Here is a brief look at some of the privately owned items from former punk rocker from late 1976 through to the early 80’s , Andy Jones of The Crime Through Time Collection , Littledean Jail .
ORIGINAL CLASH TOUR POSTER
Andy was also bass player in former Gloucester punk band – Demob and then later in the 1980’s Goth Rock Band “Kiss The Blade” see the video below …. (I am the then slim bass playing geezer in sunglasses and blond hair … still a punk rocker in 1986 )
All the punk clothing items were either worn , or personally acquired by him during this period, as was all the other punk memorabilia now featured here on display .
Andy says …. “Yes both the Quadrophenia and punk rock exhibitions here on display at Littledean Jail are of a very selfish interest… In youth culture terms it was in many ways a controversial, ” sex , drugs and rock and roll” fuelled era . Whilst I never took drugs …. it was a brilliant period … AND I LOVED IT. Loads of great multi-cultural music , fashion , beautiful ladies and I travelled each and every highway from 1976 (when I was mere 14 ) through to the early eighties, jumping trains to travel to watch an endless array of punk rock bands, then having missed the last trains back to Gloucester … sleeping in cardboard boxes with tramps at London Paddington Station on endless occasions (no cardboard boxes or tramps on the platforms nowadays ) . My personal favourite punk bands were… The Sex Pistols, The Clash , UK Subs , The Damned , Siouxsie and The Banshees, 999 to name but a few. I was also a regular at Malcolm McLaren and Vivienne Westwood’s “Seditionaries” and their rival cloth shop “Boy” … as well as Camden Market etc . The plain truth is that I WAS THERE …
So for anybody who may well wish to criticize or rubbish these personal collections, I would wish to make it clear that I was never interested in acquiring such items for monetary or investment gains and neither am I a dealer to sell items on …
As is very apparent if and when you visit Littledean Jail …I am simply an obsessive hoarder and so glad I saved these and a great many other items of interest …. hopefully for other peoples enjoyment too. LONG LIVE PUNK ” .
THE FIRST SEX PISTOLS T SHIRT ( SO SAY ????) ….
A VERY RARE AND AT THE TIME A VERY CONTROVERSIAL ….1976 MALCOLM MCLAREN DESIGNED “SMOKING BOYS” T SHIRT WHICH FEATURES AN IMAGE TAKEN BY MCLAREN FROM A PAEDOPHILE MAGAZINE ALSO THIS T SHIRT IS COMPLETE WITH IT’S UNTOUCHED ,INNER ORIGINAL SEX SHOP LABEL
WHILST NOT 100% SURE , AND I MAY BE WRONG ???? (PLEASE DO CORRECT ME IF I AM WRONG ???) AS FAR AS I AM AWARE , THIS IS BELIEVED TO BE ONE OF MALCOM MCLAEN’S FIRST 50 SCREEN PRINTED RUNS OF HIS FIRST SEX PISTOLS T SHIRT IN 1976 KNOWN AS THE SMOKING BOYS T SHIRT . SEEN HERE WITH IT’S ORIGINAL SEX LABEL (SEE BELOW) . PRINTED BY THEN SEX PISTOLS BASSIST GLEN MATLOCK USING THE COLLEGE PRINTING EQUIPMENT WHILST HE WAS STUDYING AT CENTRAL ST MARTINS ART SCHOOL IN LONDON .
IF I AM WRONG IT WAS MANUFACTURED DURING THE NEXT PRINT RUN IN THE SAME YEAR SHORTLY AFTER THE FIRST PRINT RUN …1976
CLOSE-UP OF WELL WORN AND NOW WRINKLED SEX ORIGINAL INNER LABEL
BELOW: ORIGINAL 1977 … AT THE TIME (AND STILL IS ) VERY CONTROVERSIAL SEDITIONARIES T-SHIRT . ALSO SEEN HERE WORN BY ADAM ANT ( SEEN HERE WITH SIOUXSIE BACK IN 1977) AND ALSO AMERICAN PUNK ROCK SINGER JOAN JETT .
BELOW ….. CAN’T REMEMBER DATE OF PURCHASE OF THIS ORIGINAL DESTROY MUSLIN SHIRT FROM MALCOM MCLAREN AND VIVIENNE WESTWOOD’S SHOP “SEDITIONARIES” … SOMEWHERE BETWEEN 1977 AND 1979 ?? BUT DEFINATELY AN ORIGINAL ONE .
HERE BELOW IS ANOTHER VERSION OF AN ORIGINAL 1980 DESTROY MUSLIN SHIRT FOR WHICH I BELIEVE WAS AT THE TIME UNDER A SEPERATE LICENCE WITH BOY CLOTHING AS WAS AGREED WITH VIVIENNE WESTWOOD WHILST MALCOM MCLAREN WAS AWAY IN THE USA ?? … PURCHASED FROM BOY CLOTHING SHOP WITH THE UNDERGARMENT AS CAN ALSO BE SEEN HERE … ALONG WITH THE BOY CLOTHING LABEL ON THE COLLAR .
