DARK TOURISM HERE IN THE UK AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, FOREST OF DEAN, GLOUCESTERSHIRE, UK … FROM THE HANDS OF DEATH, EVIL BRITISH SERIAL KILLER – PETER SUTCLIFFE aka ” THE YORKSHIRE RIPPER”. AS PREVIOUSLY FEATURED IN THE NATIONAL NEWSPAPERS

 

 

 

DEEMED TO BE A BRUTISH  CRIME MUSEUM, TOUCHING UPON TRUE CRIME , MURDERABILIA, MAIMERABILIA, POLITICAL INCORRECTNESS,  SLEAZE, SCANDAL, THE BIZARRE AND THE TABOO …….

WHAT ON EARTH DO VISITORS EXPECT TO SEE HERE ON DISPLAY ANYWAY?

CONTRARY TO SOME PEOPLES PERCEPTION ……THE  CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL DOES NOT  GLORIFY OR CONDONE THE MANY EVIL MONSTERS WE TOUCH UPON AND FEATURE HERE . FURTHERMORE WE HOPEFULLY PROVIDE VISITORS WITH A PSYCHOLOGICAL AND EDUCATIONAL INSIGHT INTO THE MINDS OF ALL THOSE THAT WE FEATURE HERE ON DISPLAY 

THE CONTENT WE FEATURE IS IN THE MAIN HORRIFIC, GRAPHIC, AND EXPLICIT AND TOUCHES UPON A GREAT MANY SENSITIVE SUBJECT MATTERS AND AS SUCH IS NOT, AND SHOULD NOT BE PRESENTED IN A PLEASANT WAY EITHER.

AS WE REPEATEDLY SAY TO ALL POTENTIAL VISITORS …… PLEASE DO AVOID IF EASILY OFFENDED, DISTURBED  OR OF A SENSITIVE NATURE .

WHILST WE DO ALLOW CHILDREN INTO OUR ESTABLISHMENT… THIS IS SOLELY AT THE DISCRETION OF THEIR  PARENTS OR GUARDIANS . WE ARE AN X-RATED ATTRACTION AND DO NOT ENCOURAGE  CHILDREN BUT CANNOT  STOP THEIR GUARDIANS  FROM BRINGING THEM WITH THEM IF THEY SO WISH

A unique original hand drawn and signed  charcoal self portrait by Peter Sutcliffe – The Yorkshire Ripper , drawn whilst incarcerated at Broadmoor Hospital . It is signed PWS , which is initials for Peter William Sutcliffe  . On display at The Crime Through Time Collection , Littledean Jail , Gloucestershire , UK

 

Peter Coonan (born Peter William Sutcliffe, 2 June 1946) is an English serial killer who was dubbed the “Yorkshire Ripper” by the press. In 1981, Sutcliffe was convicted of murdering thirteen women and attempting to murder seven others.Sutcliffe had regularly used the services of prostitutes in Leeds and Bradford. His outbreak of violence towards them seems to have occurred because he was swindled out of money by a prostitute and her pimp but he claimed, when interviewed by authorities, that the voice of God had sent him on a mission to kill prostitutes.Sutcliffe carried out his murder spree over five years, during which the public were especially shocked by the murders of women who were not prostitutes. After his arrest for driving with false number plates in January 1981, the police questioned him about the killings and he confessed that he was the perpetrator.At his trial, he pleaded not guilty to murder on grounds of diminished responsibility, owing to a diagnosis of paranoid schizophrenia; but the defence was rejected by a majority of the jury. He is serving twenty concurrent sentences of life imprisonment. Following his conviction, Sutcliffe began using his mother’s maiden name and became known as Peter William Coonan

ABOVE AND BELOW  … ORIGINAL PAINTING BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN

Below :A unique original oil painting on canvas dated and signed in 1993  by Peter Sutcliffe – The Yorkshire Ripper , painted by him whilst incarcerated at Broadmoor Hospital . It is signed PWS , which is initials for Peter William Sutcliffe  . On display at The Crime Through Time Collection , Littledean Jail , Gloucestershire , UK

BELOW ARE VARIOUS  IMAGES OF PETER SUTCLIFFE  INCLUDING A RECENT 2015 IMAGE TAKEN AT BROADMOOR , WHERE HE IS STILL IMPRISONED .

Above and below: A brief psychological insight into the mind of British serial killer Peter Sutcliffe AKA ” The Yorkshire Ripper ” through his handwritten poetry

PETER SUTCLIFFE 2015

THE SUN ON SUNDAY 02ND SEPTEMBER 2012 FEATURES THE YORKSHIRE RIPPER EXHIBITION AS ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL. 

AN EXHIBITION THAT SIMPLY PROVIDES A GLIMPSE INTO THE CUSHY  LIFE OF LUXURY AND PASTIME PLEASURES ENJOYED BY ONE OF THE UK’S MOST EVIL MONSTERS … PETER SUTCLIFFE

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—————————————————————————————————-THE DAILY MAIL  ALSO FEATURES THE EXHIBITION IN THEIR ONLINE EDITION ON THE 03RD SEPTEMBER 2012

Chilling insight into the Yorkshire Ripper’s world: Never before seen prison possessions of killer Peter Sutcliffe go on public display

By DAILY MAIL REPORTER

PUBLISHED: 00:06, 3 September 2012 | UPDATED: 10:29, 3 September 2012

They offer a chilling glimpse into the dark world of Yorkshire Ripper Peter Sutcliffe – and a insight into the mind of his twisted admirer.

Unseen personal collection of prison possessions belonging to the notorious serial killer have been put on public display for the first time – including handwritten love-letters from a besotted female pen-pal.

The items present a bizarre and pathetic picture of a killer scribbling desperate love-letters to his hypnotherapist and stripper pen pal, Sandra Lester, listening to 1980’s Eurythmics songs such as ‘Better to have Lost in Love’ and ‘I Can’t Stand it’, and reggae classic love songs.

Besotted: Sandra Lester sent this photograph to Peter Sutcliffe with a handwritten note asking the killer to ‘please accept my apologies for the delay’

Smut: The personal items includes a business card of Sandra Lester that she sent to killer Peter Sutcliffe which is now on display at Littledean Jail in Gloucestershire

Sutcliffe’s letters to Lester, who was also an escort girl and glamour model, were written from May 1993 to September that year.

