. Though there are several dramas which incorporate it – or at least Klan-like organizations – peripherally, classic films that feature any real detail about its beginnings, longevity, charters, or even insight into its leaders and/or their motivations etc. are surprisingly absent. Maybe the studios felt that real evil and its practitioners were being adequately portrayed in their gangster and war pictures, or perhaps there were fears that a movie about the Klan wouldn’t make good at the box office (particularly in the South)?

The Warner Bros.’s Storm Warning (1951) wasn’t very specific about the KKK’s prejudices, though much of the film’s dialogue (from prosecutor Ronald Reagan and the miscast Ginger Rogers character) does deliver the requisite indictment of the organization and its members: too scared to act without the courage of numbers or show their faces (hence the hoods). But the twist is that the Grand Dragon’s real motivation for leading the clandestine group is financial – there’s real money for him in the dues and the paraphernalia he sells to its members – such that he comes off as a corrupt union boss, or worse a capitalist;-) In the end, the leader’s true self centered (versus “all for one”) nature is revealed and the enraged and disillusioned group wises up and runs for cover from the law. Warner’s Black Legion (1937), starring Humphrey Bogart and featuring a plot plausible enough to earn Robert Lord his second Best Writing-Original Story AA nom, did a better job of exploring the roots of hatred and xenophobia that can seduce one to join such an organization. Since I wrote about MGM’s Stars in My Crown (1950) in my earlier Films about Faith essay, I’ll not include any more text about it here other than to mention that actor Ed Begley (Sr.) seemed to have excelled in portraying angry racist characters. The WB’s (and producer-director Mervyn LeRoy’s) overlong drama The FBI Story (1959), a veritable paean to the organization’s squeaky clean agents and the stout leadership of J. Edgar Hoover, warrants barely a mention except that one of its storylines includes the infiltration of the KKK by the film’s principal character, played by James Stewart.

Which brings me to The Mating Call (1928), produced by Howard Hughes and including titles written by future Oscar winner Herman J. Mankiewicz. The Klan-like organization in this one is named “The Order” and its purpose is to enforce a morality code within its community: black hooded individuals tie a wife beater to a cross and whip him for abusing his spouse. But the primary sin herein is adultery. Upon returning home a hero after serving his country during World War I, Leslie Hatton (Thomas Meighan) finds that his wartime marriage to Rose (Evelyn Brent, playing a sexually aggressive man-eater) was annulled by her parents. But even though he’s (somehow) not interested in having an affair with his former bride, Hatton’s accused of fooling around with Rose by her current husband Lon, a hypocrite that’s having extramarital relations of his own (with a judge’s daughter, no less). Lon uses The Order to threaten the war hero to leave his wife alone. Hatton’s solution to avoid future visits and further scrutiny from these local self-appointed moral authorities includes his going to Ellis Island and marrying a French girl (Renee Adoree, The Big Parade (1925)) whose parents want to immigrate to the United States. However, a subsequent scandal affecting the aforementioned characters (and others) leads The Order to become involved in Hatton’s life again.

Some other dramas that feature the KKK or like-minded groups are: Legion of Terror (1936), The Burning Cross (1947), Another Part of the Forest (1948), The Klansman (1974), Places in the Heart (1984), which earned writer (director) Robert Benton (Kramer vs. Kramer (1979)) his third Oscar, and Mississippi Burning (1988); plus, it’s hard to forget the hilarious scene in Mel Brooks’ western spoof Blazing Saddles (1974) in which Cleavon Little (accompanied by Gene Wilder) dons a white rob and hood

DARK TOURISM HERE IN THE UK FEATURING A HISTORICALLY EDUCATIONAL INSIGHT INTO HEINRICH HIMMLER – INFAMOUS NAZI SS WARLORD, a.k.a “LORD OF THE RUNES”…. THE NAZI OCCULT & HIS WEWELSBURG CASTLE. WITCHCRAFT, ILLUMINATI, SECRET SOCIETIES & MUCH MORE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL.

Posted on September 27, 2017 by CRIME THROUGH TIME COLLECTION

BELOW IS A BRIEF INSIGHT INTO THE NAZI SS AND OCCULT EXHIBITION HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL . VERY DIVERSE AND THOUGHT PROVOKING TO SAY THE LEAST .

WE ALSO FEATURE AN INTRIGUING INSIGHT INTO THE WORLD OF THE ILLUMINATI , WITCHCRAFT, THE OCCULT, DEVIL WORSHIP, MYSTERIOUS CELEBRITY DEATHS AND BEYOND

Above: Original painting on display at The Crime Through Time Collection, Littledean Jail, Forest of Dean, UK.

Above: Original painting on display at The Crime Through Time Collection , Littledean Jail, Forest of Dean , UK.