BELOW IS AN ARRAY OF VARIOUS LATE 1970’S TO EARLY 1980’S ORIGINAL PUNK ROCK SHIRTS FROM BOTH MALCOM MCLAREN & VIVIENNE WESTWOOD’S SEDITIONARIES AND THEIR THEN RIVALS BOY CLOTHING BOUTIQUE SHOPS BOTH ON THE KINGS ROAD , CHELSEA. NOW ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL , ALONG WITH A GALLERY OF VARIOUS OTHER PUNK ROCK MEMORABILIA INCLUDING ORIGINAL POSTERS , SIGNED MEMORABILIA…. ETC ETC ALL ON DISPLAY HERE AT THE JAIL
ALL IN ALL A GREAT YOUTH CULTURE PERIOD FOR WHICH ANDY WAS GLAD TO HAVE BEEN A PART OF ….. HENCE THIS SELFISH COLLECTION BEING HERE ON DISPLAY FROM WHAT WAS AT THE TIME A BIT OF A CONTROVERSIAL PERIOD IN IT’S OWN RIGHT TOO .
Rear view of parachute harness on original Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
Close up of button on original Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
Original Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
Original Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
Original Seditionaries product label on Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
Face on view of parachute harness on original Malcom McLaren and Vivienne Westwood black labelled Punk Rock “Parachute” shirt circa 1977
HERE BELOW IS AGAIN ONLY A BRIEF SLIDESHOW GALLERY OF A FEW OF THE PUNK ROCK MEMORABILIA ITEMS HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL . TO INCLUDE ORIGINAL POSTERS OF ALL SIZES , FLYERS , SIGNED ALBUMS AND PHOTO’S ETC, SID VICIOUS’S WELL WORN BOOTS AND WRIST CHAIN ETC, ETC
PLEASE NOTE … DUE TO SIZE AND QUANTITY OF IMAGES IN THE SLIDESHOW , THERE MAY BE A SLIGHT DELAY IN LOADING THEM … SO PLEASE BE PATIENT
This slideshow requires JavaScript.
Original UK Subs “Warhead” single poster
BELOW…. A SEEMINGLY ORIGINAL AND WELL AGED VINTAGE SEX PISTOLS POSTER SIZED 25.5 INCHES HEIGHT X 14 INCHES WIDTH?? … NOT REALLY SURE OF IT’S ORIGINS. WAS THIS A ONE-OFF BESPOKE POSTER, OR WAS IT A LATER DESIGN TO POSSIBLY INCORPERATE THE LATER USED JAMIE REID SWASTIKA SYMBOL DESIGN ON THE PISTOLS MEMORABILIA ?? I HONESTLY DO NOT KNOW BUT IT’S STILL AN INTERESTING POSTER DESIGN . ????
A BIT CONFUSING FOR ME TOO … AS THE SWASTIKA SYMBOL TO THE BEST OF MY KNOWLEDGE WAS NOT PART OF THE EARLY SEX PISTOLS SYMBOLISM AT THE TIME OF THE RELEASE OF ANARCHY IN THE UK …. CAN’T SEE ANY PURPOSE OF ANYONE WISHING TO FAKE OR DEFACE THIS POSTER EITHER … SO ALL IN ALL A BIT OF AN ODDITY ???.
IF ANYBODY CAN SHED ANY LIGHT ON THE ORIGINS OF THIS POSTER PLEASE DO CONTACT US AT THE JAIL BY PRIVATE MESSAGE
Original CRASS poster
Original signed single by Gene October frontman of great early days punk rock band CHELSEA
ABOVE: SID VICIOUS WITH HIS GIRLFRIEND NANCY SPUNGEN
BELOW IS THE POLICE MUGSHOT OF SID VICIOUS AT THE TIME OF ONE OF HIS MANY ARRESTS , BACK IN 1979, IN NEW YORK , USA.
BELOW … IMAGE OF SID VICIOUS WEARING THESE BIKER BOOTS WHILST PRANCING ABOUT IN PARIS WHILST FILMING A TV DOCUMENTARY .