The correspondence only ended, according to Lester – after Sutcliffe asked her to marry him and she rejected him.

The beast referred to their correspondence as his ‘Cloud nine’ letters and Lester as his ‘Sweet Potato’.

Pen pals: The illustrated letters from Peter Sutcliffe to his friend and confident Sandra Lester for part of the collection of personal items on display

Ramblings of a serial killer: Sutcliffe started this letter ‘Dearest Sandra’ and went on to thank her for her ‘enjoyable letter, sweetheart’ in the long, rambling correspondence

Revelations: According to his letters Sutcliffe’s favourite colours were: ‘turquoise, purple, emerald green and yellow. I like red but only in small amounts…as in large quantities it can be overpowering’

 

Flattery: Sutcliffe was complimentary about Sandra saying in this letter how she was ‘endearingly funny’

The cold-hearted killer joked about building a helicopter and ‘weaving a magic carpet’ to fly away on.

The letters also reveal how he fantasised about Lester and him running away together and living on a desert island or flying on a balloon over Africa’s tallest mountain, Kilimanjaro.

Sutcliffe told Lester that he had turned his hospital room into to a shrine to her, with pictures of her on display.

Sutcliffe appeared to encourage Lester’s attempts to introduce him to hypo-therapy via video tape recordings: ‘I played both videos (you sent me) over and over again, they’re a big help. I can feel a change for the better.’

Among the unseen items are cassette tapes showing the murderer’s feel-good musical tastes, a gloomy landscape oil painting signed with the initials PWS (Peter William Sutcliffe), a prison radio and desk lamp are all now displayed at the crime museum at Little Dean Jail, Gloucestershire.

After a 1970’s reign of terror in northern English cities including Leeds and Bradford, monster Sutcliffe was arrested and finally convicted in May 1981 of murdering 13 women, many of them sex workers, using a rope, knife and hammer – and attacking a further seven female victims.

Insight: The display includes items used by Peter Sutcliffe while at Broadmoor Secure Mental Hospital

Marked by a killer: The Yorkshire Ripper Peter Sutcliffe clearly marks his music tapes – including Reggae Love Songs, left, and the Eurythmics’ Feminine Touch album, right – with his initial P.W.S

Enlarge 

Mix tape of a serial killer: Cassette tapes reveal the murderer’s musical tastes

Sentenced to life imprisonment and sent to Broadmoor high security hospital for Britain’s most disturbed patients where he still languishes there half-blind thanks to repeated attacks by fellow inmates – this previously unseen collection of items sheds new light on how killer Sutcliffe has spent his time in captivity.

According to his letters Sutcliffe’s favourite colours were: ‘turquoise, purple, emerald green and yellow. I like red but only in small amounts…as in large quantities it can be overpowering.’

Sutcliffe’s letters showed he had a love of wildlife programmes. The murderer and rapist revealed his fondness for bee keeping, referring to them as ‘marvellous wee creatures.’

Ostriches were ‘absolutely beautiful wonderful creatures.’ His favourite dog was a spaniel as they were: ‘a good natured dog and so very loyal.’

The nightmare images of 16th century Dutch artist Hieronymus Bosch, which depicts people being graphically tortured in hell, were ‘weird…but fascinating’ according to Sutcliffe.

He repeatedly requested Lester to send his pictures by surrealist painter Salvador Dali.

Sutcliffe’s favourite classical music was produced by legendary German composer Wolfgang Mozart and he described the music of Mozart’s symphony 41 as ‘pure genius’.

Crude: An oil painting by Peter Sutcliffe has his signature PWS on the bottom right corner

Looking for laughter: Sutcliffe was obviously a fan of Hancokck’s Half Hour, adding some of the comedian’s BBC’s shows to his collection of tapes

Prison art: An oil painting by Sutcliffe is signed with the initials PWS (Peter William Sutcliffe)

Keeping in contact: Serial killer Peter Sutcliffe had this old Roberts radio to maintain contact with the outside world

Possessive: Sutcliffe put his initials on nearly all his belongings – including inside his prized Roberts radioDespite complaining of being ‘drugged’ by members of staff at Broadmoor Hospital, Sutcliffe showed off his physical prowess to Lester, declaring that he completed 15miles on the communal exercise bike each day and had a body, ‘as strong as stainless steel’.

He even penned a threat to one female psychiatrist when complaining of how lethargic the medicines she was prescribing for Sutcliffe’s schizophrenia, saying he would tell her about it: ‘when I seize her – tee hee (sic).’

On show: An old Roberts radio used by Peter Sutcliffe after he changed his name to Peter Coonan is now displayed at Littledean Jail, Gloucestershire

At the end of his letters to Lester, Sutcliffe would sign off by gushing his gratitude across the page: ‘Thank you dearly for your soopa doopa exquisitely utopian lovely letter.’

Other items include Sutcliffe’s radio, a cassette of radio legend Tony Hancock’s hugely popular comedy sketch show, ‘Hancock’s Half Hour’.

The Crime through Time Museum at Little Dean Jail, Gloucestershire is home to memorabilia relating to some of Britain’s most notorious murderers and criminals.

Crime through Time curator Andy Jones said: ‘We are Britain’s most politically incorrect visitor attraction.’

‘The museum contains material that is unsuitable for families, including taboo and very scandalous subjects.

‘We do not glorify crime or murder and none of the items are collected for profit through sales.

‘We take great care to inform all potential visitors of what to expect to see.

‘It is not for families and people who are easily offended, disturbed or of a sensitive nature are strongly advised not to visit.’

All items on display have been authenticated by Sutcliffe’s brother, Carl Sutcliffe.