Below: Image of Baphomet, favoured by Himmler’s Nazi Occult.

ABOVE & BELOW : A BRIEF LOOK AT BAPHOMET – HORNED GOD ON DISPLAY IN AND AMONGST THE WITCHCRAFT, PAGANISM, WICCAN, THE SATANIC OCCULT, THE ILLUMINATI AND SECRET SOCIETIES COLLECTIONS AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, FOREST OF DEAN, GLOUCESTERSHIRE, UK .

Above: Baphomet Ouija Board on display at Littledean Jail .

ABOVE AND BELOW: FURTHER BRIEF INSIGHT INTO VARIOUS WITCHCRAFT AND OCCULT EXHIBIT ITEMS ON DISPLAY AT LITTLEDEAN JAIL , UK

BELOW: ‘BEAKY BLINDER’ OUR MYSTICAL AND SPIRITUAL RAVEN- GUARDIAN AND KEEPER OF LITTLEDEAN JAIL

BELOW IS LINK TO OUR WEBSITE PAGE WHICH FEATURES MORE INFORMATION, IMAGES AND VIDEOS …. AS IS FEATURED HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL .

PLEASE CLICK ON THE IMAGE BELOW TO ACCESS OUR PAGE

Himmler’s SS Mystical castle: Wewelsburg:

It is said that the Wewelsburg was going to be the “Holy Grail Castle” of the Nazi regime, once it had established itself as rulers of the world. Is this true, and, if so, what was their ambition in this vast building project?

It is clear that any Grail Castle to be built would have a geometrical design, and in the case of the Wewelsburg, that is a triangle. For Himmler, the Wewelsburg was not so much the location where the Grail was hidden, but where his Grail Order – the SS, the Schutzstaffel – and its sacred treasures – rumoured to be the Spear of Destiny – would be brought, and from which the magical power of the Nazi regime would radiate out.

The castle was not built by the Nazi regime; its history started several centuries before the National Socialists came to power in 1933. In its current form, the castle was built from 1603 to 1609, as a secondary residence for Fürstbischof Theodor von Fürstenberg, the prince-bishop of Paderborn, whose primary residence was the castle at Neuhaus. However, there existed a castle on the site from the 9th century onwards. At the time, it withheld an invasion of the Huns, its location near what was believed to be the site where the Battle of the Teutoburg Forest occurred. This battle occurred in 9 AD, when various Germanic tribes made an alliance and ambushed and destroyed three Roman legions. The battle was the start of a seven year long war, whereby the Rhine became the boundary of the Roman Empire. It should therefore not come as a surprise that it was seen as a symbol of German unity and a demonstration that a united Germany could conquer all – as it was, of course, felt it would do again….

The Nazis plans: put into effect by the use of slave labour…

It meant that the estate had the shape of a spear, underlining the unconfirmed belief that the site would become the location where the Spear of Destiny would be held. One story goes that Hitler saw his future when he visited the Museum in Vienna where the Spear was on display, and that he became convinced that whoever possessed it, controlled the fate of the world. That the Wewelsburg was going to be the New Jerusalem and the centre of Germany is in evidence as from 1941 onwards, the architects called the complex the “Centre of the World”. In line with sacred mythology, the design would sit on a mountain, surrounded by a lake, as there were plans to flood the valley.

Original painting on display at The Crime Through Time Collection , Littledean Jail, Forest of Dean, UK

DARK TOURISM IN THE UK……. NAZI SEXPLOITATION AND EXPLOITATION MOVIE POSTERS. BANNED THROUGHOUT THE WORLD … DISPLAYED HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, UK

Posted on May 10, 2017 by CRIME THROUGH TIME COLLECTION

HERE AT LITTLEDEAN JAIL AND THROUGH OUR BUSINESS FACEBOOK WE TRY AND PROVIDE A BALANCED AND EDUCATIONAL INTERACTIVE INSIGHT INTO WHAT MANY DEEM TO BE TABOO SUBJECT MATTERS .

POLITE WARNING … THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL (WHERE UPON THIS EXHIBITION IS HOUSED ) IS NOT SUITABLE FOR CHILDREN, OR THOSE OF YOU WHO ARE EASILY OFFENDED , DISTURBED OR OF A SENSITIVE NATURE …..