ABOVE AND BELOW …SID VICIOUS PERFORMING SOLO WEARING THESE LEATHER BOOTS ON WHAT WAS HIS LAST LIVE PERFORMANCE AT MAX’S KANSAS CITY , NEW YORK ON SEPTEMBER 29 1978 … LATER TO BE REPORTED IN THE NME DATED 14 OCTOBER 1978
SID VICIOUS PERFORMING SOLO WEARING THESE LEATHER BOOTS ON WHAT WAS HIS LAST LIVE PERFORMANCES AT MAX’S KANSAS CITY , NEW YORK ON SEPTEMBER 29 1978 … LATER TO BE REPORTED IN THE NME DATED 14 OCTOBER 1978
SID VICIOUS PERFORMING SOLO WEARING THESE LEATHER BOOTS ON WHAT WAS HIS LAST LIVE PERFORMANCES AT MAX’S KANSAS CITY , NEW YORK ON SEPTEMBER 29 1978 … LATER TO BE REPORTED IN THE NME DATED 14 OCTOBER 1978
NME CUTTING DATED 14 OCTOBER 1978 OF SID VICIOUS WEARING THESE BOOTS DURING HIS SOLO GIG AT MAX’S KANSAS CITY GIG … A GREAT RARE CLOSE-UP OF SID’S BOOTS AS WAS LAST WORN BY SID SHORTLY BEFORE HIS ARREST FOR THE MURDER OF HIS GIRLFRIEND NANCY SPUNGEN ON 12 OCTOBER 1978
PURCHASE RECEIPT FOR THE BOOTS … BOUGHT BY ANDY JONES FOR THE CRIME THROUGH TIME COLLECTION AT FRASERS AUCTION HOUSE , LONDON, BACK IN 2000
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
CLOSE UP IMAGE OF SID VICIOUS BOOTS
Above are several images of Sid Vicious most treasured leather biker boots , which he can also be seen wearing in this video of him prancing about in Paris , France . in his alleged suicide note ( many believe that this was actually written by his mother Anne Beverley ) he had requested that he be buried with his leather jacket and these leather biker boots … This was never the case as he was cremated and his ashes were secretly thrown over Nancy’s grave . His mother had subsequently kept his personal clothing last worn by him and later these boots were auctioned off in the year 2000 by Alan Parker through Frasers Auctions , London . Bought by Andy Jones of the Crime Through Time Collection and now on permanent display at Littledean Jail , Forest of Dean, Gloucestershire, UK .
Original painting by Gloucestershire artist Paul Bridgman of Sid Vicious and his girlfriend Nancy Spungen on display in and amongst our Punk Rock Collection here at Littledean Jail.
ABOVE IS SID’S ( NOW WELL AGED ) BIKE CHAIN BRACELET ALONG WITH IMAGE OF HIM WEARING THIS . ALSO HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL .
Sid Vicious, born John Simon Ritchie, later named John Beverley (10 May 1957 – 2 February 1979), was an English bass guitarist, drummer and vocalist, most famous as a member of the influential punk rock band the Sex Pistols, and notorious for his arrest for the murder of his girlfriend, Nancy Spungen.
Vicious joined the Sex Pistols in early 1977, to replace Glen Matlock, who had fallen out of favour with the rest of the group. Due to intravenous drug use, Vicious was hospitalized with hepatitis during the recording of the band’s only studio album Never Mind the Bollocks. Accordingly, his bass is only partially featured on one song from the album. Vicious would later appear as a lead vocalist, performing three cover songs, on the soundtrack to The Great Rock ‘n’ Roll Swindle, a largely fictionalized documentary about the Sex Pistols, produced by the group’s former manager Malcolm McLaren and directed by Julien Temple.
During the brief and chaotic ascendancy of the Sex Pistols, Vicious met eventual girlfriend and manager Nancy Spungen. Spungen and Vicious entered a destructive codependent relationship based on drug use. This culminated in Spungen’s death from an apparent stab wound while staying in New York City‘s Hotel Chelsea with Vicious. Under suspicion of having committed Spungen’s murder, Vicious was released on bail; he was later arrested again for assaulting Todd Smith, brother of Patti Smith, at a night club, and underwent drug rehabilitation on Rikers Island. In celebration of Vicious’ release from prison, his mother hosted a party for him at his girlfriend’s residence in Greenwich Village, which was attended notably by the Misfits bassist Jerry Only.
Vicious’ mother had been supplying him with drugs and paraphernalia since he was young, and assisted him in procuring heroin late that night. Vicious died in his sleep, having overdosed on the heroin his mother had procured.
Less than four weeks after Vicious’ death, the soundtrack album of The Great Rock ‘n’ Roll Swindle was released. Later that year, on 15 December, a compilation of live material recorded during his brief solo career was packaged and released as Sid Sings.
ABOVE IS AN EXCEPTIONALLY SCARCE AND RARE SIGNED BY BOTH PHOTOGRAPH OF SID AND NANCY TOGETHER .
BELOW IS THE ICONIC AND CONTROVERSIAL ALBUM COVER OF THE SEX PISTOLS …” NEVER MIND THE BOLLOCKS HERE’S THE SEX PISTOLS ” THIS BEING A FULLY SIGNED BY THE ORIGINAL PISTOLS LINE UP ON A RARE RUSSIAN VERSION OF THE ALBUM .