Glimpse into Sutcliffe’s cell: An old lamp used by Peter Sutcliffe while at Broadmoor Secure Mental Hospital is now displayed at Littledean Jail, Gloucestershire

Signed: The old lamp bears Sutcliffe’s initials and name, his prisoner number and ward name

Read more: http://www.dailymail.co.uk/news/article-2197324/Chilling-insight-Yorkshire-Rippers-world-Never-seen-prison-possessions-killer-Peter-Sutcliffe-public-display.html#ixzz25aYNAwPJ

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A BRIEF INSIGHT INTO THE UK’S ONLY QUADROPHENIA COLLECTION, 1960’S REVISITED ” A TASTE OF NORTHERN SOUL DOWN HERE IN THE SOUTH EXHIBITION” AND BEYOND HERE AT LITTLEDEAN JAIL, ROYAL FOREST OF DEAN, GLOUCESTERSHIRE, UK

THE ICONIC, TIMELESS….. THEN CONTROVERSIAL , FOUL-MOUTHED , DRUG-FUELLED AND YET STILL BRILLIANT TO WATCH …… 1979 CLASSIC CULT FILM

   QUADROPHENIA

HERE’S SOME MORE GREAT INTERACTIVE FOOTAGE FROM THE FILM QUADROPHENIA . A GREAT BRITISH FILM THAT REMAINS AS ICONIC AS WHEN FIRST  RELEASED BACK IN 1979 . A GREAT COLLECTIVE CAST LIST …. MANY OF WHOM REMAIN HOUSEHOLD NAMES TODAY …. THEY INCLUDE … RAY WINSTONE , PHIL DANIELS, STING, PHIL DAVIS, LESLIE ASH, TIMOTHY SPALL…ETC ETC…

DO COME VISIT THE QUADROPHENIA COLLECTION HERE AT LITTLEDEAN JAIL IN THE ROYAL FOREST OF DEAN , GLOUCESTERSHIRE ,UK .

PRINT OF THE ORIGINAL PAINTING BY GLOUCESTERSHIRE ARTIST PAUL BRIDGMAN. THE ORIGINAL PAINTING IS ON DISPLAY AT LITTLEDEAN JAIL

I’M ON MY WAY TO THE QUADROPHENIA EXHIBITION AT LITTLEDEAN JAIL WITH DEAN PARRISH

 

HERE ON DISPLAY AT THE JAIL WE HAVE THE ORIGINAL “ACE FACE” – GS VESPA SCOOTER AS WAS USED IN THE 1979 ICONIC QUADROPHENIA FILM …. ALONG WITH A 100% REPLICA “JIMMY” … LAMBRETTA SCOOTER BUILT FROM MANY OF THE ORIGINAL PARTS OF THE ORIGINAL SCOOTER AS USED IN THE FILM . CLOTHING , MEMORABILIA  AND MUCH MUCH MORE 

HERE IS A BRIEF LOOK AT SOME OF THE MANY ORIGINAL SIGNED FILM STILLS  FROM SOME OF THE LEADING STARS OF THIS , AT THE TIME … HIGHLY CONTROVERSIAL ICONIC BRITISH FILM . SCROLL DOWN THIS PAGE TO SEE MORE OF THE HUNDREDS OF SIGNED FILM STILLS AND VARIOUS OTHER FILM MEMORABILIA HERE ON DISPLAY AT LITTLEDEAN JAIL’S – QUADROPHENIA COLLECTION .

Don’t worry the original “Ace Face ” GS Vespa Scooter as used in the film and salvaged for posterity is on display here at the jail and is not the one that is seen going over the cliff face and smashed to bits on the rocks below.

Incidently for all Quadrophenia fans out there ….. a total of 5 number “Ace Face” GS Vespa Scooters were built and used in the film….. 3 of which were used for the last scene (going over the cliff) , 1 was written off during filming and destroyed and we have the only surviving scooter that was ridden and used by both the “Ace Face” and “Jimmy”  during filming.

WE HAVE ALSO SINCE ADDED “A TASTE OF NORTHERN SOUL DOWN HERE IN THE SOUTH EXHIBITION ” INCLUDING VARIOUS ORIGINAL NORTHERN SOUL MEMORABILIA AND EPHEMERA .

NOT FORGETTING OF COURSE …. OUR “1960’S REVISITED” COLLECTIONS .

A MUST SEE VISITOR ATTRACTION IN IT’S OWN RIGHT FOR ALL QUADROPHENIA FANS, SCOOTER BOYS & GIRLS, MODS, NORTHERN SOUL FANS , TWO-TONE AND SKA FANS, SKINHEADS. REGGAE SKINHEADS AND TAMLA MOTOWN FANS TOO.

LIAM GALLAGHER FORMER FRONTMAN OF OASIS  AND NOW BEADY EYE SEEN HERE USING THE ORIGINAL “ACE FACE” GS VESPA  AND “HELPLESS DANCER” SCOOTERS  FROM THE QUADROPHENIA COLLECTION HERE AT LITTLEDEAN JAIL FOR A PHOTO SHOOT TO LAUNCH HIS PRETTY GREEN CLOTHING RANGE . THE PHOTO SHOOT TOOK PLACE AT BEACHY HEAD , EASTBOURNE AND AT SALTASH LIDO, NEAR BRIGHTON BOTH SCOOTERS USED BEING FROM THE QUADROPHENIA COLLECTION HERE .

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ABOVE  IS A PICTORIAL SLIDESHOW INSIGHT INTO SOME OF THE GREAT MANY DISPLAY ITEMS RELATING TO THE ICONIC 1979 CULT BRITISH FILM -QUADROPHENIA EXHIBITED IN ONE OF THE OUTBUILDINGS HERE AT LITTLEDEAN JAIL . IT INCLUDES A MASS OF ORIGINAL SIGNED FILM STILLS , FILM POSTERS, CLOTHING, ORIGINAL FILM SCRIPT , CLOTHING AND MUCH MORE……..

NOT FORGETTING OF COURSE THE ICONIC ORIGINAL ACE FACE GS VESPA SCOOTER FEATURED IN THE FILM AND OTHER SCOOTERS ETC.

ASIDE FROM THE QUADROPHENIA COLLECTION AND AS AN ADD-ON WE HAVE SINCE INCLUDED ….. “A TASTE OF NORTHERN SOUL DOWN HERE IN THE SOUTH OF ENGLAND” EXHIBITION AREA AS WELL AS FEATURING A 1960’S REVISITED COLLECTION .THIS INCLUDES A MASS OF ORIGINAL SIGNED  PHOTOGRAPHS , VINYL RECORDS AND OTHER MEMORABILIA ITEMS

NOTORIOUS AMERICAN KILLER CLOWN AND RAPIST JOHN WAYNE GACY. ALSO KNOWN AS POGO THE CLOWN. HE MURDERED AT LEAST 33 TEENAGE BOYS AND YOUNG MEN AND WAS EXECUTED BY LETHAL INJECTION IN 1994 .