PLEASE DO BE AWARE THAT THE CRIME THROUGH TIME COLLECTION , IT’S OWNER , OR ANY OF IT’S STAFF HERE AT LITTLEDEAN JAIL HAVE NO AFFILIATION , CONNECTION OR INVOLVEMENT WITH ANY EXTREMIST , POLITICALLY MOTIVATED OR OTHERWISE MOVEMENTS WHATSOEVER …… WE SIMPLY EXHIBIT AND TOUCH UPON A GREAT MANY POLITICALLY INCORRECT AND TABOO SUBJECT MATTERS THAT NO OTHER VISITOR ATTRACTIONS DARE COVER IN THE WAY WE CHOOSE TO DO HERE. …. “IT’S ALL HISTORY FOR GOODNESS SAKE”….EVEN IF ON OCCASIONS, SENSITIVE , THOUGHT PROVOKING SUBJECT MATTERS THAT INCITE STRONG DEBATE .

CERTAINLY POLITICALLY INCORRECT IN TODAY’S SOCIETY – THE TITILLATING, NAZI EXPLOITATION AND SEXPLOITATION FILMS TOUCHING ON THE VERY SENSITIVE TRUE CRIME HORRORS OF THE NAZI HOLOCAUST YEARS .
EXHIBITED HERE AT LITTLEDEAN JAIL. RIGHT OR WRONG YOU AS VISITORS DECIDE FOR YOURSELVES

HERE BELOW ARE SOME OF THE MANY NAZI HOLOCAUST SEXPLOITATION AND EXPLOITATION MOVIE POSTERS ON DISPLAY AT LITTLEDEAN JAIL .

THESE HAVE BEEN BANNED WORLDWIDE AND ARE VERY RARE .

Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves villainous Nazis committing criminal acts of a sexual nature often as camp or prison overseers in World War II settings. Most follow the standard women in prison formula, only relocated to a death camp or Nazi brothel, with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (and the one that set the standards of the genre) is perhaps Ilsa, She Wolf of the SS (1974), a Canadian production. Its surprise success and sequels led European film makers, mostly in Italy, to produce dozens of similar films depicting Nazi atrocities. While the Ilsa series and Salon Kitty were profitable, the other films were mostly box-office flops and the genre all but vanished by the mid 1980s.
In Italy, these films are known as part of the “il sadiconazista” cycle which is largely inspired by the art-house films Salon Kitty by Tinto Brass, Liliana Cavani’s The Night Porter, and Pier Paolo Pasolini’s Salò. Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, aka The Beast in Heat, SS Hell Camp), Cesare Canevari (L’ultima orgia del III Reich, aka Last Orgy of the Third Reich), and Alain Payet (Train spécial pour SS, aka Hitler’s Lust Train, Love Train for The SS), all from 1977.

WARNING ……

HERE BELOW ARE SOME GRUESOME AND SEXUALLY EXPLICIT TRAILERS AND AN ENTIRE FILM (VERY SEXUALY GRAPHIC ) RELATING TO THE EVIL NAZI SEXPLOITATION AND EXPLOITATION MOVIES OF THE 1970’S

German camp brothels in World War II

From Wikipedia, the free encyclopedia

Camp brothel in Gusen, Austria

In World War II Nazi Germany established brothels in the concentration camps (Lagerbordell) to create an incentive for prisoners to collaborate, although these institutions were used mostly by Kapos, “prisoner functionaries” and criminal element, because real inmates, penniless and emaciated, were usually too debilitated and wary of exposure to SS schemes. In the end, the camp brothels did not produce any noticeable increase in the prisoners’ work productivity levels, but instead, created a market for coupons among the camp VIPs.^[1] The women forced into these brothels came mainly from the Ravensbrück concentration camp,^[2] except for Auschwitz, which employed its own prisoners.^[3] In combination with the German military brothels in World War II, it is estimated that at least 34,140 female inmates were forced to serve as prostitutes during the Third Reich.^[3]

Further information: German military brothels in World War II and Rapes of the Wehrmacht

[edit]History and operation

Heinrich Himmler inspecting the camp brothel inMauthausen/Gusen

The first camp brothel was established in Mauthausen/Gusen in 1942. After 30 June 1943, a camp brothel existed in Auschwitz, and from 15 July 1943, inBuchenwald. The one in Neuengamme was established in early 1944, Dachau‘s in May 1944, Dora-Mittelbau‘s in late summer, and Sachsenhausen‘s on 8 August 1944.^[4] There are conflicting dates for the camp brothel in Flossenbürg: one source claims summer 1943^[5]; another states it was not opened until 25 March 1944.^[4]

The camp brothels were usually built as barracks surrounded by a barbed-wire fence, with small individual rooms for up to 20 women prisoners, controlled by a female overseer (Aufseherin).^[1] The sex workers were replaced frequently due to exhaustion and illness, and were usually sent away to their deaths later. The brothels were open only in the evenings. No Jewish male prisoners were allowed. Those with access to the customer lineup (Aryan VIPs only), had to sign up for a specific day and pay two reichsmarks for a 20-minute “service” based on a predetermined schedule. The prostitutes were matched with their clients by an SS-man. The market for the “prize-coupons” was routinely cornered by the common criminals who wore the green triangles (hence the “green men” denomination).^[1]There is evidence (somewhat controversial)^[6] that in some of the brothels, women might have had tattoos inscribed on their chests saying “Feld-Hure” (Field Whore).^[7] Some of them underwent forced sterilizations as well as forced abortions, often resulting in death.^[3]