Nancy Spungen death and Sid Vicious arrest
Sid Vicious mugshot 9 December 1978
On the morning of 12 October 1978, Vicious claimed to have awoken from a drugged stupor to find Nancy Spungen dead on the bathroom floor of their room in the Hotel Chelsea in Manhattan, New York. She had suffered a single stab wound to her abdomen and appeared to have bled to death. The knife used had been bought by Vicious on 42nd Street and was identical to a “007” flip-knife given to punk rock vocalist Stiv Bators of the Dead Boys by Dee Dee Ramone. According to Dee Dee’s wife at the time, Vera King Ramone, Vicious had bought the knife after seeing Stiv’s. Vicious was arrested and charged with her murder.[He said they had fought that night but gave conflicting versions of what happened next, saying, “I stabbed her, but I never meant to kill her”, then saying that he did not remember and at one point during the argument Spungen had fallen onto the knife
On 22 October, ten days after Spungen’s death, Vicious attempted suicide by slitting his wrist with a smashed light bulb and was subsequently hospitalized at Bellevue Hospital where he also tried killing himself by jumping from a window as well as shouting “I want to be with my Nancy” or other similar words, but was pulled back by hospital staff. In an interview he gave in November 1978, he said that Nancy’s death was “meant to happen” and that “Nancy always said she’d die before she was 21.” Near the end of the interview, he was asked if he was having fun. In reply, he asked the interviewer if he was kidding, adding that he would like to be “under the ground.” It was also at Bellevue that he met his lawyer James Merberg, who did everything he could to keep Vicious out of jail.
This slideshow requires JavaScript.
SID VICIOUS SUICIDE BY OVERDOSE
On the evening of February 1, 1979, a small gathering to celebrate Vicious having made bail was held at the 63 Bank Street, New York apartment of his new girlfriend, Michelle Robinson. Sid and Michelle had started dating in November after Sid was released from Bellevue Hospital the previous October. Vicious was clean, having been on a detoxification methadone program during his time at Rikers Island. At the dinner gathering, however, Sid had some heroin delivered by his friend, English photographer Peter Kodick, against the wishes of Sid’s girlfriend and some other people at the party. It was also during this party that Sid had apparently spent the hours looking towards the future; he had plans for an album he was going to record to get his life and career on track should he be off the hook. Vicious overdosed at midnight, but everyone who was there that night worked together to get him up and walking around in order to revive him. At 3:00 am, Vicious and Michelle Robinson went to bed together. Vicious died in the night and was discovered dead by Anne and Michelle early the next morning.
In his first interview, appearing in the Daily Mirror‘s June 11, 1977 issue, Vicious said “I’ll probably die by the time I reach 25. But I’ll have lived the way I wanted to.”
A few days after Vicious’ cremation, his mother allegedly found a suicide note in the pocket of his jacket:
We had a death pact, and I have to keep my half of the bargain. Please bury me next to my baby. Bury me in my leather jacket, jeans and motorcycle boots Goodbye.
Since Spungen was Jewish, she was buried in a Jewish cemetery. As Vicious was not Jewish, he could not be buried with her. According to the book Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain, Jerry Only of the Misfits drove Anne and her sister, and two of Sid’s friends to the cemetery where Nancy was buried and Anne scattered Sid’s ashes over Nancy Spungen’s grave. In the same book, it is alleged that the cemetery didn’t want to be associated with Vicious and his inherent negative reputation, and it is speculated that this was of greater importance to them than the above stated reason he and Nancy weren’t able to be buried together.
THE ICONIC, TIMELESS….. THEN CONTROVERSIAL , FOUL-MOUTHED , DRUG-FUELLED AND YET STILL BRILLIANT TO WATCH …… 1979 CLASSIC CULT FILM
QUADROPHENIA
HERE’S SOME MORE GREAT INTERACTIVE FOOTAGE FROM THE FILM QUADROPHENIA . A GREAT BRITISH FILM THAT REMAINS AS ICONIC AS WHEN FIRST RELEASED BACK IN 1979 . A GREAT COLLECTIVE CAST LIST …. MANY OF WHOM REMAIN HOUSEHOLD NAMES TODAY …. THEY INCLUDE … RAY WINSTONE , PHIL DANIELS, STING, PHIL DAVIS, LESLIE ASH, TIMOTHY SPALL…ETC ETC…
DO COME VISIT THE QUADROPHENIA COLLECTION HERE AT LITTLEDEAN JAIL IN THE ROYAL FOREST OF DEAN , GLOUCESTERSHIRE ,UK .
PRINT OF THE ORIGINAL PAINTING BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN. THE ORIGINAL PAINTING IS ON DISPLAY AT LITTLEDEAN JAIL
I’M ON MY WAY TO THE QUADROPHENIA EXHIBITION AT LITTLEDEAN JAIL WITH DEAN PARRISH
HERE ON DISPLAY AT THE JAIL WE HAVE THE ORIGINAL “ACE FACE” – GS VESPA SCOOTER AS WAS USED IN THE 1979 ICONIC QUADROPHENIA FILM …. ALONG WITH A 100% REPLICA “JIMMY” … LAMBRETTA SCOOTER BUILT FROM MANY OF THE ORIGINAL PARTS OF THE ORIGINAL SCOOTER AS USED IN THE FILM . CLOTHING , MEMORABILIA AND MUCH MUCH MORE
HERE IS A BRIEF LOOK AT SOME OF THE MANY ORIGINAL SIGNED FILM STILLS FROM SOME OF THE LEADING STARS OF THIS , AT THE TIME … HIGHLY CONTROVERSIAL ICONIC BRITISH FILM . SCROLL DOWN THIS PAGE TO SEE MORE OF THE HUNDREDS OF SIGNED FILM STILLS AND VARIOUS OTHER FILM MEMORABILIA HERE ON DISPLAY AT LITTLEDEAN JAIL’S – QUADROPHENIA COLLECTION .