DARK TOURISM HERE IN THE UK – WHERE GOOD AND EVIL COLLIDE & WHERE FANTASY MEETS REALITY .

TRUE CRIME , MURDERABILIA, WITCHCRAFT, SATANISM AND THE OCCULT …. IT’S ALL HERE AND MUCH MORE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL, FOREST OF DEAN , GLOUCESTERSHIRE , UK .

John Wayne Gacy, Jr. (March 17, 1942 – May 10, 1994), also known as the Killer Clown, was an American serial killer and rapist. He sexually assaulted and murdered at least 33 teenage boys and young men between 1972 and 1978 in Cook County, Illinois.

ABOVE: Original painting by Gloucestershire artist Paul Bridgman of John Wayne Gacy on display at Littledean Jail .

All of Gacy’s known murders were committed inside his Norwood Park, Illinois home. His victims would typically be lured to this address by force or deception, and all but one victim were murdered by either asphyxiation or strangulation with a tourniquet (his first victim was stabbed to death). Gacy buried 26 of his victims in the crawl space of his home. Three further victims were buried elsewhere on his property, while the bodies of his last four known victims were discarded in the Des Plaines River.

Convicted of 33 murders, Gacy was sentenced to death for 12 of these killings on March 13, 1980. He spent 14 years on death row before he was executed by lethal injection at Stateville Correctional Center on May 10, 1994.

Above: Police mugshots of John Wayne Gacy .

Gacy became known as the “Killer Clown” due to his charitable services at fundraising events, parades, and children’s parties where he would dress as “Pogo the Clown”, a character he devised himself.

BELOW : Various exhibit items to include one of Gacy’s “Pogo The Clown ” suits , handwritten and signed correspondence , a hand painting and various other memorabilia, all of which is on display here at The Crime Through Time Collection , Littledean Jail , Forest of Dean , Gloucestershire, UK .

ABOVE AND BELOW : One of  John Wayne Gacy’s  original worn clown suits. There are two other known Gacy clown suits on display  at The National Museum of Crime , Washington DC , USA .

BELOW: picture of 2 other Gacy clown suits, on display at The National Museum of Crime, Washington DC ….. Previously owned ( not sure if he still owns them )  by Jonathan Davis, lead singer of American Heavy Metal Band “Korn .”

ABOVE: John Wayne Gacy pictured in jail, so say,  shortly before his execution by lethal injection

 

 

NETFLIX UK DARK TOURIST ATTRACTION HERE AT THE CRIME THROUGH TIME COLLECTION, LITTLEDEAN JAIL, FOREST OF DEAN, GLOUCESTERSHIRE, GL14 3NL. THE SINISTER & DISTURBING SIDE OF MENTAL TRAUMA AND PSYCHIATRIC TREATMENT USED ON A GREAT MANY LOST SOULS IN MENTAL ASYLUMS, MENTAL HOSPITALS & HOUSES OF CORRECTION …..VERY SAD, TRAUMATIC AND THOUGHT PROVOKING FOR SURE !!!

Built in 1791… Littledean Jail was a former House of Correction, Court House, Police Station and is now home to The Crime Through Time Collection . 

 

HERE IS A BRIEF INTERACTIVE, HOPEFULLY EDUCATIONAL  VIDEO AND PICTORIAL INSIGHT INTO SOME OF THE VERY THOUGHT PROVOKING  ELECTROCONVULSIVE THERAPY TREATMENT (ECT) .. USED ON PATIENTS HOUSED IN LUNATIC AND MENTAL ASYLUMS . BOTH HERE IN THE UK AND WORLDWIDE FROM THE VICTORIAN ERA THROUGH TO THE 1960’S . ALL OF  WHICH  WE FEATURE HERE ON DISPLAY AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL .

 

ORIGINAL 1930’s LEATHER BODY BELT COMPLETE WITH WRIST RESTRAINTS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UKKK

 

ORIGINAL 1930’s LEATHER BODY BELT COMPLETE WITH WRIST RESTRAINTS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UK

ORIGINAL 1930’s LEATHER BODY BELT COMPLETE WITH WRIST RESTRAINTS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UK

ORIGINAL 1930’s LEATHER RESTRAINT STRAPS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UK

ORIGINAL 1930’s LEATHER RESTRAINT STRAPS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UK

ORIGINAL 1930’s LEATHER RESTRAINT STRAPS ACQUIRED FROM THE NOW CLOSED MONICA BRITTON MUSEUM COLLECTION AT FRENCHAY HOSPITAL , BRISTOL AND NOW ON DISPLAY HERE AT THE CRIME THROUGH TIME COLLECTION , LITTLEDEAN JAIL , GLOUCESTERSHIRE, UK

ABOVE IS A VERY RARE “GLOUCESTER MENTAL HOSPITAL ” – METROPOLITAN WHISTLE DATING BACK TO THE EARLY 1920’S AS WAS USED BY THE CHIEF WARDEN IN THE INFAMOUS HORTON ROAD MENTAL ASYLUM , GLOUCESTER . USED PRIMARILY AS A FORM OF ALARM … PARTICULARLY SHOULD THEIR BE CAUSE FOR CONCERN WITH THE PATIENTS .

 

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The History of the Asylum

This section has been written to ammend the previous history pages of the Asylum, which were in desperately in need of replacing. The Victorian Asylum is a system that has long gone and it is doubtful that such a system will exist again. This section is dedicated to a building system that is now defunct and disappearing fast, planning mix ups and the will of the establishment to abolish the system have prevailed. We don’t hope to cover everything, or answer all your questions.  But this should hopefully answer a few questions you may have. Please note, any phrases used within this page is used within its historical context.

How did the Asylums come about?

The first recorded Lunatic Asylum in Europe was the Bethlem Royal Hospital in London, it has been a part of London since 1247 when it was built as a priory. It became a hospital in 1330 and admitted its first mentally ill patients in 1407. Before the Madhouse Act of 1774, treatment of the Insane was carried out by non-licensed practitioners, who ran their “Madhouses” as a commercial enterprise and with little regard for the inmates. The Mad House act established the licensing required to house insane patients, with yearly inspections of the premises taking place. In 1792, the York Retreat was set up by William Tuke. This was the first establishment in the UK to treat their patients as human beings and offer a therapeutic setting for them. Mechanical restraints were discontinued and work and leisure became the main treatment. In 1808, the County Asylum Act was passed, which allowed counties to levy a rate in order to fund the building of County Asylums. The intention was to remove the insane from within the Work Houses and provide them with more a sufficient and dedicated care system. However, due to the Act deficiencies, only 20 County Asylums were built around the country.