The subject of camp prostitution was alluded to in survivors’ memoirs at least as early as 1972, when the first edition of Heinz Heger’s book^[5] was published. However, the subject remained largely taboo in studies of Nazism until the mid-1990s, when new publications by female researchers broke the silence.^[8]^[9]

Sometimes the SS enticed women into becoming sex workers by promising them better treatment or reductions of their indefinite sentence. This caused anger or envy among some female inmates. Nina Michailovna, Russian camp prisoner, reported: “When we found out that a girl in our block was chosen, we caught her and threw a blanket on her and beat her up so badly that she could hardly move. It wasn’t clear if she would recover. They just wanted to have a better life and we punished them this way.”^[10]

[edit]Homosexual prisoners and camp brothels

In addition to using camp brothels as a means to control inmates, encourage collaboration, and prevent riots and escapes, Heinrich Himmler also intended them to be used as a means of teaching pink triangle prisoners “the joys of the opposite sex”^[5], i.e., as “therapy” for their homosexuality. Heger claims that Himmler directed that all gay prisoners were to make compulsory visits to the camp brothel once per week as a means of curing them of their same-sex attraction.^[5]

[edit]Cultural references

German concentration camp brothels were re-enacted in fictional Nazi exploitation films made in the 1970s such as Ilsa, She Wolf of the SS, Last Orgy of the Third Reich, Love Camp 7, SS Experiment Camp and Nazi Love Camp 27.^[11] Examples of Israeli fictional literature on the subject include writer’s Yehiel De-Nur alias K. Tzetnik’s book The House of Dolls and Stalag fictiongenre.^[12]^[13]

[edit]See also

[edit]Notes

^ ^a ^b ^c “Camp Brothel.” Wollheim Memorial. Accessed June 30, 2011.
^ New Exhibition Documents Forced Prostitution in Concentration Camps – Der Spiegel – 15 January 2007
^ ^a ^b ^c Nanda Herbermann, Hester Baer, Elizabeth Roberts Baer (2000) (Google Books). The Blessed Abyss: Inmate #6582 in Ravensbruck Concentration Camp for Women. Detroit: Wayne State University Press. pp. 33–34. ISBN 0-8143-2920-9. (English)
^ ^a ^b Christl Wickert: Tabu Lagerbordell, in: Eschebach/Jacobeit/Wenk: Gedächtnis und Geschlecht, 2002, S. 44
^ ^a ^b ^c ^d Heinz Heger, Die Männer mit dem rosa Winkel, 5th ed., 2001, p. 137
^ Tom Segev, “Who was the camp whore?” Haaretz.com, January 13, 2011
^ Melissa Kuntz (2007) (WWW), The Forgotten Photographs: The Work of Paul Goldman from 1943-1961, Pittsburgh: American Jewish Museum See photograph of an inmate with chest tattoopublished by Jerusalem Post, retrieved January 10, 2011
^ Christa Schulz, “Weibliche Häftlinge aus Ravensbrück in Bordellen der Männerkonzentrationslager” (Female prisoners from Ravensbrück in brothels for male concentration camp prisoners)
^ Christa Paul, Zwangsprostitution. Staatlich errichtete Bordelle im Nationalsozialismus (Forced prostitution: Brothels established by the National Socialist State).
^ In: Thomas Gaevert / Martin Hilbert: “Frauen als Beute” (“Women as Booty”), 2004 documentary film made for ARD. Quote in German: „Wenn wir wußten, daß in unserem Block eine ausgesucht wurde, haben wir sie geschnappt und ihr eine Decke übergeworfen und sie so verprügelt, daß sie sich nicht mehr rühren konnte. Es war unklar, ob sie sich davon überhaupt wieder erholen könnte. Die wollten doch nur ein schöneres Leben haben und wir haben sie so bestraft.“
^ Stiglegger, Marcus (2007-02-09). “Beyond Good and Evil? Sadomasochism politics cinema 1970s”. IKONEN. Ikonenmagazin.de. Retrieved 2010-03-14.
^ Schultzes Hündin, taz
^ “Folternde, vollbusige SS-Frauen «”. Diepresse.com. 2010-02-18. Retrieved 2010-03-14.

THE CRIME THROUGH TIME COLLECTION …. HERE AT LITTLEDEAN JAIL, FOREST OF DEAN , GLOUCESTERSHIRE, UK

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