Don’t worry the original “Ace Face ” GS Vespa Scooter as used in the film and salvaged for posterity is on display here at the jail and is not the one that is seen going over the cliff face and smashed to bits on the rocks below.
Incidently for all Quadrophenia fans out there ….. a total of 5 number “Ace Face” GS Vespa Scooters were built and used in the film….. 3 of which were used for the last scene (going over the cliff) , 1 was written off during filming and destroyed and we have the only surviving scooter that was ridden and used by both the “Ace Face” and “Jimmy” during filming.
WE HAVE ALSO SINCE ADDED “A TASTE OF NORTHERN SOUL DOWN HERE IN THE SOUTH EXHIBITION ” INCLUDING VARIOUS ORIGINAL NORTHERN SOUL MEMORABILIA AND EPHEMERA .
NOT FORGETTING OF COURSE …. OUR “1960’S REVISITED” COLLECTIONS .
A MUST SEE VISITOR ATTRACTION IN IT’S OWN RIGHT FOR ALL QUADROPHENIA FANS, SCOOTER BOYS & GIRLS, MODS, NORTHERN SOUL FANS , TWO-TONE AND SKA FANS, SKINHEADS. REGGAE SKINHEADS AND TAMLA MOTOWN FANS TOO.
LIAM GALLAGHER FORMER FRONTMAN OF OASIS AND NOW BEADY EYE SEEN HERE USING THE ORIGINAL “ACE FACE” GS VESPA AND “HELPLESS DANCER” SCOOTERS FROM THE QUADROPHENIA COLLECTION HERE AT LITTLEDEAN JAIL FOR A PHOTO SHOOT TO LAUNCH HIS PRETTY GREEN CLOTHING RANGE . THE PHOTO SHOOT TOOK PLACE AT BEACHY HEAD , EASTBOURNE AND AT SALTASH LIDO, NEAR BRIGHTON BOTH SCOOTERS USED BEING FROM THE QUADROPHENIA COLLECTION HERE .
This slideshow requires JavaScript.
ABOVE IS A PICTORIAL SLIDESHOW INSIGHT INTO SOME OF THE GREAT MANY DISPLAY ITEMS RELATING TO THE ICONIC 1979 CULT BRITISH FILM -QUADROPHENIA EXHIBITED IN ONE OF THE OUTBUILDINGS HERE AT LITTLEDEAN JAIL . IT INCLUDES A MASS OF ORIGINAL SIGNED FILM STILLS , FILM POSTERS, CLOTHING, ORIGINAL FILM SCRIPT , CLOTHING AND MUCH MORE……..
NOT FORGETTING OF COURSE THE ICONIC ORIGINAL ACE FACE GS VESPA SCOOTER FEATURED IN THE FILM AND OTHER SCOOTERS ETC.
ASIDE FROM THE QUADROPHENIA COLLECTION AND AS AN ADD-ON WE HAVE SINCE INCLUDED ….. “A TASTE OF NORTHERN SOUL DOWN HERE IN THE SOUTH OF ENGLAND” EXHIBITION AREA AS WELL AS FEATURING A 1960’S REVISITED COLLECTION .THIS INCLUDES A MASS OF ORIGINAL SIGNED PHOTOGRAPHS , VINYL RECORDS AND OTHER MEMORABILIA ITEMS
Above : Sue Tilley standing alongside Lucian Freud’s £35.8 Million painting of herself entitled ” Benefit Supervisor Resting”
ABOVE : LEFT TO RIGHT … A PERSONALLY INSCRIBED AND SIGNED PORTRAIT COPY OF THE LUCIAN FREUD PAINTING SOLD FOR £35 MILLION . THE MIDDLE PICTURE SHOWS A BRA OWNED AND WORN BY SUE , THIS BEING COMPLETE WITH HAND DRAWN AND SIGNED “HIS AND HER’S DOODLE SCRIBBLES” ON THE CUPS OF THE BRA . ( NOW POSSIBLY ONE OF THE MOST EXPENSIVE BRA’S IN THE WORLD ????) THIS BRA IS ON PERMANENT DISPLAY HERE AT LITTLDEAN JAIL . ON THE RIGHT IS A PHOTO OF ANDY JONES FROM LITTLEDEAN JAIL WITH SUE AT A LONDON ART EXHIBITION EVENT
Below: Freud’s Painting of a Jobcentre Clerk breaks his record : “Benefits Supervisor Resting” sells at auction for a staggering £35.8 Million
BELOW IS A COPY OF THE ORIGINAL PAINTING PREVIOUSLY INSCRIBED AND SIGNED BY SUE TILLEY FOR DISPLAY AT LITTLEDEAN JAIL
A Lucian Freud painting of a voluptuous Jobcentre clerk has set a world record for the artist by selling for more than £35million.Benefits Supervisor Resting went under the hammer for £35.8million at Christie’s Post-War and Contemporary Art evening sale in Manhattan yesterday.The 1994 painting, which shows 280-pound Sue Tilley sitting naked on a sofa, was sold to London art dealer Pilar Ordovas on behalf of an anonymous buyer.Miss Tilley became Freud’s muse in the early Nineties, posing for £20 a day. Freud, who died in 2011, painted Miss Tilly – who he nicknamed ‘Fat Sue’ – four times.