How did the mass construction come about?

Due to deficiencies of the 1808 Act, counties did not begin mass construction of Asylums throughout the country. It was not until the passing of the County Asylum / Lunacy Act in 1845 did the construction begin to take hold. Due to a change in the law, Counties were legally obliged to provide Asylum for their Lunatics. This Act, based on the work of John Conolly and Lord Shaftsbury saw the lunatics being treated as Patients and not prisoners.  It also took into account the moral treatment pioneered by William Tuke and saw the care of the lunatics being funded by the individual County. During this time, the Asylums become vastly overcrowded and rapid expansion of the ensued. Between the passing of the act and 1890, when the next act was passed, over 60 Asylums were built and opened (A further 40 were opened after this date).

What was it like for the Patients?

Without a time machine, it is hard to say! In all honesty, it varied depending on which era you looked at, conditions were ever changing. The most notable condition for the patients was the segregation of the sexes. It was not until the early 20th century that the sexes were allowed to mix, albeit they still slept in same sex wards. Patients lived within the confines of the hospital, privacy was minimal. Wards were able to house up to 50 patients, in very close proximity and little personal space. The daily regime was strictly regimented, with little room for variation and often under the watchful eye of staff. During the early years of the Asylums, wards were locked and security was kept high as attendants were fined for every patient that escaped on their watch. As the years passed, this was more relaxed, and by the time the asylums were coming to a close, patients were allowed much more freedom and were actively encouraged to leave the hospital and visit the local towns. Throughout the entire life of the Asylum system, patients were encouraged to work and undertake recreation. Local artisans were employed to teach skills and aid in the production of goods that were sold and used to fund social events. Sports teams were formed, and inter-hospital rivalries were formed. The able bodied were put to work around the hospital grounds, males running the farms and traditional male activities, and the females the laundry and kitchens. The sick and infirm patients were housed in their own wards and will have spent the majority of their time there. Angry, violent or suicidal patients were housed within the wards, and on occasions, locked within a padded cell. Seclusion rooms were also employed, but these were mainly used for patients who would disturb others during the night, in latter years they were sued for patients as a reward so that they could have some privacy.

What was the Work and Recreation?

Work and Recreation was central to life within the Asylum. Sport was made available to the patients, but walking within the grounds and woodlands was the most widely available. This started out as being heavily supervised walks, but as time passed, it was realised that other activities such as art, music and dancing were beneficial. The social activities of the hospital progressed with those of society as a whole, and holidays and interaction with outsiders was encouraged, helping to rehabilitate them. Sports became more prevalent as time passed, and many different teams were formed. The Farm was the main centre of employment for the male patients, where they grew food stuff for the hospitals consumption. The farms proved to be one of the most profitable activities the patients undertook, but with the advent of the NHS the farms began to close and the land sold off. The kitchens were also a great source of employment, with food grown and produced by the patients being served. Patients were also employed in the distribution of the dinners, and each patient undertook that task every day. So one patient would make porridge for the entire hospital, everyday! The Laundry was the largest female employer within the Asylums. Clothing and bedding were sorted in the wards, booked out and transported to the laundry for washing. Patients who worked in the laundry were normally housed within the Laundry Ward. There was also various other work departments around the buildings, dealing with trades such as shoe repair, printing, clothing repairs, the libraries and various aspects of the engineering departments. It was known for patients to be paid for the work.

How was it different for the sexes?

The Females

According to case notes, most women came in for short periods only simply to recover from the stress and exhaustion of their domestic lives – once rested and relaxed they were sent on their way.  Women were also admitted from problematic marriages or as a result of giving birth to illegitimate children – even if a result of rape.  Post natal depression was also a common reason for a women admittance. The females wards differed vastly from the male wards; they were based around Victorian ideals of femininity with little opportunity for them to go outside and even fewer opportunities to play games.  It was only later that this changed.  As with the tradition at the time the women’s activities were confined to the indoors, which led to a strong bond being formed between both female patients and staff.  The women were put to work throughout the asylum, mainly undertaking jobs in the needle room, the laundry and general housekeeping duties around the ward – the latter was kept for problematic patients. The daily routine of the ward remained unchanged for many many years, patients would rise at 7am for breakfast which would consist of coffee, tea or cocoa with porridge and bread as the main.  After breakfast the ‘good’ patients would have been taken to there respective jobs in the laundry or needle room – the others would have waited around until the airing courts were opened later in the morning.  Lunch would have been served at around 12:30 and would have consisted of food produced on the local farm; this was the main meal of the day.  The airing courts were then opened up again in the middle of the afternoon for just over an hour.  Tea was served in the early evening and was known to consist of bread and cake.  Due to staff shortages on the female side of the hospitals, nurses were known to have dosed the patients with paradehyde in the evenings to ease the load.

The Males

The majority of male patients within the asylum system before the first world war were often poor and without spouses to look after them.  After WWI, ‘Shell Shock’ was a prevalent condition among men admitted to the Asylums. At the time of this condition being diagnosed it cause controversy due to the condition being similar to the female psychosis.  Alcoholism and the delusion related with it were also common reasons for certification. Unlike the female sides of the asylums, the male sides were smaller in numbers.  Escape was more common with male patients than females; but due to the smaller numbers of males in some hospitals it was noted that they had a more stable time within the ward. The males wards had the same daily schedule as the female wards and instead of being involved with the laundry and needle rooms, they worked the kitchen and the bakehouse.  They were also involved in the daily housekeeping of the wards.  Other than the difference in activities the male wards were normally run with a stricter discipline; which most of the patients would have been used to given their backgrounds within the military.  The male population of the Asylums received a wider range of activities for their recovery; they were allowed to join sports teams and the hospital band (if there was one); there were also inter-hospital leagues fort hem to compete in.  Rational patients were also employed on working the farms and the upkeep of the grounds and gardens; they were also employed in various workshops and engineering practices.  One such example is an account from Severalls of a male patients were used to lay 2-inch piping to the cricket ground, and build a band stand.

What were the treatments that were used?