Benefits Supervisor Sleeping is a 1995 oil on canvas painting by Lucian Freud depicting an obese, naked woman lying on a couch. It is a portrait of Sue Tilley, then weighing about 127 kg, a Job Centre supervisor. Tilley is the author of a biography of the Australian performer Leigh Bowery titled “Leigh Bowery, The Life and Times of an Icon”. Tilley was introduced to Freud by Bowery, who was already modelling for him. Freud painted a number of large portraits of her around the period 1994-96, and came to call her “Big Sue”. He said of her body “It’s flesh without muscle and it has developed a different kind of texture through bearing such a weight-bearing thing”.
The painting held the world record for the highest price paid for a painting by a living artist, of US$33.6 million (£17.2 million). It was sold at Christie’s in New York in May 2008 to Roman Abramovich.
Above: Andy Jones and Sue Tilley at an art exhibition in London .
ABOVE AND BELOW : VARIOUS HAND SIGNED EXHIBIT PIECES FROM SUE TILLEY ON DISPLAY AT THE JAIL , ALONG WITH HER BRA
ABOVE: SUE WITH HER CLOTHES ON
BELOW ARE SOME PHOTOGRAPHS OF A GREAT “TONGUE IN CHEEK” PERSONALLY OWNED AND WORN XXL BRA SIGNED ALONG WITH A HAND DRAWN DOODLE OF A “HIS AND HERS FACE ” …. ALSO HERE ON DISPLAY
SUE TILLEY’S HANDS DRAWN BY HERSELF FOR DISPLAY HERE WHILST SAT DOWN IN AN INDIAN RESTAURANT IN LONDON FOR A MEAL AND CHAT
Benefits Supervisor Sleeping is a 1995 oil on canvas painting by Lucian Freud depicting an obese, naked woman lying on a couch. It is a portrait of Sue Tilley, then weighing about 127 kg, a Job Centre supervisor. Tilley is the author of a biography of the Australian performer Leigh Bowery titled “Leigh Bowery, The Life and Times of an Icon”. Tilley was introduced to Freud by Bowery, who was already modelling for him. Freud painted a number of large portraits of her around the period 1994-96, and came to call her “Big Sue”. He said of her body “It’s flesh without muscle and it has developed a different kind of texture through bearing such a weight-bearing thing”.
The painting held the world record for the highest price paid for a painting by a living artist, of US$33.6 million (£17.2 million). It was sold at Christie’s in New York in May 2008 to Roman Abramovich.
The painting was exhibited twice at Flowers Gallery: 1996: Naked – Flowers East at London Fields 1997: British Figurative Art – Part 1: Painting at Flowers East
Iconic figures that died too young …. some say self inflicted and deservedly so , whilst others would strongly disagree…. including legendary American Grunge rock singer/songwriter & Nirvana frontman – Kurt Cobain are all featured here on display at Littledean Jail alongside our True Crime, Murderabilia, Sleaze & Scandal, The bizarre and the Taboo subject matters .
brilliant track and video of Kurt and the rest of Nirvana performing “Smells like teen spirit “
below is a crime scene picture as featured in the press coverage of the day after his suicide
below is Kurt Cobain’s death certificate
Above Is Kurt’s suicide note and below a printed version
Below is the crime scene illustration
Kurt Donald Cobain (February 20, 1967 – April 5, 1994)[2][3] was an American singer-songwriter, musician and artist, best known as the lead singer and guitarist of the grunge band Nirvana. Cobain formed Nirvana with Krist Novoselic in Aberdeen, Washington in 1985 and established it as part of the Seattle music scene, having its debut album Bleach released on the independent record label Sub Pop in 1989.
After signing with major label DGC Records, the band found breakthrough success with “Smells Like Teen Spirit” from its second album Nevermind(1991). Following the success of Nevermind, Nirvana was labeled “the flagship band” of Generation X, and Cobain hailed as “the spokesman of a generation”.[4] Cobain, however, was often uncomfortable and frustrated, believing his message and artistic vision to have been misinterpreted by the public, with his personal issues often subject to media attention. He challenged Nirvana’s audience with its final studio album In Utero (1993).
During the last years of his life, Cobain struggled with heroin addiction, illness and depression. He also had difficulty coping with his fame and public image, and the professional and lifelong personal pressures surrounding himself and his wife, musician Courtney Love. On April 8, 1994, Cobain was found dead at his home in Seattle, the victim of what was officially ruled a suicide by a self-inflicted shotgun wound to the head. The circumstances ofhis deathat age 27 have become a topic of public fascination and debate. Since their debut, Nirvana, with Cobain as a songwriter, has sold over 25 million albums in the U.S., and over 50 million worldwide.[5][6]
Seattle police known to be at the scene were:
Capt. Larry Farrar
Lt. George Marberg, Lt. Al Gerdes, Lt. Ziminsky
Sgt. Don Cameron, Sgt. Jeff Getchman
Det. Jim Yoshida, Det. Steve Kirkland
Off. Joe Fewel, Off. Von Levandowski King County Medical Examiners:
Investigator Dave Delgado
Dr. Nick Hartshorne, Dr. Donald Raey
Officers who were present made very little effort to preserve the scene and document it thoroughly; arriving at 9:50am the scene was secured by 11:55am. Perhaps this was corruption or incompetence without intent, either way its negligence. These reports of the scene are clearly based on fact but inaccuracies fill the holes; inaccuracies that paint a suicidal environment.
“Nowhere in the police handling of the scene will you find any indication that the detectives were there to do anything but write up a report on the death and then get out of there… No standard
forensics testing such as fingerprint, footprint, fiber sampling, etcetera, was done at the scene.Homicide detectives were apparently willing to entertain no notion but that this was a suicide.” –Richard Lee – “No evidence, it seems, is needed to close a case of alleged self-murder.”
From the limited visual view and description the greenhouse appears clinical and does not corroborate with what Dylan Carlson and others have said; “It’s just a dirty little room.” Along with Dylan’s other statement – “I’ve never seen the house this clean before,” these testimonies lead to the suspicion of an intently ‘swept’ crime scene, a fundamental observation in every investigation implying a more complicated scenario.
Nikolas Hartshorne: “The fact that there was a suicide note left at the scene, point one. Point two: the weapon is still at the scene and point three: the nature of the injury. This was a contact shotgun wound to the mouth that required the gun to be against the decedent’s chest and with this information makes it a classic textbook example of suicide.” (VH1 Confidential) Point one – when the authenticity of the suicide note is later questioned, Hartshorne claims one factor he pronounced as being a reason in the conclusion of suicide is now “irrelevant.”
Point two and three – its logical to suggest that in the reconstruction of a ‘textbook’ suicide the perpetrate[s] would manipulate the crime scene fabricating the essentials, and certainly in this scene all the artifacts are ideally placed. This is no basis at all to conclude a verdict of suicide without consideration of other variables and inconsistencies present. – ‘The perfect assassination looks like suicide’
3D Crime Scene Diagram
This model is not to scale, it is directly deduced from the information provided in the police reports documenting where items were located. Polaroid and 35mm cameras were used to document the scene. The films have never been developed, and to a much lesser extent the polaroids never released – “We don’t develop photographs on suicides.” Sgt. Cameron.
Therefore the only discernible information about the crime scene is from police reports and witness accounts.(Click on the diagram for an enlarged view, please discern the fact this diagram does not take into account the pitched roof).
Excerpt from the Follow Up Report:
The significance of the shotgun being inverted (trigger and magazine trap door pointing up) is that it places the ejection port (where the spent shell is ejected from when fired) to Kurt’s right(south). Yet the spent shell was documented as being found to Kurt’s left (north). Why? Visual 3D Reference
This scenario seems to defy the physics of when a gun is fired, the trappings of assimilation with some fundamental errors; It is to be believed the shotgun rotated 180° (while remaining in Kurt’s left hand which was found clutching the barrell, due to rigor), and also remained ideally positioned, resting parallel on Kurt’s chest directed toward his chin. Keep this in mind – “The barrel of this shotgun retracts 3” as it automatically loads the next shell into the chamber.” – (Tom Grant, p.38)
On a side related issue, in this picture it’s possible to presumably see the butt of the shotgun between Kurt’s legs as stated in the police reports.
_______________________________________________________________________________
THE NOTE LOCATION:
“Gary Smith, who happens to be a journeyman electrician with no alcohol or drugs or criminal record in his background, also reports that a note was clearly visible by the body, so clear that he could read: “I Love You… I Love You” through the french windows. When the details filtered out to the press it seemed as if Kurt had placed the note in a planter box with a pen stuck through it (as reflected in the police reports). In reality the police photographer moved it across the room to get a better shot of it and failed to photograph it in it’s exact original position near the body.”
– A passage taken from Hank Harrison’s book, Beyond Nirvana, p54.