The treatments used throughout the history of the Asylums have varied massively. When the Asylums first opened, there was little knowledge of the psychiatric conditions or how to treat them. The lunatics were kept calm and occupied as much as possible, and when the need arouse then restraint was employed. The first therapy that was employed throughout the Asylum system was the treatment of General Paralysis of the Insane, caused by Syphilis, with Malaria infected mosquitoes. This treatment was used through until the 1950’s when a new drug was developed. The next treatment that was developed was the Deep Insulin Therapy, where it was believed that Schizophrenia was caused by a high blood sugar in the brain. Insulin would be administered until the body went into shock and then the patient was revived with a sugary dose of tea. In the 1930’s, two major treatments were developed in Europe, these were the Electroconvulsive Therapy (ECT) and the Lobotomy. Both these treatments involved stresses to the brain. ECT involved passing a current through the brain and induce an epileptic fit, which was known to cause injury to the patient. ECT proved to be very effective for patients suffering with depression and still used in very rare cases today. The lobotomy involved cutting the brain tissue within the frontal lobes of the brain. This had mixed results and was discontinued in the 50’s. The big breakthrough in the psychiatric treatments was the introduction of drugs to the Asylum system. The first drug to be used, discovered by a French Naval Surgeon was  (Largactil) and was the first antipsychotic to be developed and it had a huge impact on the condition of patients. This development led to the rapid introduction of drugs within the psychiatric world. The next large development was talking through patients problems, and occupational therapy.

Were mechanical restraints used?

In short, yes. Before the advent of drugs and other treatments, manic, aggressive and suicidal patients were dealt with through restraint. Padded cell were also used to house patients who were self harming, or violent towards other (see our padded cell section). The most common restraints were the “straight jacket” and fingerless gloves. Both of these inhibited the movement of the patient. Less common forms were the used of continuous baths – patients were placed in a warm bath and a sheet affixed over the top, with their head and shoulders coming through it – and bed restraints. In the early years of the Asylums, restraints were common place, and their used recorded. After the 1890 Act, the use of restraints was severely limited and had to be approved by a medical officer and each use recorded.

Why did they close?

They had become to large, unwieldy and the system had opened itself up to abuse.  In 1961 the Minister of Health, Enoch Powell was invited to speak at the AGM of the National Association for Mental Health.  In his speech he announced that it the government of the day intended to “the elimination of by far the greater part of the country’s mental hospitals.”  At the same time, regional boards were asked to “ensure that no more money than necessary is spent on upgrading and reconditioning”.  This announcement had stunned the medical professions as there had been no indication that the government was going to head in this direction; only a handful of experimental community care programmes existed around the country.  It would take 25 years for these plans to take afoot and the closures to start. There were two reasons for the decline in the large institutions, the advancement in psychiatric treatment meant that a standard hospital was able to provide care to acute cases that required immediate attention, and the drugs available meant that patients did not need twenty-four hour care.  This meant that the traditional asylum was left with fewer long term patients to care for – patient numbers reduced from over 150,00 in 1950 to 80,000 in 1975.  The second reason for the closure of the mental hospitals was the passing of the Mental Health Act 1983 – this saw the people being committed to the large asylums being given back their full rights and having the ability to appeal their certification; it also saw the mentally deficient being moved back into the community under the care in community projects. The first hospital to close due to the shift in medical treatment and public perception was Banstead Hospital in 1986, others followed suit over the next twenty years, with only a handful remaining open today.  The medical staff at many hospitals still keep in contact with their old patients to make sure that the arrangements are working for them.   The hospitals themselves either stand empty and derelict, or have been demolished and converted to cheap affordable housing, with only a few reminders to the residents of the previous history there. The Victorian Asylums are now a long forgotten memory, however in a recent NHS study, they have found that people suffering from mental illnesses recover when they are in a safe environment and are involved in their treatment, rather than being allowed to fend for themselves.  In speaking with a number of retired nurses who had worked within the system, they were unsure as to whether the mass closures and the entire move to the care in the community method was the right one.  One even felt that the number of hospital that closed shouldn’t have been so high, with a few being kept as regional specialists that could provide a more comprehensive support system.  At the grounds of Horton Hospital, two of the old villas have recently been refurbished to act as a care home for the mentally ill.

“BACK BEHIND BARS” – ICONIC BRITISH ACTOR – JOHN BLUNDELL WHO STARRED IN THE EQUALLY ICONIC 1978/1979 FILMS…” SCUM” AND “QUADROPHENIA” VISITS THE JAIL

WHO’S THE DADDY ?

ABOVE: “FACE-OFF” AT THE JAIL BETWEEN ANDY JONES AND JOHN BLUNDELL

“BACK BEHIND BARS” – ICONIC BRITISH ACTOR – JOHN BLUNDELL WHO STARRED AS  THE ORIGINAL “DADDY” – PONGO BANKS IN THE ICONIC 1978 SCUM” 1979 FILM…“QUADROPHENIA” , WHERE HE PLAYED ONE OF THE MAIN ROCKERS , VISITS THE JAIL

ON BEHALF OF CHARLES SALVADOR (formerly known as Charles Bronson) HIS FIANCEE LORRAINE VISITS THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL

20 NOVEMBER 2014

ON BEHALF OF CHARLES SALVADOR (formerly known as Charles Bronson) HIS FIANCEE LORRAINE KINDLY VISITED  THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL . HIS LOYAL FRIEND MARK WILLIAMS  TATTOOIST AND SCULPTOR ALSO BROUGHT ALONG VARIOUS UNIQUE EXHIBIT ITEMS, SCULPTURED BY HIMSELF AND OWNED BY CHARLIE WHICH ARE TO BE  FEATURED ON DISPLAY HERE FOR THE FORTHCOMING 2015 TOURISM SEASON…

LORRAINE ALSO BROUGHT  ALONG  ICONIC BRITISH ACTOR – JOHN BLUNDELL WHO STARRED IN SUCH EQUALLY ICONIC FILMS…” SCUM” AND “QUADROPHENIA” ,NOT FORGETTING MARK AND JOHN’S DEAR LADIES.

CHARLES SALVADOR ( FORMERLY CHARLES BRONSON ) PICTURED WEARING ONE OF HIS VESTS WORN WITHIN PRISON… AND NOW HERE ON DISPLAY ALONG WITH MANY OTHER PERSONAL BELONGINGS , ARTWORK ETC.

IT WAS A GREAT HONOUR TO TALK TO CHARLIE PERSONALLY WHO KINDLY TELEPHONED THE JAIL TO SPEAK TO ALL THOSE THAT KINDLY VISITED ON HIS BEHALF . HE WAS IN GOOD SPIRIT AND HAD RECENTLY BEEN ALLOWED TO WATCH “RAMBO” INSIDE HIS CELL ALONG WITH BEING GIVEN A MINCE PIE AND APRICOT YOGHURT TO EAT DURING THE FILM . HE ONLY WATCHED THE FIRST 30 MINUTES OF THE FILM BUT ENJOYED IT TOO.

BELOW ARE A FEW IMAGES RELATING TO YESTERDAY’S VISIT TO THE JAIL

 

 

 

R.I.P MICHAEL CLARKE DUNCAN – ICONIC STAR OF THE EQUALLY ICONIC 1999 FILM – THE GREEN MILE

R.I.P MICHAEL CLARKE DUNCAN … A BRILLIANT ACTOR 

WE AT THE CRIME THROUGH TIME COLLECTION AT LITTLEDEAN JAIL HAVE LONG FEATURED THE GREEN MILE AS PART OF OUR  FAVOURITE PRISON AND PENAL SYSTEM BASED FILMS , WHICH ALSO INCLUDE McVICAR, SCUM , SHAWSHANK REDEMPTION, ALCATRAZ AND HOUSE OF WHIPCORD (WHICH WAS FILMED HERE AT THE JAIL )

THERE IS A GREAT DEAL OF VARIOUS SIGNED ITEMS RELATING TO ALL OF THE ABOVE HERE ON DISPLAY IN AMONGST OUR TRUE CRIME COLLECTIONS HERE

• Michael Carlson
• guardian.co.uk, Tuesday 4 September 2012 13.46 BST

Michael Clarke Duncan, right, as John Coffey, with Tom Hanks, centre, in The Green Mile. Photograph: Allstar/Cinetext/Warner Bros

Every character actor who has ever been typecast dreams of a role that will transcend the cliches of his image. For Michael Clarke Duncan, who has died aged 54 of complications from a heart attack suffered in July, that breakout role also drew on the hidden truth of his own personality, and the results were spectacular.

Duncan was nominated for an Oscar as best supporting actor in The Green Mile (1999), the film of the Stephen King story in which he plays John Coffey, a gentle giant with extraordinary powers, on death row for raping and killing two young girls. The film’s climax, when Coffey, innocent of the crimes but having punished the real killer and an evil guard, goes to the electric chair telling Tom Hanks not to put a hood over his head because he is scared of the dark, left few dry eyes in any audience.

Born in Chicago, Duncan, 6ft 5in and usually weighing about 20 stone, was himself a gentle giant. His father left when he was six, and his mother Jean’s reluctance to allow him to play American football led to his deciding he wanted to become an actor instead.

He played basketball at Kankakee (Illinois) Community College, but when his mother became ill, he dropped out of his communications studies atAlcorn State University, a historically black university in Mississippi. After returning home, he supported his mother and sister, Judy, by digging ditches for a gas company and working as a bouncer at night.

He moved to Los Angeles to pursue acting, again working as a bouncer before getting into the “private security” trade. He had acted as a bodyguard for such entertainment figures as Will Smith, Martin Lawrence, Jamie Foxx and LL Cool J before breaking into films in 1995 with a bit part in the Ice Cube vehicle Friday. His early film roles, including Warren Beatty’s Bulworth (1998), saw him typecast as bouncers and bodyguards, often billed as Michael “Big Mike” Duncan. He gave up his day job as a real bodyguard for good in 1997, when the rapper The Notorious BIG was murdered on the first day Duncan was assigned to him.

Duncan’s break came following a part in Armageddon (1998) alongside Bruce Willis, who recommended him to director Frank Darabont for The Green Mile. He went on to work with Willis in three more films: two comedies – Alan Rudolph’s adaptation of Kurt Vonnegut’s Breakfast of Champions (1999) and The Whole Nine Yards (2000) – and the noirish blockbuster Sin City (2005).

Although he never found another role with the impact of John Coffey, Duncan remained in demand with substantial parts in blockbusters such as Planet of the Apes (2001), The Scorpion King (2002) and perhaps his best later work as The Kingpin, in Daredevil (2003). To play the comic-book villain he went from weighing less than 20 stone to more than 23.

His career blossomed, as his look made him easily cast for supporting roles in films and frequent guest parts in television series, and his resonant baritone voice made him a popular choice for animation voice-overs, in films such as Cats & Dogs (2001), George of the Jungle 2 (2003), Dinotopia (2005) and Kung Fu Panda (2008). He starred in the comedy The Slammin’ Salmon (2009), as a boxer turned restaurant-owner who stages a competition between his waiters to pay off a debt to Japanese gangsters, and was the villain, Erlik, in the straight-to-video Cross (2011), a supernatural action film that also featured Vinnie Jones as a Viking named Gunnar transplanted to the present.

In 2010 Duncan undertook something of a reprise of his Coffey role in Redemption Road, as a man with a secret who brings home an alcoholic for his father’s funeral. His last television role was a recurring part in the crime series Finder.

In 2009 Duncan converted to vegetarianism. The following year, he met his fiancee, the Rev Omarosa Manigault, in the aisles of a Whole Foods supermarket in Los Angeles. Manigault, a considerable presence in “reality” television, made her name as a controversial participant in the American version of The Apprentice with Donald Trump, and feuded with Piers Morgan in The Celebrity Apprentice.

In May this year, Duncan made a film for the animal-rights group Peta, talking about his conversion to a vegan lifestyle, and how he had thrown away $5,000 worth of meat when he did. Two months later, he suffered a massive heart attack.

He is survived by his mother, sister and fiancee.

• Michael Clarke Duncan, actor, born 10 December 1957; died 3 September 201

RAPE , SEXUAL ASSAULT AND ABUSE BEHIND BARS………..BE WARNED, “NOT NICE”

THE HARSH REALITY OF WHAT CAN AND OFTEN DOES HAPPEN TO YOU BEHIND BARS ….