This apparently originates from conversation between Grant and Smith, which Grant later divulged to Harrison.
The importance being Smith’s testimony is an eye witness illustration of police tampering with material evidence.
_______________________________________________________________________________
MISINFORMED SUICIDAL TRAITS:
Although these factors all seem small, they were widely proliferated around the death of Kurt and had an impact by misleading people to draw conclusions as to what had happened on false facts.
1.) Namely the positioning of a stool. It was reported at the time Kurt had barricaded himself inside the room: Police narrative: “There are stairs on the west side leading to the french door entry and another set of french doors on the east side which lead to a balcony. These doors are unlocked and closed but there is a stool with a box of gardening supplies on it in front of the door.” – “Off. Levandowski observed the french doors at the opposite end of the room were blocked by a stool; preventing access.”
This factor should have been of little relevance, the stool was only sitting infront of an unlocked set of doors that led to a balcony. Not only that, but the eastern french doors open outwards onto the balcony, this makes the notion of a barricade (suggesting nobody could leave) completely irrelevant; an assailant could exit and draw the stool up close to the door before shutting it.
The west entrance french doors were not blocked; Although locked, this was a simple twist lockwhich can be locked prior to leaving. Tom Grant’s explanation
April 15th, Grant met with Sgt. Cameron to discuss his suspicions and mentioned the lock on the western door does not qualify in concluding Kurt was alone, to which Cameron replied – “There was a stool wedged up against the door” – False. The misconstrued media myth of a barricade prevailed.
2.) A recognised mannerism in violent suicide is to leave a form of identification readily available. It was reported by the media that Kurt had infact left his wallet open displaying his drivers license. This is completely untrue, in reality the closed wallet was opened by an officer – “SFD asked for I.D. from the nearby wallet, and I opened the wallet which was within a couple of feet of the victims body. Inside I found a Washington state drivers license in the name of Cobain, Kurt Donald DOB/022067″.
3.) Reports documenting a crime scene should be described factually, without bias and final conclusions. In this case it obviously wasn’t; the note left at the scene was claimed to incite suicide and was written to Courtney and Frances explaining “why he had killed himself”. These remarks were pronounced before a clear evaluation could have been made and were taken as fact.
These small points which indicate manipulation of the factual crime scene were leaked to the hungry media and deceptively confirmed this as a suicide in retrospect.
_______________________________________________________________________________ BLOOD POOL?
According to police reports there was “obvious trama” to the head but no exit wound, resulting in“a large drying puddle of blood to the left of the victim.”– Was the volume of blood ever seriously evaluated in relation to the nature of the injury? Gary Smith who initially mistook the body for a mannequin because it looked so neat only realised the situation when he noticed blood in the right ear. Does this picture sound feasible for a shotgun wound to the head suicide? Clearly we have no pictures that display whether the pool was sufficient or non-sufficient for the type of wound made this is merely an assumption based upon Smith’s perception.
In the case of a gunshot wound to the head the wound continues to issue copious amounts of blood for a short period due to the autonomic function of the heart. There are other factors this is reliant upon such as the angle of the shot, all of which we do not yet know, inclusive of the autospy report.
This is best demonstrated by Bud Dwyer, who committed suicide on camera during a press conference (viewer discretion is advised, this is vivid imagery). The comparative lack of blood for this type of trauma is an indication that the gunshot might have been administered post-mortem, the heart had already stopped; the result of a lethal dosage of heroin, and possibly blood coagulation already begun. The supposition that no exit wound would result in a lack of blood is false, as seen in Bud Dwyer’s case the exit wound is irrelevant to the volume of blood lost. In addition the destruction to the palette of the mouth would be comparatively larger when factoring in a shotgun.
This scenario would either assume corruption on the part of the medical examiner who performed the autospy; Nikolas Hartshorne, or severe incompetence, as the picture is very different if a wound is delivered post death. The question being could the perpetrate[s] foreshadow a non-investigation by the police unless they knew someone had the power to cover it up beforehand?
It is very possible the shotgun wound was administered while Kurt was under sedation, in this case the cause of death would be a perforating shotgun wound to the mouth.
Just something to consider…
_______________________________________________________________________________
MISCELLANEOUS:
Contents of Cigar Box “The cigar box contained narcotics paraphernalia (syringes, burnt spoons, cotton, and small pieces of what looks like black tar).”
Featured in the picture is the open Tom Moore Cigar Box, along with the wallet and towels
Contents of Kurts front pant pockets:
• $63
• a piece of note paper with “Seattle Guns, 145 & Lake City” written on it. Another note which read; “Remington 20 gauge, 2 3/4 shells or shorter, set up for light load, 1088925.”
• an address book and miscellaneous papers.
• a copy of a Delta plane ticket, #788F. Dated 4/1/94, seat 2F, in the name of Cobain/Kurt. Pocket of the brown corduroy jacket:
• Receipt for the purchase of the Remington 20 gauge shotgun dated 3/30/94.