HERE ARE MORE INTERACTIVE AND CERTAINLY EDUCATIONAL INSIGHT DOCUMENTARY FOOTAGE (PARTS 1-7)  OF SEXUAL ABUSE , ASSAULTS AND RAPE THAT GOES ON BEHIND BARS IN MANY USA (AND ALSO HERE IN THE UK)  JAILS .

IF EASILY OFFENDED , DISTURBED, OR OF A SENSITIVE NATURE …. THEN BEST TO NOT WATCH THESE VIDEOS

 FROM WIKIPEDIA

Prison rape refers to rape in prison. It has come into common usage to refer to rape of inmates by other inmates, and less commonly to the rape of inmates by staff, or the rape of staff by inmates. Rape of corrections officers by inmates almost exclusively occur in the shower rooms.^{[citation needed]} Rape committed in prison is thought to be more about power and control than sex. The experience of rape can be psychologically worse than regular violence, and inmates may use rape to dominate other inmates.^{[citation needed]}

In 2001, Human Rights Watch estimated that at least 140,000 inmates in the United States had been raped while incarcerated, and there is a significant variation in the rates of prison rape by race.Just Detention International^[1] estimate that young men are five times more likely to be attacked and that the prison rape victims are ten times more likely to contract a deadly sexually transmitted disease. In contrast to these high figures, a meta-analysis published in 2004 found a prevalence rate of 1.91% with a 95% confidence interval between 1.37–2.46%.^[2] Applying that 1.91% figure to the nearly 2.3 million inmates currently incarcerated in prisons and jails in the United States^[3] suggests that raped inmates number 43,800.

LIFE BEHIND BARS IS BY NO MEANS A GLAMOROUS ONE ….PARTICULARLY WITHIN THE USA PENAL SYSTEM .

WITH EMPHASIS THROUGHOUT THE MEDIA HERE ON RECENT RIOTS AND LOOTING THROUGHOUT THE UK….. AND THE GOVERNMENT THREATS OF HARSH PUNISHMENT FOR THESE CRIMES …. MAYBE SEND THOSE CONVICTED EITHER TO THE USA JAILS OR MAYBE TO THE FRONT LINE IN AFGHANISTAN  ?

HERE’S SOME HARD HITTING – REAL LIFE FOOTAGE OF LIFE BEHIND BARS IN SOME, IF NOT ALL USA JAILS …..

Smile stupid, you’re on CCTV: West Midlands Police release photos of looters… now help us identify them

CCTV images of looters who went on the rampage in Birmingham and Liverpool on Monday have been published by detectives.

Police are trying to trace the culprits who caused extensive damage in the city and looted dozens of shops.

The gallery of suspects has been posted on the web by West Midlands police who are urging anyone who recognises those snapped to call them on 0800 096 0095.

West Midlands has released CCTV stills of looters who went on the rampage in Birmingham on Monday

They are also appealing for anyone with photos or video of the disorder to email them attellus@west-midlands.pnn.police.uk

So far the force has made 330 arrests since Monday, including a 14-year-old Wolverhampton girl who was escorted to a local police station by an uncle who suspected her of coming home with stolen clothing.

More…

• Swift justice for Shameless lookalike: Thug jailed less than 24 hours after riot attack on police officer (and he bears uncanny resemblance to another Manchester deadbeat)
• Racial tensions reach boiling point in Birmingham as vigilantes arm themselves with baseball bats after deaths of three young Muslims

Magistrates in Solihull have been working through the night to hear cases from defendants charged over the riots, which spread to the UK’s second city after a weekend of violence in London.

A total of 26 cases were heard between 7.30pm until 6am with charges ranging from burglary, arson, theft and violent disorder.

Now 20 of those are now in prison having either been sentenced or pending follow-up court appearances.

Police are urging anyone who recognises people in the photos to contact police and give them names

West Midlands Police Chief Constable Chris Sims, said: ‘We promised swift, decisive action against anyone suspected of causing trouble on our streets – and thanks to our colleagues at the courts we’re delivering on that promise.

‘More people suspected of being involved in disorder will appear before magistrates today as both Sandwell and Wolverhampton have court sittings dedicated to dealing with these prisoners.

‘We will not tolerate violent behaviour in the West Midlands and will arrest anyone who commit acts of violence or criminality…offenders can expect to be put before the courts and will face the full force of the law.’

Police chiefs confirmed that last night passed off peacefully in Birmingham.

Looters can be seen with handfuls of goods from shops that had been broken into

Major roads into the city centre were closed from 9pm as a precaution but re-opened at 1.30am.

Chief Superintendent Phil Kay said: ‘Last night we worked closely with the communities of the West Midlands to appeal for calm and it is pleasing to see that these appeals were listened to and the streets remained quiet and peaceful.

‘Our focus was on maintaining a high visibility presence throughout the night and early hours, which helped prevent any further disorder.

‘We have seen the benefits of social media being used responsibly to send positive messages about the situation in the West Midlands and to dispel malicious rumour and innuendo. We would like to thank the community for their ongoing support.’

Some of the looters covered their faces, but police hope they could still be identified

Merseyside police have also released stills from CCTV footage.

They are hoping to be able to bring offenders to justice and want the public to email in names of anyone they recognise using disorderinvestigation@merseyside.police.uk or calling 0151 709 601.

Assistant Chief Constable, Andy Ward, said: ‘The public have an important part to play and I would urge everyone to look at the images in the media and tell us who these offenders are and where we can find them so they can be brought to justice.’
Police in Liverpool have already relased CCTV stills of people they want to speak to in relation to disorder

Do you recognise any of these people? If you do Merseyside police want to hear from you

In Cambridge, police want to identify after a copycat riot left police officers injured during a night of violence.

Police clashed with a 40-strong gang of yobs as they tried to attack and loot The Grafton shopping centre on Tuesday night.

Two police officers were injured as hooded louts in their late teens and early 20s hurled missiles and smashed a window in skirmishes on Midsummer Common at around 11.35pm.

Det Chief Insp Chris Mead, of Cambridgeshire Constabulary, released CCTV images of nine of the men police want to speak to following the disturbances.

‘We are keen to hear from anyone who recognises these people. I would also urge the people who are pictured to contact police themselves.’

A police spokeswoman said three teenagers and two men were arrested for violent disorder as police foiled the gang’s attempts to lay siege to the shopping centre.